DSM & Humboldt Simplifier MKII

Para mis composiciones necesito equipo muy versátil y este dispositivo cumple con ello.

Es demasiado fácil saturar y perder calidad de sonido si no sabes configurarlo bien. Lo genial es que aprendes mucho sobre el sonido de tu guitarra y la configuración avanzada de un amplificador

Si te gusta la variedad de estilos en el rock, este debería ser tu amplificador

Gran trabajo de los chilenos!

Es un aparatito realmente sorprendente, versátil, intuitivo... Muy bien.

El sonido es el mejor que he oido en un simulador (a ese precio) y sobre todo, tiene dinámica y reacciona a lo que haces. Es una maravilla.

Una advertencia, cuidado con tus altavoces... tienes que ajustar todo el rato el volumen del master y no despistarte, si no quieres tener un disgusto y reventar tus conos.

Y una queja, a Thomann... me mandaron una unidad con la caja vieja y golpeada... el pedal bien, pero sinceramente no son maneras. No lo he devuelto porque va bien y lo necesitaba para un trabajo, y claro... esto está en Alemania, son unos días... Así que mal, Thomann, no podéis mandar así los productos.

After a lot of though, I purchased my first amp sim/preamp in a very long time. I have used a lot of these boxes over the years, like Pod & Vox toneLab. I now record primarily in a DAW, so I have been using software like Amp Room for the past few years.

I have never honestly been happy with the results of software/sims. So I took the leap in thinking that someone had eventually figured out how to make something far more inspiring/real sounding from analog hardware and I was correct :)

I have gigged for a lot of years in original and cover bands, recorded in some nice/dodgy studios using amps like Vox, Fender twin, Marshall and I understand that a real amp provides the harmonics you feel when you play though its valves. For me, playing though the Simplifier feels like playing through an actual amp. It just feels and inspires more than everything I have tried up to this point.

You switch from one amp to another and you have to work to make it sound good. You really need to adjust everything after switching and that is the joy in finding the sound that fits in the mix or makes you want to mess around for another hour.

It’s just what you would do when changing amps in reality. Driving the power amp tubes as you balance the pre amp gain to make it harmonically rich is fantastic and most importantly, actual fun to work with. I have missed this work while using software and Vox ToneLab. The reverb is beautiful with the a gentle modulation that makes clean sounds smooth and playable and never overpowers the sound of the guitar (I used 4 different types and they all responded great).

Like real amps: Fender proves the most difficult to make it really sing, while Vox and Marshall are far more simple (once driven by the power amp) but that’s a kind of reality which is really nice :)

My only gripe is that I wish it was much bigger for the desktop and comes with no power supply so I removed one star :)