the t.bone DC 4000
Drum Microphone Set
- Set in aluminium case, consists of:
- 1 dynamic bass drum microphone: BD 25 Beta (hypercardioid polar pattern, 20 – 12,000 Hz frequency response)
- 4 dynamic snare/tom microphones: CD 56 Beta (supercardioid polar pattern, 20 – 18,000 Hz frequency response)
- 2 back-electret overhead microphones: EM 81 (cardioid polar pattern, 20 – 18,000 Hz frequency response, require 48 V phantom power)
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Available since December 2002
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Item number 156982
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Sales Unit 1 piece(s)
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Microphone Set For Guitars No
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Microphone Set For Drums Yes
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Microphone Set For Vocals & Speech No
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Microphone Set For Cameras No
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Microphone Set For Wind Instruments No
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Including Case Yes
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Clip On Microphone Yes
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Amount Of Microphones 7
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Complete drum microphone set
The t.bone DC 4000 is a seven-microphone drum kit set comprising three microphone types – one BD 25 Beta dynamic bass drum mic, four CD 56 Beta dynamic snare and tom mics, and a pair of EM 81 back-electret condenser overhead mics – all packaged in a rugged aluminium carry case. The set covers a standard five-piece kit from kick to overheads, with each microphone voiced for its specific role in the drum mix. Build quality across all three types is solid, with metal housings and reinforced grilles throughout. For drummers and engineers looking for a coherent, purpose-built set at an accessible price, the DC 4000 covers the essentials without any compromises.
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Three mics, three roles
The BD 25 Beta is a hypercardioid dynamic microphone voiced for kick drum: Its tailored frequency response that low-end weight and beater attack, with a maximum SPL above 155dB and a sensitivity of 0.6mV/Pa suited to the high output levels inside a kick shell. The four CD 56 Beta supercardioid dynamics handle snare and toms: A 150dB SPL ceiling, 13.7dB(A) self-noise, and a response that extends to 16kHz keep stick attacks clear and transients well-defined. Each CD 56 Beta has an integrated mount with a fixed 3/8" thread, compatible with standard stands and rim clips. The two EM 81 cardioid condensers are positioned as overheads, capturing the full stereo image of the kit (cymbals, room, overall balance) with a 20Hz–18kHz frequency response, 9.5mV/Pa sensitivity, and 17dB(A) self-noise. They accept 48V phantom power, making them compatible with virtually any interface or mixer.
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Matched from kick to overhead
The DC 4000 is aimed at drummers and engineers who need a coherent, matched set of microphones for a standard five-piece kit – live, rehearsal, or studio – without assembling a collection of individual mics at a much higher cost. The hypercardioid BD 25 Beta and supercardioid CD 56 Betas keep bleed between close-miked sources to a minimum, which matters on crowded stages where isolation determines how much control the engineer has at the desk. The EM 81 overheads, beyond their primary role as cymbal and room mics, are versatile enough for acoustic instruments, ensemble recording, and any source where a natural condenser capture is useful. Buying the equivalent individually would cost considerably more – the aluminium case alone represents a practical saving for anyone transporting a full kit mic setup regularly.
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About the t.bone
Since 1994, the t.bone has been one of Thomann's in-house brands, and its name can be found on devices such as headphones, wireless systems, in-ear equipment, and various microphones and matching accessories. the t.bone products are made exclusively by renowned companies who also manufacture products for other well-known brands. This provides a clear advantage: Brand-quality products at very reasonable prices. And word gets around: One in seven Thomann customers has already bought at least one product from the t.bone.
Hit them hard
The CD 56 Beta capsules are protected by a double-reinforced wire mesh grille – a layered construction that shields the transducer from direct stick hits without compromising the sound. The BD 25 Beta and EM 81 housings are equally robust, built for the physical demands of live drumming environments. All three microphone types handle high sound pressure levels without distortion – the CD 56 Beta's 150dB ceiling in particular means it can be placed anywhere on the kit, or repurposed for close-miking loud guitar amps and brass instruments without risk of overloading.
