Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
O
(Using with an Arcos Brasil pernambuco bow on a Pietro Lombardi 502 cello with Evah Pirazzi Gold strings, around 25°C and 50% humidity.)
Provides enough bite to get all strings started cleanly with relative ease (even with my cello beginner skills, just coming from the violin), but also allows a nice, clean tone throughout the dynamic range. Very little dust, which doesn't seem prone to stick to the varnish, so it's very easy to wipe off.
Only downside is that it's just glued to the cloth. I like to have a "cap" to hold on to, like many other brands have.
Provides enough bite to get all strings started cleanly with relative ease (even with my cello beginner skills, just coming from the violin), but also allows a nice, clean tone throughout the dynamic range. Very little dust, which doesn't seem prone to stick to the varnish, so it's very easy to wipe off.
Only downside is that it's just glued to the cloth. I like to have a "cap" to hold on to, like many other brands have.
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Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
a
perfect rosin
obviously there's no perfect rosin, but with this i've been content with it for 4 years. Previously tried jade, melos, andrea, etc, but imo this has great grip without leaving too much dust on the violin or grit in the sound. Might be better stuff out there, but this is good enough to not have to worry about (honestly most commonly used rosins are)
still feels fresh (with some very very fine sandpaper on the surface and good for rosining in new bows
still feels fresh (with some very very fine sandpaper on the surface and good for rosining in new bows
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