Sequential Trigon-6

1

Analogue Synthesizer

  • 6-Voice polyphonic
  • 4 Octave semi-weighted keyboard with 49 keys, velocity sensitive and aftertouch
  • 3 Discrete VCOs per voice
  • Simultaneously selectable waveforms: triangle, sawtooth, inverted sawtooth and variable-width pulse
  • Pulse width per oscillator
  • Hard sync: oscillator 1 synchronises with oscillator 2
  • LFO mode (oscillator 3)
  • Keyboard tracking on/off (oscillator 3)
  • Oscillator feedback and drive control for increased signal saturation
  • White noise source
  • Keyboard pitch tracking on/off
  • Switchable two/four-pole, discrete, resonant low-pass filter per voice
  • Filter can be set to self-oscillation with the resonance control
  • Bi-polar filter envelope value
  • Speed modulation of the envelope
  • Keyboard tracking: off, half, full
  • 4-Stage (ADSR) envelope generator
  • Speed modulation of the envelope
  • LFO with 5 waveforms: sine, sawtooth, inverted sawtooth, square and random (sample and hold)
  • LFO synchronisation
  • Poly Mod
  • Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice
  • Aftertouch
  • Clock
  • Arpeggiator
  • Polyphonic step sequencer with up to 64 steps and pauses
  • Effects: stereo analogue distortion, two 24-bit / 48 kHz digital effects including reverb (room, hall, plate and spring), delay (full-bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator
  • Illuminated pitch and modulation wheels
  • Transpose control for an 8-octave range
  • Unison mode (monophonic) with a configurable number of voices, from one to all six voices, chord memory and key modes
  • 500 User and 500 factory programmes in 10 banks of 100 programmes each
  • Built-in power supply 100 - 240 volts at 50 to 60 Hz
  • Side panels made of maple wood
  • Dimensions (W x D x H): 807 x 323 117 mm
  • Weight: 9.5 kg

Connections:

  • 2 Line outputs: 6.3 mm jack
  • Stereo headphone output: 6.3 mm jack
  • MIDI In/Out/Thru
  • USB MIDI
  • Filter cutoff input for expression pedal: 6.3 mm jack
  • Expression pedal input for volume control: 6.3 mm jack
  • Sustain footswitch input: 6.3 mm jack
  • Input for sequencer start/stop footswitch
Tillgänglig sedan Februari 2023
Artikelnummer 555076
försäljningsenhet 1 Styck
Number Of Keys 49
Touch-Sensitive Yes
Aftertouch Yes
Split Zones No
Modulation Wheel Yes
Number of simultaneous Voices 6
Sound Engine Analogue
MIDI interface 1x In, 1x Out, 1x Thru
Storage Medium Internal
USB-port Yes
Effects Yes
Arpeggiator Yes
Number of Analog Outputs 2
Digital Output No
Display Yes
Pedal Connections 2x Pedal, 2x Footswitch
Dimensions 807 x 323 x 117 mm
Weight 9,5 kg
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44 790 kr
Gratis frakt inklusive moms
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i lager

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Information om leveransen
Beräknat utskeppningsdatum till Tisdag, 30.04.
1

1 Kundbetyg

5 / 5

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1 Recension

IA
Versatile analog poly
Infested Alien 23.07.2023
First the look, it has been some divide feelings for some because of the light maple wood end panels. I enjoy them and they look very appealing when you see them in real and not in video / photo.

Then the interface, it's very easy to get an overview of all the knobs and parameters. The knob-caps are in plastic which is something I didn't expect. The knobs that are bi-polar are easy to turn, the octave knobs for the oscillators goes with a smoth and gentle tactile feeling when you move them and they are endless encoder type of knobs. The rest of the potentiometer knobs are a bit hard to turn before they get "runned in" which is similar to the feeling of the PRO3. So expect the filter-cutoff knob to be hard to turn also and it's a bit easy to slip when the knobs are plastic.

The sound and the filter. It's a wide range of sounds you can create with this. Pay attention to the 2 pole mode which gives the synth more flexible usage together with the 3rd oscillator that can be set in "LFO-Mode" an advice is to try set the velocity response to setting number 6 and try play around with velocity on AMP and Filter and you will be suprised how expressive your patches can become on this analogue machine. Also notice that this synthesizers filters resonance is a dream. I think it has a unique sound when you reach into the early stage of self oscillation.

My rating of this transistor-ladder type of poly is basically 5 / 5. The build quality is top notch. The only thing I feel I think could be a bit better but it's more of a personal taste i guess is the knobs that they have plastic caps and are hard to turn in the beginning before being "runned in". But thats a smaller problem when the rest is perfect and the sound is what I like from it.
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