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Thomann's Cool Online Guides: Dynamic Microphones

4. Differences

Not all dynamic mics are created equal. Differences in design and materials contribute to each microphone’s unique sound characteristics. Some important specs include:

Sound Pressure Level

The volume a microphone can handle must be considered to determine its range of application. Putting a vintage valve condenser microphone inside a bass drum will probably result in a large repair bill; knowing the SPL rating of your microphone is usually crucial to knowing how to use it safely. Unlike some condenser microphones, most dynamics can handle a high level of sound pressure. For this reason, a dynamic microphone may be used in situations where few other mics would survive. Exceeding a dynamic mic’s maximum SPL will result in audible distortion, but is unlikely to cause permanent damage to the capsule. For this reason, some dynamic mics have a maximum SPL of ‘N/A’ - in other words, don’t worry about it.

Frequency Response

Frequency response is another important specification. Almost all microphones have a “sound” – a microphone’s frequency response imparts characteristics to the sound it captures, rather like a filter in front of a camera lens; everything seen through it may have a certain colour. A ‘perfect’ linear response is not always ideal; few microphones exhibit such a response, especially dynamic designs, but this is not necessarily a bad thing. A sound engineer may choose a mic based on the way it colours the sound. For example, a vocalist will often sound better if certain frequencies are emphasized while others are de-emphasized. Conversely, if a mic is very good at picking up low frequencies you probably wouldn’t use it for miking a triangle.

Yamaha Subkick dynamic bass drum microphone

Frequency response can also be affected by two other factors: distance and direction. If a mic is positioned very close to the sound source it may exhibit proximity effect (boosted bass frequencies). Radio DJs often choose a microphone with a pronounced proximity effect because it makes their voices sound fuller. Also, if a sound arrives to the mic from an angle that it’s insensitive to (“off axis”), the frequency response may be greatly affected.

EV RE20 large diaphragm dynamic microphone

Polar Pattern

As we have seen, a microphone’s sensitivity is not necessarily uniform in all directions. The ‘shape’ of a microphone’s response, known as its polar pattern, is another important component to evaluate when selecting a microphone. Common polar patterns include cardioid (heart-shaped), supercardioid and hypercardioid (‘pointier’ heart-shaped responses), omnidirectional, and figure-8 (bidirectional). The shape of the microphone itself will affect its polar pattern, which is why many omnidirectional measurement microphones are small; this way the body of the microphone doesn’t block sound from behind the mic as much as a larger mic. Not all frequencies will create the same shape, so the polar plots of a mic may be given for several frequency ranges. Directional microphone patterns such as cardioid, hypercardioid and supercardioid are often chosen for vocals and close miking instruments precisely because of their off-axis rejection. Omnidirectional mics are rarely used in loud live situations where feedback is a concern, though they are often excellent when used in the more controlled environment of the recording studio, for recording larger instruments such as grand piano or a wide percussion setups which might otherwise require numerous directional microphones.

Sennheiser E604 and cardioid polar pattern

Transient Response

A microphone’s transient response indicates how fast the diaphragm will respond to sudden sounds, such as the attack of a pick or the strike of a drum. Larger diameter diaphragms usually react more slowly than smaller diaphragms, which is why small diaphragm condenser microphones are often chosen for recording cymbals. Dynamic mics with their heavier diaphragms will exhibit slower transient responses than condenser mics.


Microphones can be differentiated by their impedance, a measure of their inherent electrical resistance measured in ohms (?). High impedance mics (rated 10k ohms and above) are susceptible to interference and loss of signal quality, particularly with long cables, and are usually restricted to non-professional applications. Low impedance mics (600 ohms or less) tend to be used in professional situations where microphone cables and snakes can reach 100m or more. Modern mixing desks can usually adapt to any microphone impedance.

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Dynamic Microphones overview

Soundboks The Soundboks 2 Elektron Digitakt Harley Benton HB-20B 2017 Vox AC2 Rhythm Guitar tc electronic M100 Denon DN-300C MKII IK Multimedia ARC System 2.5 Millenium ST-95 Novation Circuit Mono Station Harley Benton HB-40B 2017 Vox Adio Air GT Gravity KSX 2 W Keyboard Stand
Soundboks The Soundboks 2

Soundboks The Soundboks 2, powerful portable battery powered outdoor speaker system, Mercus Audio Eximo 3 x 72W intelligently class-d amplifiers that reach levels up to 122dB, 2 x10" low frequency speakers + 2 x high frequency neodymium silk dome tweeters,...

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Elektron Digitakt

Digital Drum Machine 8 Internal audio tracks, 8 Dedicated MIDI tracks, 1 Multimode filter per audio track, 1 Assignable LFO per track, Delay and Reverb send effects, Built-in sequencer, Support for sampling, OLED display, 64 MB Sample memory, 1...

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Harley Benton HB-20B 2017

Harley Benton HB-20B 2017, compact electric bass combo amplifier, 20 watt, 8" custom voiced speaker, TEC tube-emulating circuit, instrument input, gain control, integrated compressor with LED indicator, 3-band equalizer (bass, middle, treble), volume control, headphone output, aux-input for play-along backing...

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Vox AC2 Rhythm Guitar

Mini Combo for Electric Guitar Power: 2 W, Equipped with: 2x 3" Speakers, 3 Different sounds: Normal, Flat and Scoop, 5 Effects, 81 Rhythm patterns - Tempo 40 - 240 BPM, Inputs for guitar and Aux in, Headphone output,...

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tc electronic M100

tc electronic M100; Stereo Multi-Effects Processor; 16 TC-Effects including reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and multi-effects; Edit and Tap/Select function; 24-bit AD/DA converters; Stereo Input Level control with LED level indication; Mix Balance and Output Level...

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111 €
Denon DN-300C MKII

Denon DN-300C MK II, CD/USB Player, Slot-In CD - Drive, USB Audio Player, USB plays MP3 audio file formats, 3,5 mm Jack Input, Display, symmetric XLR Output, stereo RCA Output, adjustable speed ±15%, Random, Repeat and Power-on-Play, IR Remote, 10-key...

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239 €
IK Multimedia ARC System 2.5

IK Multimedia ARC System 2.5; speaker calibration software incl. MEMS measurement microphone; corrects the frequency response as well as the stereo imaging of monitor speakers; automatic multi-point room measurement system based on Audyssey MultEQ® XT32 technology; measurement precision when used...

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233 €
Millenium ST-95

Standing Aid Ideal for keyboardists, guitarists and DJs, Seat height, backrest and footrests individually adjustable, Seat upholstery and backrest with cover, Seat height adjustable from 545 - 965 mm, Padded seat, Weight: 6 kg, Material: Steel, Colour: Black, Suitable...

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Novation Circuit Mono Station

Paraphonic Analogue Synthesizer 2 Oscillators with individual control of sync and tuning parameters, Filter can be used as high, low or bandpass filters with 12 or 24 dB, Three distortion modes, Monophone and paraphone modes with individual glide control,...

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518 €
Harley Benton HB-40B 2017

Harley Benton HB-40B 2017, compact electric bass combo amplifier, 40 watt, 10" custom voiced speaker, TEC tube-emulating circuit, instrument input, gain control, integrated compressor with LED indicator, 3-band equalizer (bass, parametric middle, treble), volume control, headphone output, aux-input for play-along...

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Vox Adio Air GT

Modelling Electric Guitar Combo Power: 50 W, Equipped with: 2x 3"speakers for a wide stereo sound, Bluetooth allows wireless playback of music and remote control via app, VET Modelling technology for authentic amp sounds, Up to 23 amplifier models,...

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Gravity KSX 2 W Keyboard Stand

Gravity KSX 2 W Keyboard Stand, double X-Form single Keyboardstand, powder Coated steel, max. load 65 kg, hight adjustment between 100 - 900 mm, Levelable foot, weight 4,45 kg, colour white

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