EV ND76s

Dynamic large diaphragm vocals microphone

  • With switch
  • Polar pattern: Cardioid
  • Frequency range: 70 - 17,000 Hz
  • Max. SPL: 140 dB
  • 2.4 mV / Pascal
  • Impedance: 350 Ohm
  • Black zinc diecast housing
  • ABS polycarbonate
  • Dimensions: 182.5 x 50.5 x 24.3 mm
  • Weight: 323 g
  • Incl. microphone holder and bag

Further information

On/Off Switch Yes
Polar Pattern Cardioid
2 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.5 / 5.0
  • features
  • sound
  • quality
Text ratings for this product are available in another language only so far
2 written ratings Read all reviews
de Automatically translated (Show original)
deOriginal review (Show translation)
Unfortunately there was an error. Please try again later.

Clear, very stressed B sse and loud - comparison EV ND 76, EV N / D767, Shure Beta 58 A

Comparison E-Voice ND 76, E-Voice N / D767, Shure Beta 58 A (Fast-reading will find a conclusion at the end of the evaluation)

The ND series of vocal microphones has been reissued by E-Voice in 2016. They solve the tried and tested series of N / Dx67 microphones. As a long-time fan of E-Voice microphones of the N / D series, I was curious about this successor. I've had three microphones to compare: the predecessor E-Voice N / D767, which is just significantly cheaper at Thomann, the new E-Voice ND 76 and the also quite new Shure Beta 58 A. All three are dynamic microphones With neodymium technology.

On the one hand we performed the sound comparison live with the stage system. On the other hand, I have all Mirkos? Flat? Recorded and normalized in the studio so as not to distract different sound levels from the sound properties.

E-Voice ND 76:
Processing: very solid processing. In contrast to its predecessor, the microphone handle is made of coated metal. For the predecessors of the N / Dx67 series, it is a plastic handle, which brittles after 15 years, but is available as a spare part. The ND76 makes a very robust and durable impression. The micro is called a "large diaphragm microphone" , This term is more classical with condenser microphones for the studio and also arouses sound expectations. A look inside, however, shows that the microcapsule is the same size as the predecessors. Well, it can hardly be any bigger, because it fills almost the whole diameter of the wire basket. The membrane is thus significantly larger than, for example, the Shure 58.
Loudness: First of all it is noticeable that this micro is much louder than the predecessor N / D767 and is already louder than the Shure. That means more? Air? On the controller and less noise.
Klangeimppression: E-Voice-Typically, this microphone offers brilliant highs and sounds more visibly to the Shure. Overall, it seems to react to Impule somewhat faster, as a singer has the feeling, the micro is? Somehow closer to it ?. The taste of this micro is the pronounced proximity effect. In the close-up discussion, the depths are clearly overburdened. For male voices this sounds very comfortable over the monitor, but overall the voice loses some clarity and intelligibility. Female voices give this effect more body, the voice sounds warmer and more comfortable, in combination with the clear heights of the E-Voice, the micro here has its strengths.
Grip sounds: Despite the metal grip, I do not seem more pronounced than the N / D767.
Poplaute: The biggest weakness of the microphone. It is clearly sensitive to plosive sounds, it pops clearly and more strongly than the two comparison microphones. The best figure in comparison makes the Shure Beta 58 A, which reacts very insensitive.

Brief summary of the two other mics:
The Shure Beta 58 A meets the Shure reputation as a vocal all-rounder. It sounds consistently very balanced, warm. In the highs, however, it shows slightly less presence than the E-Voice microphones. Very insensitive to pop sounds.

The N / D767 also offers a nice, balanced sound, with prominent highs. It's louder than the Shure, something more sensitive to pop sounds. The proximity effect is by no means as pronounced as the ND76.

Conclusion for the E-Voice ND 76:
High loudness, clear heights, pronounced bass in close-up discussion. For women's voices, which need the clarity in the heights and more body in the overall sound good, definitely worth a try. Whoever feels the stressed bass as disturbing, better reaches another Mirko.

In the end it is a question of taste. I was the Basslastigkeit and the pop sensitivity a bit too much and because of the more balanced overall sound and the currently much more favorable price, the choice for my singing (man, position baritone / tenor) fell on the EV N / D767.
Helpful · Not helpful · Report review
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Free shipping incl. VAT
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
Share this product
Your Contact People
Phone: +49-9546-9223-35
FAX: +49-9546-9223-24
Online guides
Dynamic Microphones
Dynamic Microphones
Dynamic microphones are the basic tools of live sound and play an important role in every recording studio.
Online guides
Recording  choirs
Recording choirs
Recording choir music is always a challenge, even though it might not seem to be at first.
test results:
Offers include 21% Belgium VAT and are valid as long as stocks last. Shipping costs to Belgium are 2,50 EUR, free shipping on orders above 49 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
Teenage Engineering PO-33 K.O. Zoom H1n Presonus Faderport 16 Harley Benton PowerPlant ISO-2 Pro RCF EVOX J8 Bose S1 Pro Battery Pack Beyerdynamic DT-880 Pro Black Edition Marshall DSL5CR Aguilar SL112 Ivory Teenage Engineering PO-35 speak LD Systems Maui 5 Go Harley Benton PowerPlant ISO-1 Pro
Teenage Engineering PO-33 K.O.

Teenage Engineering PO-33 K.O., Micro-Sampler; Built-in Mic; 40 sec. sampling time; 8 Melody-Sample-Slots; 8 Drum-Slots; 16-Step Sequenzer; 16 Patterns; 16 Effects; parameter locks; Built-in speaker; 3.5mm audio I/O; Jam sync; Animated LCD display; Folding stand; Break away lock tab; Clock...

to the product
99 €
Zoom H1n

MP3 / Wave Handy Recorder Genuine XY microphone configuration, 24-bit / 96kHz linear PCM, Built-in monitor speaker, Rubbersied surface, Input: 3.5 mm stereo jack for line signals and plug-in powered microphones, Automatic and manual recording level, Low-cut filter, Timestamp...

to the product
119 €
Presonus Faderport 16

16-Channel DAW Production Controller 16 Professional, touch-sensitive 100 mm motor faders (Dual-Servo Drive Belt), High fader resolution: 10 Bits/1,024 steps, 85 Background and status illuminated buttons, 104 Controllable functions, 16 High-resolution LC displays as digital labeling fields, Timecode and...

to the product
999 €
Harley Benton PowerPlant ISO-2 Pro

Multi-power adapter for effect pedals 8 isolated, filtered and short-circuit protected outputs eliminate noise and hum, High amperage for modern digital effects, LED monitoring at each output, Power supply with a 12V @ 2A DC power adapter (included), Output...

to the product
69 €

RCF EVOX J8, active 2-way-Array-PA-system containing: 8 x 2" Fullrange Speaker, 12" Bassreflex-Subwoofer, 2.5" v.c., 1400 Watt/Peak, 128 dB max SPL, 40 to 20000 Hz, DSP processing, Jack/XLR input, Soft limiter, incl. distance pole and cable, weight: 23,8 Kg, optinonal...

to the product
999 €
Bose S1 Pro Battery Pack

Bose S1 Pro Battery Pack, rechargeable lithium-ion battery for Bose S1 Pro, up to 6 hours charge time, with Quick Charge feature, easy to Install into the dedicated compartment on your S1 Pro for secure and reliable use

to the product
145 €
Beyerdynamic DT-880 Pro Black Edition

High-End Studio Headphones Dynamic, Half open, Circumaural, Frequency range: 5 to 35,000 Hz, Nominal impedance: 250 ohms, Sound pressure: 96 db, With 3 m spiral cable with 3.5 mm jack, Weight: 390 g with cable, 307 g without cable,...

to the product
185 €
Marshall DSL5CR

Full tube combo amp for electric guitar Reissue series - authentic DSL sound, Power: Low power circuit from 5 W to 1 W, 2 footswitchable channels with classic gain and ultra gain, Equipment: 10" Celestion Ten-30 loudspeaker, Preamp tubes:...

to the product
489 €
Aguilar SL112 Ivory

Bass cabinet Super Light, Equipped with: 1 x 12" neodymium speakers, Rated power: 250 watts @ 8 ohms, Dimensions (H x W x D): 377.80 x 482.60 x 457 mm, Weight: 11.4 kg

to the product
699 €
Teenage Engineering PO-35 speak

Teenage Engineering PO-35 speak, Vocal Synthesizer/Sampler; Built-in Mic; 120 sec. sampling time; 16-Step Sequenzer; 16 Patterns; parameter locks; Built-in speaker; 3.5mm audio I/O; Jam sync; Animated LCD display; Folding stand; Break away lock tab; Clock + alarm clock; Battery powered...

to the product
99 €
LD Systems Maui 5 Go

Rechargeable Battery Powered Compact Plug And Play Column System For monitoring and PA sound reinforcement, Discreet appearance for inconspicuous applications, Up to 6 hours of battery operation at 100% playback power and 10 hours at 50% playback power, Integrated...

to the product
745 €
Harley Benton PowerPlant ISO-1 Pro

Multi-power adapter for effect pedals 8 isolated, filtered & short-circuit protected outputs eliminate noise and hum, High amperage for modern digital effects, LED monitoring at each output, Power supply with a 12V @ 2A DC power adapter (included), Output...

to the product
49 €
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.

Please leave a comment. Please enter your e-mail address.