Stairville CLB5 RGB WW Compact LED Bar 5

LED Bar

  • The ideal combination of warm white and coloured stage lighting
  • Can simultaneously illuminate the stage in white and the dance floor in colour
  • Pre-wired for quick assembly and disassembly
  • Pre-programmed shows, with one or two permanently white spotlights
  • Homogeneous colour mixing
  • Noiseless operation due to convection cooling
  • Headlights can be controlled individually via DMX
  • Three M10 threads on the upper side
  • Includes sturdy carrying bag for the bar and infrared remote control
  • Suitable wireless foot switch: Article number 370552, wired version: Article number 279058 (neither foot switch is included)

Technical specifications:

  • 4 LED Spots with 7 pieces each 4 Watt RGB WW 4-in-1 LED
  • Control: DMX 512 (4/8/16/18/20 channels), automatic mode, music control, 38 internal programs, master / slave (also via foot switch)
  • LED Display with four buttons
  • Beam angle per headlight: Approx. 40°
  • 35 mm Holder for tripod
  • DMX Input and output: XLR 3-pin
  • Current input and output: IEC
  • Additional IEC output
  • Max. power consumption: approx. 110 W
  • Power supply: AC 100-240 V / 50-60 Hz
  • Dimensions bar (W x H x D): 682 x 238 x 65 mm
  • Bag dimensions (W x H x D): 780 x 295 x 120 mm
  • Weight: 5.5 kg

Further Information

Spotlight included Yes
DJ-Effect included No
LED-Bar included No
Controller included Remote
Stand included No
Case/Bag included Yes

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Stairville CLB5 RGB WW Compact LED Bar 5
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7 Customer Ratings:
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5 / 5.0
  • features
  • light output
  • quality
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Positive surprise

CLB5 Nutzer, 08.03.2018
I already had two models of the house brand of another major retailer for the detailed test, once the RGB variant and then the? Big? with RGBWAUV. Both I have sent back, the small, since they are due to a completely nonsensical DMX occupancy practically not use (because not to dim) was the big, because the dimming PWM so loud that it was useless for my purposes too? contrary to the full-bodied announcement that this model is also suitable for acoustically sensitive situations.
In the meantime a bit tired I stumbled over the CLB5 RGBWW and thought? Try it again with another company ?. And it was fine like that.

First of all, it is noticeable that the Stairville Bar is clearly (!) More compact. That does not look quite so impressive, but it has two big advantages. On the one hand, the lenses of the individual Pars are much closer together, which translates into noticeably less faceting, and on the other hand, the Stairville bars take over a third (!) Of Truckspace compared to those of the large one. Economically speaking, we already have the first really big advantage.

Regarding the quality of workmanship you are at the Stairville also very far ahead, although the display is a bit spartan, but otherwise you are easily on the level of the big (and much more expensive) bar of the competition. Overall, the Stairville makes an even more massive impression. The entire case is made of metal and looks as if you could enjoy it for a long time. Power connections via Powercon would have been nice, but at such 4-bars you can do without comparatively well, and in the end can be in a case of emergency, a cold device cable substantially reliable aufrreiben than a Powercon route. Everything has two sides.

Various little things which caused a lot of disillusionment with the competition are also correct here. For one, we enclosed a reasonable, 5m long power cable. Thank you! On the other hand, the connection cables of the individual luminaires are very long, so that the luminaires can be turned around their own axis and then quite a bit further. So can two bars which run on the same DMX address, but face each other, just a bar? Mirror ?.
Such little things are really great. In addition, there are adjustable dimmer curves, not to be found in the competition.

The dimming is also done by PWM, it is softer than some in the bread and butter class and it runs almost noiseless. At partial load is a very quiet? Fiepen? to hear, but this should be inaudible, as soon as only 10 people in the room are. That's fine.
The light output is as good as it can be with 1W LEDs, there's nothing to moan about. The colors are very full and mix very well. As expected, the WW LED subjectively turns out a bit weaker because the? Color? of course comparatively little?
Nevertheless, the version with the WW LED is simply great, because the WW channel allows completely new color mixtures, all of which are warmer than a normal RGBW bar. I would even say that this solution is far more useful than an RGBA setup. In addition, the WW channel of course captivates by an extraordinary for LED Pars? Pure? Light. Here is just not mixed, accordingly, the readability of text or notes much better than mixed colors.

A? Cold white? you have indeed by the mixture of RGB also available. So there are many possibilities, for example, you can create both warmth and colder pastels.

Add the cold white with the WW channel, you get a nice "daylight white" and can illuminate a smaller stage already very neat and let the Arris at smaller gigs sometimes at home.

Of course you will not be able to replace mature LED stepped lenses with this bar, but with two of these bars you can easily play a cabaret stage and at the same time you can create some basic brightness. The sound programs, which are comparatively useful, partly also have one or two of the lights on static WW, as someone has really thought. Also as a pure "spotlight"? make the bars a comparatively good figure.
Positive to mention is also the remote control, which also comparatively useful fails and with the colors directly select and dimming.
Finally, the exemplary DMX addressing is mentioned, which opens a lot of possibilities and is really practical. Only one mode without the often obsolete? Master Dimmer? I miss, such a would be a great addition and would facilitate the work with modern controllers, which work with shape generators. So you could create the individual lights just like separate fixtures.
Otherwise, there is little negative to report. It would be desirable if one had set to a mounting by means of TV28 pin, which is simply common standard, as nice as the idea with the 35mm flange is also. Speaker stands are usually not high enough, so you have to put on light tripods, which in the case of CLB then in any case an adapter needs, because the Stairvillestatives (28mm) do not fit into the flange. There is still room for improvement? but who knows, maybe you are at some point at the van and is grateful, because you have forgotten the light tripods. A pair of speaker stands can always be found somewhere.

All in all, if so, then only at a very high level can be bitched.
If you look at the price, you can only pronounce a clear buy recommendation, I will keep the bars in any case, because for the first time I have the purchase of a LED bar feeling that here really have received more than adequate equivalent value.
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Hammer Bar!

TubeTonic, 04.01.2019
This bar does exactly what it should ... basic light! I hate these bars with 1000 effects ... not only looks modest, they usually have only 2 par emitters).

This bar has the perfect breadth (most of the others are either too wide and blazing or look like Mickey Mouse light ...). You can theoretically add 3 effects on top of it (if it has to be) and the device has 2x power out.

I use the device only by Light Rider and am super satisfied. For the money is just not more. Lichtausbäute is gigantic! Can rarely drive to 100% :-)
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289 €
Incl. VAT; plus 20 € shipping
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This item is in stock and can be dispatched immediately.

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Offers include 24% Greek VAT and are valid as long as stocks last. Shipping costs to Greece are 20 EUR, free shipping on orders above 298 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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