Maxon OD-808

Effects pedal

The Japanese company Maxon has been going a long time, despite it never really being known to us. Meanwhile, word got out that the legendary Tubescreamer TS808 has long been manufactured by Maxon, and Maxon is now bringing virtually all of its old treasures back onto the market. Naturally that includes the "mother of all overdrives", the Maxon OD-808.

Similar in design to the earlier, manufactured overseas TS808, it also retains the legendary JRC 4558 D chip. Compared to the later TS-9, it sounds a bit softer and clearer - the "mid-knock" of the later Tubescreamer is less pronounced. For many, it is simply "the" Overdrive.

  • Reissue Series
  • Often copied, never equaled
  • Identical with the original circuit and incl. the JRC4558D chip
  • Characteristics: Natural sounding overdrive, similar to a tube amp
  • Unbelievably clear
  • Dynamic to play
  • Suitable power supply: Article Nr 409939 (not included)
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Audio Examples

 
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  • Country Off/On
  • Fuzzline 1 Off/On
  • Fuzzline 2 Off/On
  • Fuzzline 3 Off/On
  • Hazey Off/On
  • Rock 2 Off/On
  • Rock Off/On
  • Stoner Off/On
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Further Information

Overdrive Yes
Distortion No
Fuzz No
Metal No
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535 Customer Ratings
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Indespensible!
24.04.2016
I got one of these after hearing for years how great they are. I didn't realise just how useful they are until I spent a few hours with this one!

This is a great sounding low- to medium- gain overdrive with a usable range of sounds accessible via the tone knob. This is obvious, I think, from the myriad reviews available on this site and online. The pedal is useful in a variety of situations, from jazz and blues to extreme metal.

The build quality is impeccable. The pedal has a nice weight to it, and I predict it will still be working perfectly long after I'm gone!

However, as much as I enjoy the drive the Maxon OD-808 delivers, my favourite feature of this pedal is the way in which it compresses the low end of guitar signals. This makes this overdrive my first go-to for anything heavy rock or metal. When I'm recording bands in these genres, I ALWAYS throw this pedal in the mix to tighten up the guitar tones, as well as to drive amps as well as the best ODs I've tried in the past.

To point out a niggle I had when I first received this pedal: initially, the bypass switch caused a brief but noticeable silence before the effect kicked on. I thought I had received a dud at first, but after a week of use this sorted itself out and the pedal worked a charm!

This has become an important element in my work since I got it. I heartily recommend this pedal to everyone with a jack lead.
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Classic tube screamer
Morgains, 04.04.2021
Fantastic classic tube screamer circuit in a well built platform. I have owned this pedal for many years and it has treated me extremly well, it has been my primary boost for this period of time and I have used this primarily into my 6505+ head and engl e530 preamp which works fantastic for classic and early 2000's metal. I wouldn't recommend this for modern metal as much however, cranking the tone control up to 3oclock will definitely get into the modern metal realm, however, doing so, provides a noticeable amount of added saturation and a loss of detail and clarity from the amp as a result, which is even more obvious when using anything that is solid state, rather than tube. In this scenario, there are other pedals that do a better job for this application such as any based on the TC integrated preamp circuit which is more of a genuine "clean boost"
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Maxon OD808 Overdrive - THE OVERDRIVE
NiandraLaDes, 12.05.2014
Let's face it: there are like one million clones out there of the famous Ibanez Tube Screamer. Made by Maxon in the 80s and now really rare and expensive. But can the OD808 as good as his old companion from the 80s? Let's check this out!

First of all, this pedal is build like a tank. And it looks pretty cool. I needed something to kick my Marshalls butts and this little baby does it pretty sweet.

Three controls - Drive, Tone and Balance - control the amount of gain, the highs and the level of the effect. It doesn't feature a true bypass switching (check out the Maxon OD-9 if you need one) but I personally think this whole TB discussion is way overrated. A buffer at the beginning of your chain is a great way to keep your signal fresh and full of highs.

Like I said before, the OD808 was bought to bring these chunky metal tones out of my DSL Marshalls. I tested it in front of my home amp (Marshall DSL 401) and on stage (Marshall DSL 100) - damn the OD808 rocks! The knobs control do something on every millimeter of their range - didn't have a TS clone like that under my feet before! I turn the Drive down to minimum, Tone around 3 o'clock and Balance nearly at maximum: that's exactly what I searched!

A nice chunky boost who cuts the bad, bad bass frequencies and turns my Gibson SGs into real metal machines! Of course you can have some nice texas blues sounds with drive turned up in front of a clean amp but I prefer the nice mid-boost and cut through the mix. Also on stage - what a sound!

If you play metal (it doesn't matter what genre) - don't waste time to find the perfect Tube Screamer - here is it: the Maxon OD808 Overdrive.
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Tone machine
ChrisR, 14.03.2017
To begin with, I play Orange amps (chiefly a Dual Terror) so that is the basis for my review. I have tried a lot of overdrives and the ones I have kept and still use in the studio apart from the OD808 are an OD820, a Boss SD-1 Waza Craft and an Ibanez TS Mini.

The main thing I use it for is to have the amp on a heavy crunch (gain around two thirds to three quarters) and add the pedal into the front to push and tighten the sound - gain at 9-10 o'clock, level right up and tone between 1 and 2 o'clock. It works with more gain on the pedal and less gain on the amp too, but isn't as "biting" or "snarly" as say the Ibanez TS Mini, despite which it still sounds awesome, warm, clear, sweet and natural.

It also combines very well with other pedals, particularly delivering a very sweet and dynamic tone with a wah (in my case a Crybaby) and build-wise I have no complaints - sturdy, not hideously heavy but still feels solid, switch, pots and housing all great and obviously easy to integrate into your board.

In practical terms, an important fact is that this little green box of WIN not only sounds great in the studio, but you can hear yourself really well on stage and in a band context with it as well.

It's all subjective anyway, but to my ears, none of the other overdrives (green or otherwise) have that specific compression or the sweetness and smoothness of the OD808. It won't be giving up its place on my pedalboard any time soon.
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119 €
Including VAT; Excluding 20 € shipping
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Delivery approx. between Tuesday, 3.08. and Wednesday, 4.08.

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