AKG C 516 ML

Condenser Clip-On Microphone

Polar pattern: cardioid
Frequency range: 60 - 20,000 Hz
Impedance: 200 Ω
L connector
Operating with AKG bodypack transmitters or with B23L battery power supply (Art. 342666 - not included)
Especially for accordion
Length: 20 cm gooseneck
1.5 m Cable
Colour: black
Incl. windscreen, case, rubber tile, A 400 adapter, screws and adhesive cement

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62 customer ratings:

5

39 Customers

39 customers have given this product a 5-star rating.

Of these, 38 customers have written no texts or given their feedback in another language.
4

15 Customers

15 customers have given this product a 4-star rating.

Of these, 15 customers have written no texts or given their feedback in another language.
3

8 Customers

8 customers have given this product a 3-star rating.

Of these, 8 customers have written no texts or given their feedback in another language.
2
1

4.5 / 5.0

features
sound
quality

29 written ratings Read all reviews

AKG C 516 ML

PhilW, 27.05.2013

I bought this item to give some amplification to my acoustic piano accordion. It ha worked well and I am pleased with the product. My only minor grievance is that the sticky pad supplied to attach it was not strong enough to hold the microphone in place. As I don't want to screw into the instrument I need to find another way to attach it.

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Very good schwanenhalmicrophone

Patrick aus W., 05.11.2009

The AKG C 516 ML is a very good sounding and versatile
Gooseneck microphone.

I looked for a good way to remove my bodhrán (Irish drum drum) and came across this condensation microphone.

The holder to which the micro is clipped can either be screwed to the instrument or attached by a self-adhesive moss rubber plate. The adhesive strip also supplied is less suitable for fixing.
In any case, I use the moss rubber plate as an attachment option, whereby I reinforce the mount additionally with an adhesive from Schertler.

I am extremely satisfied with the sound the AKG microphone reproduces. There are the basses wonderful again and offers a powerful sound. If, however, particular emphasis is placed on an exact reproduction of the stops, the microphone should also be used to micronize the front of the drum.

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