Lewitt DTP 340 REX

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Dynamic instrument microphone

For kick drum and other bass-intensive sources
Cardioid characteristic
Frequency range: 20 - 16000 Hz
Impedance: 500 ohms
Sensitivity: -69 dBV / Pa
3-Pin XLR connector gold-plated
Integrated tripod adapter for easy installation
Weight: 0.74 kg
Includes transport bag

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since March 2020
Item number 488489
Sales Unit 1 piece(s)
Condenser Microphone No
Polar Pattern Cardioid
Microphone Clamp No
Dynamic Microphone Yes
Complete Set No

188 €

All prices incl. VAT

Sales Rank

in Amp Microphones

Versatile dynamic low-frequency mic

The Lewitt DTP 340 REX is a cardioid dynamic microphone specially designed to capture drums and other low-frequency instruments with precision and depth. Ideal for both studio and live use, it delivers excellent results on floor toms, bass amplifiers, and other instruments rich in low-end content, including kick drums. Its fixed-cardioid capsule perfectly focuses the source while minimising unwanted noise and feedback, and its switchable frequency response allows users to enhance low or upper-mid frequencies, thus capturing fast transients and resonance in detail when required. The sturdy metal housing and integrated mount simplify installation and positioning. Overall, the DTP 340 REX is an extremely versatile microphone with uniquely creative features. What's more, it is affordably priced, which will appeal to professionals and enthusiasts alike.

Lewitt DTP 340 REX dynamic instrument microphone

Tailored sound for kick drums and more

The DTP 340 REX's neutral frequency response captures the kick drum with precision and impact, delivering a well-defined attack and deep resonance. The frequency adjustment switch adds a boost to the 70-150Hz and 3-5kHz ranges, accentuating the impact and adding a punchier low end. This setting works well with modern drum and percussion sounds, naturally adding clarity and presence without the need for excessive EQ adjustments - perfect for punchy, stage-ready bass drum tones. The cardioid polar pattern focuses sound capture on the source while reducing ambient noise, and the microphone's tolerance to high SPLs ensures distortion-free performance even in the most demanding situations.

Perfect for live and studio use

Whether in the studio or on stage, the DTP 340 REX adapts effortlessly to a wide range of applications. Drummers can achieve both modern and classic tones, while bassists can capture the rich harmonic detail of their amplifiers. In live environments, its rugged metal housing and integrated mount provide stability and ease of use, reducing setup time and stage clutter. Its strong feedback rejection helps maintain clarity in high-volume settings, ensuring a well-defined low end, and for studio recording, it delivers accurate and balanced results, and its switchable frequency response allows for tonal experimentation, providing creative flexibility across genres.

About Lewitt

Founded in Vienna in 2010, the midsize Austrian company Lewitt describes itself as the world's fastest-growing microphone brand, and indeed Lewitt has quickly made a name for itself among producers. The reason: The firm has a passionate team that produces remarkably transparent-sounding condenser microphones with low self-noise. Development takes place in Austria, but by producing the microphones in China, among other factors, Lewitt can offer its high-quality products at extremely low prices.

Modern sound and classic flexibility

The frequency boost mode of the DTP 340 REX is particularly suited to contemporary pop, rock, and metal productions, delivering a powerful, characteristic, and well-defined low end. When used in its neutral setting, the microphone offers a balanced tonal response, perfect for Jazz, Blues, and acoustic performances alike. Its detailed midrange ensures excellent results on bass cabinets and other low-frequency percussion instruments such as cajóns. Whether aiming for a modern Pop punch or vintage warmth, the DTP 340 REX provides the versatility and quality required for any musical setting.

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4 Reviews

Koudy94 10.06.2024

I am using it for Baritone and the raw sound is very good. It's much better then Beta52 and for this price is for me the best in this money rang. In studio is in the rang of Electro Voice microphones

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Astrein!

Trabbleator 03.03.2021

Das Lewitt DTP 340 REX hängt bei mir vor dem 15" Bass Cab (OBC115) und verrichtet dort einen super Job!

Im Gegensatz zu Beta62, D112 und e902 betont das Mikrofon in der 'flat' Einstellung nicht übermäßig den üblichen Bass und Kick Bereich für Bassdrum. Auch die Mitten-Badewanne fehlt. Im Gegenteil, die Mitten löst es super differenziert auf, was dem Bassknurren sehr zu gute kommt.

Frequenztechnisch geht es weit genug runter um den Dropped-D Sound ordentlich abzubilden. Das Mikro nimmt einem viel Arbeit am EQ ab!

Der EQ-Boost ist nicht so meins, kommt aber sicher der Bassdrum zu Gute.

Für das Home-Recording ist das Mikro sicher nix, der Bassbereich geht bei leisen Quellen etwas verloren. Für den ersten Test hing es hierfür im Arbeitszimmer vor einer Markbass 12" Combo.
Richtig angefahren, liefert das Ding definierte Bässe ohne Mulm.

Das Mic kommt definiv in's Live-Besteck! Sehr wertiges Mikrofon, welches meiner Meinung nach die Niesche "Bass-Cab-Mic" perfekt bedient und das DI-Signal nur noch zum Beiwerk macht.

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Lewitt enttäuscht nicht

ElHomero 08.02.2024

Sehr neutraler Kick Sound. Kann allerdings durch die + Position verstärkt werden.
Die Verarbeitung ist einfach Robust.

Bei der Verschraubung darf man nicht dasgleiche erwarten wie bei dem Beta 52A. Trittgeräusche kommen nicht bei der Kapsel an.

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Lewitt

Mule 08.05.2021

Excellente fidélité : c'est un bonheur.
objet qui inspire qualité et robustesse

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Lewitt DTP 340 REX

Dynamic instrument microphone