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Shure SM 7 B

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Dynamic Speaker and Recording Microphone

  • Polar pattern: Cardioid
  • Frequency range: 50 - 20,000 Hz
  • Sensitivity -59.0 dB (1.12 mV)
  • Bass roll-off switch
  • Mid-boost switch
  • Impedance: 150 ohms
  • Shielding against electromagnetic interference
  • Swivel mount
  • XLR connector
  • Dimensions: 190 x 64 x 96 mm
  • Weight: 766 g
  • Includes switch cover plate and windscreen
  • Suitable foam windscreen: Art.263050
  • Suitable replacement pop-up windscreen: Art.157230
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Zvukové ukázky

 
0:00
  • Git Amp
  • Trombone
  • Saxophone
  • Speech

Další informace

Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad No
shockmount included No
USB Microphone No

Zákazníci se při nákupu rozhodli i takhle:

Zákazníci, kteří si prohlédli tuto položku, zakoupili také toto:

Shure SM 7 B
59% koupilo tento produkt
Shure SM 7 B
Na skladě
Na skladě

Tento produkt je na skladě a může být okamžitě expedován.

Informace o expedici
379 € Do košíku
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Naše nejoblíbenější Velkomembránové mikrofony
1188 Hodnocení zákazníků
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4.9 /5
  • Vlastnosti
  • Zvuk
  • Zpracování
Celkem
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Zkušebnový mikrofon
eRki?, 06.04.2021
SM7 B je vynikající dynamický mikrofon, po zkušenostech s ním ve studiu, jsem plánoval jeho nákup, s vyyužitím výhradně pro self-recording vokálů do demonahrávek a samotné zkoušky s kapelou.

S mikrofony Shure mám velmi dobrou zkušenost a SM 7 je mezi dynamickými majky legenda.

Na nahrávání mu není co vytknout, nepoloží ho ani velky akustický tlak, poradí si jak se melodickým zpěvěm tak se screamy a growlem. Hodně oceňuji věrný zvuk i při proximity efektu.

Jediné mínus je že při zkoušce s kapelou, snímá krom zpěvu i všechny aparáty v místnosti, což nemusí být nutně chyba mikrofonu jako spíš zvukaře (tedy mě).

Není víc co bych vytkl.
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An industry leader that continues to excel
Audio geek, 09.05.2021
We had a complete studio rebuild over the last lockdown Christmas (in the UK) and I specified the SM7B as a solution to our less that acoustically silent studios. We're based in a very large community centre albeit on the very end of the building but have occasional 'background' noise from within the building (dance studios) and large windows in the room with some residential traffic noise from outside. It's not as bad as it sounds but any large diaphragm condenser would be ingesting this noise like a sponge so we had to look at a practical solution. Given the SM7B is large diaphragm dynamic we benefit from all of the goodness of close proximity voice work with a workable rolloff to be able to gate the extraneous noise from being picked up. Add some compression to the captured audio and the resulting broadcast VLs are solid and perfectly audible without hearing the unwanted noise in broadcast. We can't avoid some unwanted noise behind an open link but the SnR ratio in this respect is more than acceptable. We even managed to avoid having yards of acoustic dampening and designed some very aesthetic frames with four sponge pieces to hang nearby to quash odd reflection. The SM7B solves so many issues just by taking it out of the box you can see why Bruce Swedien loved it so much.

This mic is often adopted by the 'podders mainly for its looks and they love having it pride of place which is fair but despite it needing a kick of gain one should listen very carefully to the results and spend some time tuning it to find the sweet spot for your environment. I honestly think once you've found that spot you could put any talent you can find in front of this mic and they'd sound perfect. As an experiment I've done my setting up and capped off all of the EQ and gains controls on the desk. Our diverse range of presenters in the week are known fiddlers but now they all sound superb with nothing more than a fader to open and close the channel. EQ/processing settings? Desk is an Alice Series A, 100Hz rolloff, a -2dB cut at 4kHz and about 1.5dB boost at 10kHz, flat otherwise. Compression is inserted pre-fade at 3:1 soft knee from -18dB upwards (Berry MDX4600).

Less is always more and confidence speaks volumes if you believe in what you're doing. Ears are the best measuring tool and our listeners are a discerning bunch!
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Best all around mic for Streaming and Video
DavidJB, 26.03.2021
If you have to record in a large and mostly untreated room, this mic is exceptional at making you sound like you're in a much higher treated environment than reality.

It can take some time to dial in the mic to your voice, especially if you're new to the set-up but once you do it's rock solid and will save you hours of time with removing niggling noises and room sound from recording and thus saving you time for post processing.

I use this with a goxlr to stream and does not need a pre-amp, not even a fethead. The Goxlr is more than enough and I have to even tone down the amount of power I send to it. I use this mic to do video and voice overs with and it's a true champion of multi purpose. Like with any mic though, this does especially suffer at longer distances from the recording source.

I did see some concerns about people worrying this would introduce bass into peoples voice, it can emphasise what is there, but will actually make even the most high pitched voice calmer and smoother, including womens voice.
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The mic that doesn't mind getting yelled at.
Venzetti, 28.12.2015
I love this microphone. If you have the money available and you're into heavier music stop reading here and just buy it.

Now that the people that, in my opinion, this mic is perfect for are gone, let's get down to business.

This mic is clean, rich and very reliable. It not only feels sturdy, but it will usually avoid any background noise while recording, even when holding it in your hands, something a lot of heavy vocalists feel they need to do. This stops those headaches that can happen when you're in your home studio, you do the perfect vocal take and bam, someone closes a door half way through and it's ruined.

You may have guessed I use this mic for vocals mainly and you'd be correct. The music I write is usually aggressive, loud and this mic is perfect for it. However I have used it on pop tracks, grunge tracks and other lighter/moodier music and it also shines through there.

I've seen this mic used for micing guitar cabinets with high success although the sound is very niche so I wouldn't buy it just for that. Same with micing Toms. One of the main things I love about this microphone is because it feels so sturdy you're not afraid to use it anywhere and just see how it sounds.

I'm trying to find a negative about the mic and can think of very little. The wires on the side sometimes feel flimsy? But they've never broken or come loose and this mic has been beaten up royally by some vocalists.

Honestly if the good points I've brought to you perk your interest, just buy this microphone, you won't regret it.
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B-stock od 357 € dostupný
379 € 9 648,54 Kč
Cena vč. DPH, doprava zdarma

Cena v CZK je pouze orientační

Na skladě
Na skladě

Tento produkt je na skladě a může být okamžitě expedován.

Informace o expedici
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Tel: +49-9546-9223-30
Fax: +49-9546-922328
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Shrnutí recenze:
*Všechny ceny včetně DPH a platí do vyčerpání zásob. Sazby poštovného do jednotlivých zemí najdete zde. Za tiskové chyby a omyly neručíme. Naše faktury obsahují pouze částky v EUR.
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