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the t.bone BD 300 Bundle

Bundle offer comprising:

Further information

Microphone Set For Guitars No
Microphone Set For Drums Yes
Microphone Set For Vocals & Speech No
Microphone Set For Cameras No
Microphone Set For Wind Instruments No
48 customer ratings:
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4.3 / 5.0
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Total
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... does not have to hide in sound ...

Woody, 15.02.2010

Noch ein Tipp:
Wem die üblichen Tom-Tom-Mikrofone generell zu hölzern klingen ... da das BD300 relativ preiswert ist, kann man sich überlegen für alle Toms welche zu kaufen. Ab 12" und tiefer gibt es einen schönen warmen satten bassigen Sound damit. Also wer es eigentlich für die Bass-Drum kauft, sollte dieses Mikro einfach mal an den Toms oder auch großen Handtrommeln wie Djembe ausprobieren." data-mt-lang="en-x-mtfrom-de" data-translated="... behind 4 times more expensive established representatives ... The bass microphone BD300 is perhaps not strongly pre-defined in the direction of rock kick drum, but this must not be a disadvantage - it sounds a bit vintage. The depths are all there, also the "stomach swingers", and with a few hand movements and usual know-how like positioning, EQing etc. should the desired sound be realized - corresponding drum, tuning, loudspeaker / subwoofer ... presupposed. Compared to the BD200 it brings what most of a bass micro really expect bass from very low to high. <br><br> Another tip: <br> If the usual Tom Tom microphones generally sound too wooden ... since the BD300 is relatively inexpensive, you can think about all the toms which buy. From 12 "and below, there is a nice warm, bass-like sound. So if you buy it for the bass drum, try this micro simply on the toms or even big hand drums like Djembe." > ... behind 4 times more expensive established representatives ... The bass microphone BD300 is perhaps not strongly pre-defined in the direction of rock kick drum, but this must not be a disadvantage - it sounds a bit vintage. The depths are all there, also the "stomach swingers", and with a few hand movements and usual know-how like positioning, EQing etc. should the desired sound be realized - corresponding drum, tuning, loudspeaker / subwoofer ... presupposed. Compared to the BD200 it brings what most of a bass micro really expect bass from very low to high.

Another tip:
If the usual Tom Tom microphones generally sound too wooden ... since the BD300 is relatively inexpensive, you can think about all the toms which buy. From 12 "and below, there is a nice warm, bass-like sound. So if you buy it for the bass drum, try this micro simply on the toms or even big hand drums like Djembe.
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de Automatically translated (Show original)
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At the price ...

m_tree, 01.06.2012
... you can not really complain. However, you can not compete with three to four times more expensive classics. Unless you are on undefined vintage sound, which is however somewhat more difficult to act.

The microphone absorbs the low frequencies well. To get a good audible kick (highs), it must be relatively close to the beats, although one should not do without an EQ. All in all, it is more difficult to get a compact, yet persuasive, sound that can be used in the mix. There are more "unwanted", humming sound parts than the classics. Even with EQ, Gate, Compressor and Reverb it does not sound so full and full. If the micro is completely unprocessed, it does not really have a chance against the classics.

This is, of course, a matter of taste, especially since you should not compare apples with pears. In some places a so neutral and non-predefined sound is not bad. As a replacement or additional micro - eg at the back or on the outside before the Reso - definitely a recommendation. At the price anyway.
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61 €
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Offers include 24% Greek VAT and are valid as long as stocks last. Shipping costs to Greece are 20 EUR, free shipping on orders above 298 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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