Telefunken M80 Black

Dynamic Microphone

  • Directional characteristic: Super-cardioid
  • Frequency range: 50 / 18,000 Hz
  • Impedance: 325 Ω
  • Maximum sound pressure: 135 dB
  • Length: 184 mm
  • Diameter: 48 mm
  • Weight: 387 g
  • Incl. microphone clip and pocket
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Audio Examples

 
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  • Ballad Female Dry
  • Ballad Female Processed
  • Ballad Male Dry
  • Ballad Male Processed
  • Soul Female Dry
  • Soul Female Processed
  • Soul Male Dry
  • Soul Male Processed
  • Show more

Further Information

On/Off Switch No
Polar Pattern Supercardioid

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8 Customer Ratings:
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4.9 / 5.0
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6 written ratings Read all reviews
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One of my favourite mics

09.11.2016
great with effects both for recording and live use
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Total
features
sound
quality

Why another Micro, I already have one ...

Rolf aus H., 28.10.2017
Ohauerha ... I thought so too. :-)
Meanwhile, I use for different locations or simply different stage situations just to matching (vocal) Micros. Which does not mean that Mic X would not exist on every stage, only vll. Mic YZ is the better choice. For example, the M80. For me at low stage volume the clear favorite so far. I have not tried all the micros for a long time, unfortunately the small change lol is missing. At Acoustic-Sets or Rock-Jobs with InEar-Monitoring it's definitely clear for me, the voice is played very clearly and rich in nuance. The proximity effect is also present here, but in moderation. The brilliants are slightly raised (10kHz), not overly audible. That makes it a little bit problematic for loud stages, for example my Beyerdynamic is the better choice, it does not record as much of the rest of the band as the M80, is a bit less "sensitive". A comparison with the "classic" SM58? Oh no ... sorry ... because the Shure cuts off just too badly. Meanwhile, I wonder why you always and everywhere sees ... ok, yes, not grottig, but there are much better, even in the affordable range. The M80 does not tend to feedback, only, as I said, in loud stage is just too much else with, so only limited rock or metal-suitable, with "classic" monitoring. And the FOH man, of course, it does not really help if the 100W full stack is mute on the desk, but on the vocal mics in the PA thresh. Still ens: At job with lower stage volume: clearly my choice. I can even imagine studio jobs with it ... but still to test.
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