the t.bone DC4000 Set
Bundle offer comprising
the t.bone DC 4000
Drum Microphone Set
- Set in aluminium case, consists of:
- 1 dynamic bass drum microphone: BD 25 Beta (hypercardioid polar pattern, 20 – 12,000 Hz frequency response)
- 4 dynamic snare/tom microphones: CD 56 Beta (supercardioid polar pattern, 20 – 18,000 Hz frequency response)
- 2 back-electret overhead microphones: EM 81 (cardioid polar pattern, 20 – 18,000 Hz frequency response, require 48 V phantom power)
4x beyerdynamic MKV 87
Special Microphone Holder
- Professional universal holder for tom and snare
- Excellent vibration damping
- Extremely robust
- Incudes attachment for 3/8" adapter (as with TG D57/58)
-
Available since January 2003
-
Item number 159953
-
Sales Unit 1 piece(s)
-
Microphone Set For Guitars No
-
Microphone Set For Drums Yes
-
Microphone Set For Vocals & Speech No
-
Microphone Set For Cameras No
-
Microphone Set For Wind Instruments No
-
Including Case Yes
-
Clip On Microphone Yes
-
Amount Of Microphones 7
-
Everything a drummer needs
The t.bone DC 4000 Set combines the full DC 4000 seven-microphone drum kit package with four beyerdynamic MKV 87 patented rim-mount clamps – made in Germany and designed specifically for drum hoops. The set covers a standard five-piece kit from kick to overheads: one BD 25 Beta dynamic bass drum mic, four CD 56 Beta dynamic snare and tom mics, and a pair of EM 81 back-electret condenser overhead mics, all packaged in a rugged aluminium carry case. The beyerdynamic MKV 87 clamps allow the CD 56 Betas to be mounted directly onto snare and tom rims without additional mic stands, keeping the stage uncluttered and the capsules precisely positioned close to the drum head. For drummers and engineers looking for a coherent, purpose-built set with professional mounting hardware included, the DC 4000 Set covers the essentials without any compromise on practicality or quality.
)
Three mics, three roles
The BD 25 Beta is a hypercardioid dynamic microphone voiced for kick drum: Its tailored frequency response that low-end weight and beater attack, with a maximum SPL above 155dB and a sensitivity of 0.6mV/Pa suited to the high output levels inside a kick shell. The four CD 56 Beta supercardioid dynamics handle snare and toms: A 150dB SPL ceiling, 13.7dB(A) self-noise, and a response that extends to 16kHz keep stick attacks clear and transients well-defined. The beyerdynamic MKV 87 rim clamps attach to any standard snare or tom hoop via a 3/8" thread, positioning the capsule precisely without a stand occupying floor space around the kit. The two EM 81 cardioid condensers are positioned as overheads, capturing the full stereo image of the kit (cymbals, room, overall balance) with a 20Hz–18kHz frequency response, 9.5mV/Pa sensitivity, and 17dB(A) self-noise. They accept 48V phantom power, making them compatible with virtually any interface or mixer.
)
Matched from kick to overhead
The DC 4000 Set is aimed at drummers and engineers who need a coherent, matched set of microphones for a standard five-piece kit – live, rehearsal, or studio – without assembling individual mics and mounting hardware at higher cost. The hypercardioid BD 25 Beta and supercardioid CD 56 Betas keep bleed between close-miked sources to a minimum, which matters on crowded stages where isolation determines how much control the engineer has at the desk. The rim-mounted CD 56 Betas sit closer to the drum head than a stand-mounted mic typically allows, improving isolation further and reducing the risk of accidental displacement during energetic performances. The EM 81 overheads, beyond their primary role as cymbal and room mics, are versatile enough for acoustic instruments, ensemble recording, and any source where a natural condenser capture is warranted.
)
About the t.bone
Since 1994, the t.bone has been one of Thomann's in-house brands, and its name can be found on devices such as headphones, wireless systems, in-ear equipment, and various microphones and matching accessories. the t.bone products are made exclusively by renowned companies who also manufacture products for other well-known brands. This provides a clear advantage: Brand-quality products at very reasonable prices. And word gets around: One in seven Thomann customers has already bought at least one product from the t.bone.
Hit them hard
The CD 56 Beta capsules are protected by a double-reinforced wire mesh grille – layered construction that shields the transducer from direct stick hits without compromising the sound. The BD 25 Beta and EM 81 housings are equally robust, built for the physical demands of live drumming environments. All three microphone types handle high sound pressure levels without distortion – the CD 56 Beta's 150dB ceiling in particular means it can be placed anywhere on the kit, or repurposed for close-miking loud guitar amps and brass instruments, without risk of overloading. The MKV 87 clamps are built to beyerdynamic's manufacturing standards – reliable under the physical stress of hard-hitting live sets and precision studio sessions alike.
