the t.bone SC 1100

Large Diaphragm Studio Microphone

Through the 1.07" double-diaphragm, switchable polar patterns (omnidirectional, cardioid, figure eight) and high-pass filter, SC1100 suitable for all studio applications.

  • Switchable d polar pattern: omnidirectional, cardioid and figure eight
  • Low cut switch
  • Frequency response: 20 - 20000 Hz
  • Max. SPL: 123dB
  • Sensitivity: 39.4 mV / Pa
  • Output impedance: 200 Ohm
  • Equivalent Noise Level: <20 dB (A-weighted)
  • Distortion: <0.5% at 125 dB SPL
  • Equivalent noise level dB (A): 6.8
  • Power supply via phantom power 48 V (± 4 V)
  • Weight: 941 g
  • Incl. aluminium case and new shock mount
No JavaScript? No Audio Samples! :-(

próbki dzwiękowe

 
0:00
  • Ballad
  • Soul
  • Ballad Male
  • Soul Male
  • Ballad Male Dry
  • Soul Male Dry
  • Ballad Dry
  • Soul Dry
  • więcej

Dalsze informacje

Tube No
Switchable Polar Pattern Yes
Omnidirectional Yes
Cardioid Yes
Figure-8 Yes
Low Cut Yes
Pad No
shockmount included Yes
USB Microphone No

Wybierz produkty z zestawu i kupuj taniej

Jeśli kupisz ten artykuł w zestawie razem z innymi produktami możesz zaoszczędzić do 5 % !
ART Tube MP + the t.bone SC 1100 +
kolejne 4
SPL Goldmike 9844 + the t.bone SC 1100 + Cordial CAM 6 BK +
kolejne 4
the t.bone SC 1100 + Millenium MS 2003 +
kolejne 4

Tak wybrali inni klienci

Klienci, którzy oglądali ten artykuł kupili:

the t.bone SC 1100
39% klientów kupiło dokładnie ten produkt
the t.bone SC 1100
Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki
118 € Do koszyka
Rode NT1-A Complete Vocal Recording
16% klientów kupiło Rode NT1-A Complete Vocal Recording 149 €
the t.bone SC 400
7% klientów kupiło the t.bone SC 400 48 €
the t.bone SC 600
5% klientów kupiło the t.bone SC 600 68 €
the t.bone SC 450
4% klientów kupiło the t.bone SC 450 68 €
Najpopularniejsze Mikrofony Pojemnościowe
538 Oceny klientów:
  • 5
  • 4
  • 3
  • 2
  • 1
4.5 / 5.0
  • właściwości
  • dźwięk
  • wykończenie
Liczba pisemnych ocen 266 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
właściwości
dźwięk
wykończenie
I hate blind A/B tests
gordonliv, 23.05.2016
There's a little trick I do from time to time to compare different products. It's good fun and you can learn a lot. What I do is set up blind A/B comparisons and compare two or more products to see which one's better. I don't limit this activity to audio products - I do it with wines, cheeses, coffees and teas... even fabrics. Sometimes the results are really astonishing. If you can't tell the brand name of the thing you're listening to/tasting/feeling... then you have to decide your preference on what your senses are telling you.

Most of the time I do this test on audio products, though. I've done pre-amps, mics, reverbs, keyboards, snare drums...

I've actually done blind A/B testing with some other T.Bone mics - the MB75 and the MB85 - and the reviews are up here on the Thomann website.

Anyway, I've just finished doing my blind A/B test on this mic (the T.Bone SC-1100) and another (how shall I put this?) er... "very well known" large diaphragm condenser mic. I won't mention it by name, but you know which one it is.

Well, the T.Bone mic won. Yes it did. Admittedly, I only tried the A/B test on vocals, but after all that's mostly what I'll be using this mic for. It beat the other, much more famous, mic; not by a huge amount - it was close - but it definitely came out on top. This mic has a warmer, smoother and less "middly" sound than "the other one". It also responds better to plosives (although that's not really an issue for either mic if you use a pop shield). The output of this mic did seem to be slightly lower than the other one, but again that's not an issue when you have a nice clean pre-amp and can turn up the input gain (you wouldn't have to turn it up by much anyway).

And the most astonishing thing - given that this mic WON the blind A/B test - is the price. A quick calculation brigs this mic in at 5.3% of the cost of the other one. A TWENTIETH of the price!

This is why I hate blind A/B testing. You learn a lot. Sometimes you learn too much!

I'll probably still use the other mic for outside clients in the studio. It's by no means a bad mic! And that's the mic that clients expect to see when they come in to record a vocal session, so that's the one I'll use - especially given thatI've spent SO much money on it! But for recording my own vocals, and other instruments, I'm using the T.Bone SC-1100. It's a better sounding mic.

In fact I'm placing an order for another one right now. :-)
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
właściwości
dźwięk
wykończenie
A low-cost mic, expensive sound
07.01.2017
Finding myself a little more time for music again I felt the need for one more large diaphragm condenser. In the past (pre mortgages and babies) I had a few great £300-£500 mics from the likes of Rode and Se, but as now a hobbyist on a budget couldn?t really justify buying a £300+ mic this time around.

t.bone mics have been on my radar for a while after seeing and hearing people using them. I?d been surprised by recordings made by even the inexpensive SC 400 model. t.bones seem to be a bit of a secret weapon for home studio fans on a tight budget that still want quality. 10 years ago a ?£50? condenser mic would have been a joke. Things seem to have changed. So I decided to get a t.bone but one closer in spec and features to my old multi-pattern Rode NT2 or NT2000 and so the SC1100 seemed to be in that ballpark but much, much less money.

With the SC1100 you get a lot for the modest outlay. The SC1100 comes in a great case and has a very professional-looking, sturdy shock mount included. The mic itself feels nice and solid in the hand and in terms of feel is much like my SE2200A but lacking the more crafted feel of a good Rode. But don?t get me wrong - it looks and feels well built enough.

The mic was purchased for three main purposes: Vocals, spoken word recording, and instruments - primarily acoustic guitar. I no longer own any fancy mic preamps so tested the t.bone through my Focusrite Octopre MKII, which generally gives a very transparent result, which you can then ?warm up? with plugins should you wish.

On both my own deep, gruff ?anti-vocals? and on quality female vocals the SC1100 is pretty remarkable. This is a very good mic with a rich, pretty involving sound with no flat spots or spikes I could discern. It?s fairly sensitive so benefits from a little thought about where you are recording and, if recording in a typical untreated domestic environment, really benefits from a ?Relexion? style mic shield and the old ?duvet behind the vocalist? trick. Take these extra steps and many home recordists will be pretty amazed at how high end a result they can achieve with this inexpensive mic.

On acoustic guitar again it worked as expected with plenty of detail on fingerpicked and strummed parts. I generally use a pair of smaller condensers on guitar but will experiment with the SC1100 here too. Spoken word too presented no surprises, and again warm and clear, so if you podcast no reason why the SC1100 couldn?t do a job for you.

Although I no longer have my Rode NT2 and NT2000 I?m doing to come out and say it: The t.bone results seem as least as good, perhaps better. In fact, while the Rode NT2000 was wonderful in the right conditions it?s oversensitivity to reflection, plosives and sibilance made it less user friendly than the t.bone which seems to handle these things very well with the addition of pop filter.

The fact a SC1100 is so inexpensive, yet I?m preferring it to something three times the price, tells you that what was good mic buying advice a decade ago doesn?t necessarily hold sway today. Cheaper mics have moved on. They?ve moved on a lot. If I need another mic in the future I expect the t.bone range will be my first port call.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
Dostępny B-Stock od 110 €
118 € 508,04 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 20 €

Cena w PLN podana jest w celach orientacyjnych

Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki
Powiadom innych o tym produkcie
Twój asystent sprzedaży
Tel: +49-9546-9223-30
Fax: +49-9546-922328
Poradniki online
Large Diaphragm Microphones
Large Diaphragm Microphones
They pick up any sound! In this guide, we have tracked down the most popular condenser microphones for you.
 
 
 
 
 
Dokumenty do pobrania
Dokumenty do pobrania
 
 
 
 
 
Wideo
 
 
 
 
 
Podsumowanie:
* Ceny zawierają podatek VAT. Do ceny artykułu(ów) należy doliczyć koszty wysyłki. Oferty ważne do wyczerpania zapasów. Za błędy w opisie i innego rodzaju pomyłki nie ponosimy odpowiedzialności. CK=Cena katalogowa produktu
(2)
Ostatnio obejrzane
Casio PX-S3000 BK Privia

Digital Piano 88 Keys with scaled hammer action keyboard (Smart Scaled Hammer Action Keyboard), 700 Sounds, 200 Rhythms, 192-Voice polyphony, Audio and MIDI Recorder, Hammer response, Damper resonance, Split and layer function, Chorus, DSP, Brilliance, Pitch bend, 60 Internal...

Ostatnio obejrzane
Walrus Audio Slö Multi Texture Reverb

Walrus Audio; Slö Multi Texture Reverb; Effect pedal; Three different reverb types; Three selectable reverb modes: Dark, Rise, Dream; Dark: reverb with low octave; Rise: Spatial, swelling reverberation; Dream: Long, flat reverberation with vibrato; Three selectable waveforms for modulating the...

Ostatnio obejrzane
Arturia MiniLab MKII Deep Black

Arturia MiniLab MKII Deep Black; USB Controller Keyboard; limited special edition with black enclosure and black keyboard; 25 Mini-Keys velocity sensitive; 16 rotary encoders (2 of them are clickable); 2 banks of 8 Pads velocity & pressure sensitive with RGB...

Ostatnio obejrzane
Tannoy Life Buds

Wireless in-ear headphones Bluetooth 5.0, DSP-control for precise sound reproduction, Bluetooth profile: HSP / HFP / A2DP / AVRCP, Up to 4 hours of battery life for music playback or phone calls, Up to 120 hours stand-by, Integrated microphone,...

Ostatnio obejrzane
Moog Sirin

Analogue Desktop Synthesizer Limited edition, Based on the Moog Taurus Sound Engine, Monophonic, 2 VCOs with sawtooth and rectangular waveforms, Oscillator sync, Mixer for VCO signals, Classic Moog Ladder filter (low pass), 2 ADSR envelopes, LFO for VCO and...

(1)
Ostatnio obejrzane
KRK Rokit RP5 G4

Active Near-Field Studio Monitor 5" Glass-aramid woofer, 1" Glass aramid tweeter, Class-D amplifier, Bi-amped, Maximum SPL: Sound pressure level: 104 dB, Frequency range: 43 - 40,000 Hz, Integrated illuminated LC-display, 25 Visual graphic EQ presets (DSP-based), KRK-App with room...

(1)
Ostatnio obejrzane
tc electronic BC208 Bass Cab

Electric Bass Cabinet Rated power: 200 watts, Impedance: 8 ohms, Frequency response: 70-4000 Hz ± 3dB, 50-6000 Hz -10 dB, EQuipped with: 2 x 8" Turbo sound custom drivers, Cabinet construction: bass reflex, Compact and lightweight design, Stackable horizontally...

Ostatnio obejrzane
the t.mix Rackmix 821 FX USB

the t.mix Rackmix 821 FX, 8 channel rackmixer with built-in USB audio player and multi-effects, 3 band equalization, + 48V phantom power and pan per channel, 2 aux sends (1x FX 1x Aux), main out with XLR or jack possible,...

Ostatnio obejrzane
Fender Newport RED Bluetooth Speaker

Portable Bluetooth Speaker Classic Fender design, Compatible with Bluetooth V4.2, aptX, AAC, SBC, Power: 30 W, Equipped with: 2 Full-range speakers and 1 tweeter, Excellent listening experience, Battery life up to 12 hours, 3.5 mm jack input, USB port...

Ostatnio obejrzane
Tech 21 Fly Rig RK5 v2

Tech 21 Fly Rig RK5 v2; effects pedal for electric guitar; Richie Kotzen Signature Pedal, the same analog SansAmp circuit, Delay with tap tempo, Boost and the Richie Kotzen Signature OMG of the first version, plus some additional features such...

Ostatnio obejrzane
Dreadbox Hypnosis

Dreadbox Hypnosis; multi-effect processor; three independent effects: analog BBD chorus/flanger incl. LFO with three waveforms, digital delay with three modes and freeze function, analog spring reverb with three reverb spirals and pitch modulation; input and output levels can be adjusted...

(1)
Ostatnio obejrzane
KRK Rokit RP7 G4

Active Studio Monitor Fitting: 6.5" Glass aramid woofer and 1" glass aramid tweeter, Output: 145 Watt, Class-D amplifier, Bi-amped, Transmission range: 42 - 40000 Hz, Maximum sound pressure level: 110 dB (SPL), Integrated illuminated LC-display, 25 Visual graphic EQ...

Twoja opinia
Zgłoś błąd Zauważyles błąd i chciałbys nas o tym powiadomić?

Dziękujemy za Twoją wiadomość, zostanie ona przetworzona najszybciej jak to możliwe.