Harley Benton AC PRO 60

Acoustic Instrument Combo

  • Power: 45 Watt
  • Equipped with: 1x 8" speaker (8 Ohm) and 1" tweeter
  • 2 inputs: Jack and jack / XLR combo
  • Channel 1: Controls for gain, bass, middle, treble, switch for high / low and contour
  • Channel 2: Controls for gain, bass, treble, switch mic / line
  • All FX Balance CH1 / CH2
  • Mode switch (Hall, Plate, Chorus / Room Delay)
  • Level
  • Master volume
  • AUX in
  • MP3 in
  • Tuner out
  • Effect loop
  • Line out
  • Di Out Balanced XLR
  • Headphone output
  • Foot switch (effect on / off) (article nr 260691, not included)
  • Dimensions: 346 x 280 x 346 mm
  • Weight: 11 kg
  • Dust cover not included (optionally available article nr 283229)
No JavaScript? No Audio Samples! :-(

Audio Examples

 
0:00
  • Acoustic Duo
  • Acoustic Duo Line
  • Bossa
  • Bossa Line
  • Strumming
  • Strumming Line

Further Information

Power in Watts 45
Speaker size 1x 8"
Channels 2
Reverb Yes
Effects Processor Yes
External FX Loop Yes
Microphone Input Yes
Line Input Yes
Battery Operation No
Footswitch connection Yes
Incl. Footswitch No

These are other customers' choices:

Customers who looked at this item have bought these:

Harley Benton AC PRO 60
45% bought this exact product
Harley Benton AC PRO 60
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
205 € Add to Basket
Bugera AC60
18% bought Bugera AC60 198 €
Harley Benton HBAC-20
6% bought Harley Benton HBAC-20 98 €
Marshall AS50D
4% bought Marshall AS50D 299 €
Harley Benton TableAmp BlueTooth
4% bought Harley Benton TableAmp BlueTooth 88 €
Our most popular Acoustic Amps
194 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.6 /5
  • quality
  • features
  • sound
  • handling
Total
quality
features
sound
handling
Astounding little amp. A real gem!
markodarko, 11.01.2015
Firstly, just to clarify my "status" as a guitarist, if there is such a thing. I've been playing guitar - acoustic and electric - for over 30 years. Sheezus, I'm old. Anyway... Suffice to say I've played through a gamut of different amps and PA systems over the years and currently own a Marshall AS50D acoustic amplifier (I used to own an AS100D) and a Yamaha Stagepas 500 PA and I bought this little amp for my son to get him gigging.

Well, what can I say. Impressed is not the word. Well, it is, but if you could incorporate impressed and surprised into one word, that would be the word - imprised?

The tone is not really like the AS50D - in some ways it's a better tone, in different ways not. For example, it has a mid on the guitar input which the AS50D does not so you can alter the tone quite a lot there even if you have an EQ on your acoustic. Also, the AS50D just has one reverb setting while this has 2 plus a delay and a chorus. The AS50D wins on the chorus stakes though as it has a dedicated chorus function, however it's handy having a delay - I actually prefer delay over reverb if given the choice of one or the other - although the delay on the amp is not adjustable in any way other than level, it's useful all the same.

Those differences aside, if comparing them side by side I'd say that the Marshall has more of a spectrum to the sound, but the Harley Benton is somehow "clearer", more of a focused sound, especially when finger picking. In isolation they are both excellent and there's not a whole lot between them if you EQ them to sound similar and when in isolation you'd be happy with either.

I've had both the AS50D and the AC Pro 60 on a Thomann amp stand (which is also excellent) cranked up with a guitar and Shure SM58 plugged in and seated within 1.5 metres of the amp and feedback is minimal - in fact it's a lot worst on the Marshall - to the point where they have a "feedback elimination" control, but it's not needed on the Harley Benton at all!

Cranked up they are both clear and distortion free - providing you're careful to turn down the bass at high volume levels of course. I'd be totally happy gigging with this amp with no problems at all, and if my Marshall gave up the ghost I wouldn't hesitate in replacing it with one of these. All you need for a small acoustic pub gig.

Incidentally, I'm pretty sure that this is identical to the Tanglewood T6 amplifier. Certainly looks it, and that's had rave reviews, except this is a third of the price!

Highly recommended. Grab yourself a bargain.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
quality
features
sound
handling
Excellent value for money
marcusavgreen, 07.03.2018
I bought this amp because it was all I could afford at the time. However it sounds excellent. Since then I have bought an AER 60 which is lighter and less noisy but for about 6 times the price. Slight downsides are that it is relatively heavy and (like the AER) has no pole mount facility. I strongly suspect it comes out of the same factory as the Tanglewood T6 which costs about 4 times the price.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
quality
features
sound
handling
Delighted I went with AC pro 60
drdolittle, 15.12.2015
This is exactly what I was looing for! I had been dithering for ages about buying the right acoustic amp for me and had bounced from the expensive fender/roland/laney offerings to the generics at a more manageable price. In the end I took a chance on the Ac Pro 60 and I am so glad. It is light, compact and packed with features that are comparable to many of the big name equivalents - but the sound is its main attractive quality and there is huge scope within the controls to get it exactly where you want it. I bought this amp to do justice to a martin dc-15mE and sweet divine I can't put it down now! Whether I play through an effects set up or just through the amp- I can achieve great sound that I am really happy with. When I pushed "order" the first time I really wondered if I was settling for less- but now I would happily order another of these in the future.
I should point out that a small button was missing from one of the control switches- but thomann dealt with this immediately.
The 4 stars instead of 5 is due to the lack of control over the delay settings- but this might not bother someone else.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
quality
features
sound
handling
Surprise
andrejgr, 14.06.2016
Comparing to Fenders and Ibanez amps at this price, this amp just stands it's own and above.

Amp can not hide, it's role model is AER, but that is quite all right. It has nice sound, sufficient power and looks nice, is easy to handle, two channels are great, plenty of effects to chose from.

Very nice. it even stands it's own comparing to my Roland AC60.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
205 €
Including VAT; Excluding 20 € shipping
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
Share This Product
Your Contacts
Phone: +49-9546-9223-20
FAX: +49-9546-9223-24
Online Guides
Acoustic Guitar Amps
Acoustic Guitar Amps
Before buying an acoustic amp, it’s important to consider exactly what you want it to do.
Online Guides
Guitar Setups
Guitar Setups
The range of available guitars and amps has never been greater than it is today, and a huge variety of sounds are easily accessible.
 
 
 
 
 
Download
 
 
 
 
 
video
 
 
 
 
 
test results:
Offers include VAT and are valid as long as stocks last. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
(73)
Recently Viewed
Presonus AudioBox USB 96 Black

USB Interface 2 x 2 USB 2.0 interface 24-bit / 96 kHz, 2 Mic / instrument inputs: XLR combo jack, 2 Line outputs: 6.3 mm jack balanced, MIDI input and output, Stereo headphone output: 6.3 mm jack, USB 2.0...

(1)
Recently Viewed
Source Audio SA 270 - One Series EQ2

Source Audio SA 270 - One Series EQ2 Programmable Equalizer; 10-band equalizer effects pedal, 10 adjustable frequency bands ranging from 31 Hz to 16 kHz with +/- 18 dB boost/cut for each band, parametric equalization capabilities to adjust the frequency...

(1)
Recently Viewed
LAVA Music ME 2 Freeboost BL

Compact Steel String Guitar with Pickup Ideal as a travel guitar, With FreeBoost technology: Uses the back of the LAVA ME guitar as a speaker - reverb, Delay and chorus effects can be played without an amplifier, One-piece, injection...

(1)
Recently Viewed
Behringer CP1A

Behringer CP1A; power supply module for Eurorack systems; LED indicators for +12V, -12V and +5V rails; connectors for 2 flying bus boards; power rating: 1A (+12V) / 1A (-12V) / 0.5A (+5V); width: 4 HP; depth: 52mm: including: external power...

Recently Viewed
beyerdynamic Phonum

beyerdynamic Phonum; speakerphone for conference calls via internet; Bluetooth technology for more freedom of movement; USB connection as a secondary interface; range up to 10 m; runtime of rechargeable battery < 12 hrs; audio codec: Low Complexity Subband Codec (SBC);...

Recently Viewed
Nura nuraloop

Nura nuraloop bluetooth in-ear headphone - personalised Sound, 16+ hours wireless battery, Active Noise Cancellation, Social Mode, TouchDial controls, Wireless and wired, aptX HD Bluetooth® 5, Sweat resistant, Voice calls, Automatic on/off, In the box: 1x NuraLoop, 1x analog cable,...

Recently Viewed
Marshall Stockwell II Black

Marshall Stockwell II Black Bluetooth Speaker, 2x 10 W Woofer, 2x 5W Tweeter, class D amplifier, bluetooth 5.0, Multi-Host-Funktion (simply switch between two bluetooth devices), frequency 60-20000 Hz, input: 1x 3,5mm stereo jack, controls: volume, bass & treble, upt to...

(1)
Recently Viewed
Celemony Melodyne 5 studio UD 4 studio

Pitch and Timing Correction Software and Plugin (download) Update from Celemony Melodyne 4 studio to Melodyne 5 studio Largely free processing of monophonic and polyphonic audio material at the frequency and time level in excellent sound...

Recently Viewed
Synapse Audio Obsession

Synapse Audio Obsession (ESD); virtual synthesizer; meticulous and faithful emulation of an analog polyphonic classic synth; two parts engine with 8 or 16 voice boards; single, dual and split modes; comprehensive set of parameters per voice; comprehensive modulation capabilities; 2...

Recently Viewed
Zoom G 11 Guitar Multi Effect

Multi-Effects Processor for Electric Guitar Integrated pedalboard with separate amplifier control panel, 5 foot switches and one expression/volume pedal, Coloured LCD touchscreen surface with drag-and-drop and swipe functionality for simple and quick operation, Effects chains with up to 9...

Recently Viewed
Sennheiser RR 5000

Sennheiser RR 5000 In-Ear wirelesss headphone - attention! no transmitter included! just for extension of RS5000! srechargeable wireless headphone, three different hearing profiles, up to 70 m range, 125 dB SPL, up to 12 h running time, frequency response: 15...

Recently Viewed
Turbosound TS-12W350/8W

Turbosound TS-12W350/8W, 12" Woofer, 8 Ohms, 350 Watts RMS, 1400 Watt Peak, 61 Hz - 3 kHz, SPL: 95 dB (1 W / 1 m), Rigid aluminum die-cast frame, Mounting hole diameter: 299 mm (11.77"), Overall Diameter: 316 mm (12.44"),...

Give Feedback
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.