Connections:
The Moog Subsequent 37 is the new high-tech synthesizer from the one of the most influential manufacturers in the history of modern music. However, instead of mere nostalgia, the Subsequent has been designed with the music of the future in mind. The synth is an evolution of the award-winning Sub 37, already an impressive device, with its modern interface and pioneering sound. The Subsequent continues this tradition: The monophonic – or optionally duophonic – analogue synthesizer features a comprehensive arsenal of settings and features, without ever being difficult to use. And of course, the sound itself leaves absolutely nothing to be desired.
The Moog Subsequent 37 generates its unique sound using two fully-featured oscillators, a sub-oscillator, and a noise source, followed in the signal path by a new-and-improved mixer that offers more headroom than any previous Moog. Next is the legendary Moog ladder filter – a modern classic, albeit one that Moog has given a new twist: The filter slope can be switched between 6, 12, 18, and 24dB/octave, and as with the other models in the Sub series, the Multidrive function allow users to add post-filter overdrive with unparalleled control, dialling in elegant, rich warmth or aggressive distortion without requiring significant adjustment to the output volume. Finally, the envelope generators are implemented as dual DAHDSR types, and the unit includes two fully-featured LFOs capable of modulating at frequencies high enough to produce audible effects. All in all, plenty of modulation options to get creative with!
There's no question – the Moog Subsequent 37 is a professional-grade instrument. And so it's no surprise that it is found on stages all around the world. Considering what it brings to the table, then, the price feels like a bit of a steal. This synth is ready for anything – sessions in the studio, live sets on tour, or just jamming at home. Zero compromise on sound and playability is the name of the game here: Earth-shaking basses, screaming leads, and creative sound design excursions are all well within the Moog's repertoire. What is more, every parameter is seamlessly integrated into the device's software, making it easy to tweak and automate the Moog Subsequent 37 directly from a DAW.
The US manufacturer of synthesizers, based in Asheville, North Carolina, is one of the pioneers in this field and has legendary status. Robert Moog had been involved with electronic sound generation since the 1950s and his first experience was with the manufacture of theremins. The breakthrough came in 1968 with the Grammy-winning album "Switched-On Bach" by musician Wendy Carlos (then know as Walter Carlos), recorded in multitrack with a mono synthesizer. The Minimoog, released in 1971, became the most popular synthesizer of the 1970s and is still considered the benchmark for the quality of synthesised sounds. It and the following devices, like the Memorymoog, Polymoog, and Prodigy, shaped the sound of countless albums, from Stevie Wonder to The Police and from Saga to Kraftwerk.
Right now, the Moog Subsequent 37 is about as flexible, versatile, and sonically powerful as monophonic synths get. So for all keyboard players who are after that unmistakable Moog sound – but who don't want to do without modern conveniences like DAW integration, a full-featured sequencer, and a whole host of presets – this is the one to beat. And the price? Surprisingly accessible, considering everything it delivers.