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USB 2.0 immersive audio interface and monitor controller with USB-C connection

  • Supports up to 9.1.6 speaker setups
  • Onboard Room Calibration DSP
  • Sonarworks SoundID Referenz Integration
  • Remote Control Software
  • AD/DA conversion: 24bit / 96kHz
  • Dynamic range inputs: 122 dB
  • Dynamic range outputs: 126 dB
  • 2 x 16 Channel surround outputs (analogue & AES)
  • 2 z Stereo line outputs (relay-switched)
  • 2 x Independent stereo headphone outputs
  • 2 x Audient Console microphone preamps (microphone / line / instrument)
  • 2 x ADAT, word clock input and output
  • Fanless design
  • Dimensions: 19" / 1U
  • Includes Sonarworks SoundID reference measurement microphone and 60-day free trial version of SoundID Reference for Multichannel
  • Note: After the 60-day trial period has expired, the created profiles can no longer be accessed. A licence must be purchased for further use.
  • K dostání od Duben 2024
  • Číslo produktu 584722
  • Prodejní jednotka 1 ks
  • Recording / Playback Channels 34x38
  • Number of Mic Inputs 2
  • Number of Line Inputs 2
  • Instrument Inputs 2
  • Number of Line Outs 20
  • Headphone Outs 2
  • Phantom power Yes
  • Number of S/PDIF Connectors 0
  • Number of ADAT Connectors 2
  • Numer of AES/EBU Connectors 16
  • Number of MADI Connectors 0
  • Ethernet 1
  • Other Connectors No
  • MIDI interface No
  • Word Clock 1xIn, 1xOut
  • Max. sample rate (kHz) 96 kHz
  • Max. resolution in bit 24 bit
  • USB Bus-Powered No
  • Incl. power supply Yes
  • USB Version 2.0
  • Connection Format USB port Type C
  • Included in delivery incl. Sonarworks SoundID Reference Measurement Microphone and 60-day Version SoundID Reference for Multichannel;
  • Zero latency monitoring Yes
77 300 Kč
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5 / 5

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Outstanding interface for immersive audio setups
Asteri 26.06.2025
The Audient Oria is a very well-designed interface, clearly aimed at immersive formats like Dolby Atmos. The audio quality is excellent—transparent and detailed—and the native integration with Sonarworks is a real plus for maintaining accurate monitoring.

Atmos configuration is surprisingly straightforward thanks to the control app, which works seamlessly both on desktop and iPad. It even offers Streamdeck integration, which I don’t use myself, but I truly appreciate the option for those who do.

If I had to mention downsides, I’d say the Dante card should have been included by default, and I wish there were more input options, both analog and digital, to allow for greater flexibility.

That said, it’s a fantastic piece of gear, suitable not only for professional studios but also for advanced home studios wanting to step into immersive audio. While the price is high, the quality and feature set make it well worth it.
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