Got exactly what I was expecting. Don't really see any cons with this pedal, it sound good, the voice control is great, You can even get some fuzz-like tones if you play around with the knobs. Very responsive, actually works pretty fine as an amp simulator - don't have an amp at home? Just plug this thing into your speakers and jam away, it really sounds pretty decent (not like a real amp, mind You, but close enough for fooling around. Anyhow, it isn't quite it's purpose, so complaining would be silly). It gives of a certain mars******esque sound, I find it sounds best with a strat, definitely some Hendrix there. Only "negative" thing that I can think of is that it doesn't have a lot of gain, but then again, I didn't need a high gain pedal in the first place, so I'm happy with what I got, but for those who are looking around for a distortion pedal - maybe go for true tone california, or that extreme metal one, because this one is pretty tame and soft, I guess You could call it "bluesy". Quite dynamic, works well with volume swells. Would recommend.
UPDATE: I played around with the pedal using different amps, and it is great! The voice control has a lot of scope, and with the right amp it has quite the range. The amount of available gain depends on the position of the voice knob: all the way to the left - Hendrix'ian sound, almost a fuzz, sort of like a fully cranked old-school stack, dirty and fat; at the middle it sounds like a standard 70's rock setup, especially with a Les Paul, a tad to the left - definite Jimmy Page territory; all the way to the right has more gain, and is a smoother, more "concentrated" sound, similar to a more modern mar***** sound - mixed with the right amp and a LP I easily get Metallica tones.
At first when I got this, I was slightly disappointed, but now after I've spent more time exploring the sounds that it provides - it's great! Later on I'll upload a review of this and the Harley Benton ST-62 MN SB, so stay in tune.
This pedal is basically 50 years of British amps in one small pink box! It's a lot more than just a distortion pedal. You can run it like that; at the end of a pedal chain it did a great job of sounding big into a clean Peavey Bandit. It also worked well as an overdrive with the gain and voice settings lowered. I also tried it into the Peavey's Fx send jack so it worked as a preamp - what a great sound! The British Sound works wonderfully into a powerful solid state poweramp and if anything has even more character. The final method I used to test the British Sound was into a PA - again, great results, largely thanks to the built-in speaker simulator. I would happily use this as a gigging backup in case my main amp went down. In terms of tone, the British Sound emulates the entire history of Marshall amps, right from the early Bluesbreaker and JMP models with their lower gain and woody sounds through to the JCM800 series and the JCM2000 DSL series of amps - the voice control lets you change the type of amp you are emulating and the rest of the controls work as a normal distortion pedal would. In summary, the amount of voicings and applications this pedal has is really impressive - whether it's as a backup rig or the centre of your live rock sound, for the price it's definitely worth giving it a shot.
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