the t.bone free2b

Je to moc hezky zpracované a intuitivní. Výhodou je váha, škoda že je to plastové kvůli bytelnosti. Ale působí celkem odolně. Je důležité nejdříve zapnout vysílač, aby nedocházelo k občasnému problému spojení, kdy je pak slyšet digitlaní bordel. Ale dá se tomu lehce předejít. Mute tlačítko na mikrofonu i tlumení běhěm vystoupení je spolehlivé. Spojení se naváže vždy asi během dvou vteřit. Škoda že defaultní je vždy první kanál, takže další kanály není moc praktické používat. Akorát jsem dal kvalitnější gumičku z jiného xlr kabelu na část, která se zastrkává do mikrofonu, aby to opravdu drželo při prudších pohybech. Používám na vzdálenost max 4metry a funguje na 99%. Super budget řešení, ale pokud mátě na Senheiser to bude jistotka.

Really good and easy to handle equipment.

Sound quality is optimal and latency almost inexistent.

Sometimes 2.4GHz might be really crowded and interferences may occur as a result of cellphones or routers.

It would be nice if button to swap channel could be somehow protected, hidden somewhere or timed (lets say 3, to prevent performance from being interrupted by mistakenly touching it when life.

Use: Gigging band for microphones - live and rehearsal use.
Pros: the sound is transparent and uncoloured. They pair quickly. They are small enough to be used used by side in a mixer with standard XLR input spacing. Signal has been reliable over the distances we have used them on stage (microphone to stage box). 2.4ghz means they are much more reliable than 5.8ghz wireless, but not as good as UHF systems.
Cons: almost inaudible hiss that you have to be very sensitive to hear - disappears without trace in the mix. The deal breaker - auto power off. Our keyboard player doubles as a guitar player on some songs, and does backing vocals. The last two gigs the keyboard transmitter has auto powered off while he was playing guitar so his vocals were completely missing from the last few songs. Due to stage lighting it was not obvious that this had happened. I'm afraid this means we can no longer use them for live performance, they are now consigned to the rehearsal room. The socket for charging is USB micro - old fashioned now that everything else uses USB C.