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Catalinbread Belle Epoch Deluxe BOS

4

Pedal de efectos

  • Una reproducción exacta del sonido del icónico Tape Echo de 3 bandas Maestro Echoplex EP-3 de la década de 1970s
  • Amplificador de grabación y reproducción con transistor de silicio de alta ganancia y bucle de retroalimentación para una auténtica gran sensación y calidez
  • Reguladores: 6-Way Mode Switch, Depth Record Level, Echo Volume, Echo Sustain, Echo Delay
  • Conmutador de mano: VD / Exp
  • LED: Echo Osc., Effect On/Off
  • Pulsador de pie: Effect Bypass, Echo Osc.
  • Entrada: Jack de 6,3 mm
  • Salida: Jack de 6,3 mm
  • Entrada de pedal de expresión: Jack estéreo de 6,3 mm
  • Conexión para fuente de alimentación: Coaxial de 5.5 x 2.1 mm con polo negativo en el interior
  • Consumo: 200 mA
  • Alimentación con pila de 9V o por transformador externo de 9V DC (no incluido, disponible opcionalmente bajo art. n.° 409939)
  • True Bypass
  • Made in USA
Disponible desde Enero 2022
número de artículo 534565
Precio por 1 Unidad(es)
Analógico No
Tiempo de delay en ms 80 - 800 ms
Función Tap No
Alimentación a pilas No
Alimentador de corriente incluido No
393 €
Todos los precios incluyen IVA
En stock
En stock

Este producto está en stock y puede ser enviado inmediatamente.

Información sobre envíos
Envío gratis. Recepción estimada entre el Jueves, 7.11. y el Viernes, 8.11.
1

4 Valoraciones de los clientes

5 / 5

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2 Reseñas

google translate dk
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
JD
Feels and sound like a vintage unit
Johan D 20.01.2022
I’ve used the original Catalinbread Belle Epoch for years (fantastic pedal - Eric Johnson has 4 of them on his board), and the deluxe version takes the amazing sound even further.

First of all this is not the same circuit as the original Belle Epoch. The circuit was entirely redesigned to exactly match the circuit of the Maestro Echoplex EP-3, so a big part of the circuit is analog.

This pedals truly feels like an old school analog effects unit with all the quirks, the magical sweet spots and the way it responds to your playing and guitar sound.

The base EP-3 sound is very close to the original Belle Epoch, but through the new preamp the guitar has a bit livelier response than the original. The modulation differs a lot - the original can wow and flutter to crazy levels, creating that 60’s mad science inventor vibe - the wow and flutter in the deluxe version (only talking EP-3 mode) is much more limited, but very musical and usable all the way up to max.

After a few hours of testing (mostly in Mode 1 - EP-3), I feel like, I’ve only seen the tip of the iceberg - the other modes makes it an entire world of delay sounds to discover. While many multi-mode effects units sounds very generic in each setting, each of the Belle Epoch Deluxe’s modes sounds good enough to be worth a pedal of it’s own.

I’ve recently tested the Universal Audio Starlight, which also offers EP-3 and DMM sounds. Though it sounded absolutely amazing and contains way more advanced features, I kept the Belle Epoch Deluxe which beats it in being a more fun and engaging effect. The UA Starlight offers an extremely high fidelity in beautiful stereo with a more predictable outcome when turning the knobs, so it is definitely also a big recommendation, but the Belle Epoch is just straight up rock n roll.

No pedal maker beats Catalinbread when it comes to creating unique pedals that feels and sounds like an old school effects unit with tons of mojo.

Oh and the new black on silver design looks awesome!
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google translate de
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
V
Classic tape delay
Viepe22 23.05.2022
It is one of the best delays I used so far and definitely has character. I honestly didn't even play too much with the other delay modes because the original tape mode is amazing. The price is a bit high. I don't think I would have bought it in other occasions, but I decided to keep it just because the sound is so good.

The only feature that I don't find that goo d is the recording level knob. I know it does the same as the original delay, but it's hard to have distorted echos that don't sound louder than the original, so I always leave the record level in about 20%.

The other delay simulations are spot on. I can't hear a lot of difference between this and my carbon copy.
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