Yamaha SLG200N TBK

Silent Guitar with Nylon Strings

  • Body: Mahogany
  • Neck: Mahogany
  • Frame: Maple / Rosewood (Dalbergia latifolia)
  • Fretboard and bridge: Rosewood (Dalbergia latifolia)
  • 19 Frets
  • Scale: 650 mm
  • Nut width: 50 mm
  • String spacing: 11.5 mm
  • SRT Piezo pickups
  • SRT mic modelling preamp system (Neumann U67)
  • Controls: Power, Master Volume, AUX in volume, bass, treble, tuner, Blend & Smooth Control Effects (Reverb 1, Reverb 2, Chorus)
  • Weight: 2.1 kg
  • Finish: Translucent black
  • Soft bag, in-ear headphones and 2 AA batteries included
No JavaScript? No Audio Samples! :-(

próbki dzwiękowe

 
0:00
  • Bossa Line Reverb
  • Classical Line
  • Pop Line Chorus

Dalsze informacje

Colour Black
Top None
Back and Sides None
Fretboard Rosewood
Nut width in mm 50,00 mm
Scale 650 mm
Cutaway Yes
Pickup System Yes
Case or Gigbag Yes
14 Oceny klientów:
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 / 5.0
  • właściwości
  • dźwięk
  • wykończenie
Aktualnie ten produkt posiada ocenę tylko w innym języku.
Liczba pisemnych ocen 8 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
właściwości
dźwięk
wykończenie
Essential in a busy home, but good on the road.
Avison_UK, 12.03.2016
I principally use the SLG200N for practice when the kids are asleep. Simple as that. Ideas that come in the night need not wake up anybody anymore, as the actual un-amplified sound is about as quiet as an unplugged electric guitar.

It feels and behaves like a nylon-strung guitar, as it is. I play folk fingerstyle on steel and nylon electroacoustic normal guitars, so it has a place with my regular collection. The setup is classic Yamaha accurate - precise and built for discerning musicians.

Pros: it's a proper guitar for practice that sounds good through earphones or amplified.

Cons: only being slightly picky, but the limitation to just one microphone emulation narrows things, but I use my Yamaha THR5A practice amp/preamp (obviously through headphones if I want to be quiet) and then it genuinely rocks sonically.

Conclusion: this is a very good silent practice guitar, that actually plugged and loud (like through the THR5 and perhaps onwards to something louder) is right up there as a good stage instrument. I really, really like it.
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gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
właściwości
dźwięk
wykończenie
close to perfect
bertelu, 12.06.2018
all other people are suggesting this guitar for his main feature: silent. so can be used for practice all night long. i would suggest this guitar for the opposite reason. his sound. so dynamic, so warm it's amazing. Yamaha did a very great job with his modeling software, and the qualityof the sound is very close to other much costly brands. only problem with this, is the strap locks that are used also to keep the frame in place. unfortunately they tent to unscrew themselves.
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Yamaha SLG200N TBK
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Yamaha SLG200N TBK

Silent Guitar with Nylon Strings Body: Mahogany, Neck: Mahogany, Frame: Maple / Rosewood (Dalbergia latifolia), Fretboard and bridge: Rosewood (Dalbergia latifolia), 19 Frets, Scale: 650 mm, Nut...

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Silent Guitar with Nylon Strings Mahogany body, Mahogany neck, Maple / rosewood frame (Dalbergia latifolia), Ebony fretboard, Rosewood bridge, 19 Frets, Length: 650 mm, Nut Width: 52 mm, String...

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Yamaha SLG200N TBS

Silent Guitar with Nylon Strings Body: Mahogany, Neck: Mahogany, Frame: Maple / Rosewood (Dalbergia latifolia), Fretboard and bridge: Rosewood (Dalbergia latifolia), 19 Frets, Scale: 650 mm, Nut...

Yamaha SLG200N NA
(16)
Yamaha SLG200N NA

Silent Guitar with Nylon Strings Body: Mahogany, Neck: Mahogany, Frame: Maple / Rosewood (Dalbergia latifolia), Fretboard and bridge: Rosewood (Dalbergia latifolia), 19 Frets, Scale: 650 mm, Nut...

666 € 2 831,63 zł
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Classical Guitars
Until recently, the classical guitar represented the most popular route into guitar playing.
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