7 Embouchure Tips for Brass Players

7 Embouchure Tips for Brass Players

Your embouchure has a decisive influence on your ability to play with perseverance, a pleasant sound and also in higher registers. Ultimately, you control the sound of your instrument through the interplay of certain muscles, breathing and trained technique. The higher the notes and the longer the passages, the more exhausting it becomes for the lips and facial muscle. Only consistent training will help. Here are a few tips for you!

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1. What is embouchure?

source: Google

When we talk about embouchure we refer to the mouth (bouche in French) and the way it touches the mouthpiece of a brass in instrument. But it’s not as simple as puckering up your lips for a kiss, in brass playing lips cannot work alone under any circumstances. The lips and facial muscles should be properly developed and exercised before playing and on a daily basis even when not playing. You can only play brass safely and precisely with carefully trained lip, facial and diaphragm muscles. Pleasant side effect: With an ideally trained embouchure you play much more relaxed, this is the key to tone.

2. Embouchure training with the instrument?

Unfortunately, this only works in moderation. You really can’t get any further on the instrument during your training. The reason: If you practice on the instrument and the embouchure is not really correct, you will compensate for any discrepancies by breathing differently (and often incorrectly) and straining your diaphragm and other muscles. The lack of strength and coordination of the lip and facial muscles would simply be covered up. So do the initial training without an instrument or with a methodical training tool (as we will see later), which regulates the pressure on the lips.

breathing differently…

3. Training your embouchure on the go

Let’s admit it, a brass instrument can’t really be played anywhere. Be it during the day an the office, at university or perhaps on holiday. Muscles – as you know from other sports – have to be trained regularly and for days on end. One solution, Mouthpiece Practice Adapters such as the Warburten P.E.T.E. have proved their worth. They allow you to perfect your embouchure anywhere, any time and they work! If you have to take a break from your instrument for a few days, it makes your return much easier.

Another option is the Stratos Embouchure trainer set, which also gives you good results. The system was developed to ensure that a good embouchure comes about by itself. It forces you to play without excessive pressure that could damage the lips or strain the jaw and face muscles. This system is versatile and works for all brass instruments.

4. Lip exercises

Further training possibilities can be found with so-called lip calisthenics, or lip exercises. Sounds like bodybuilding, right? Well, it is, after all. Lips, facial muscles and the diaphragm muscle are the specific areas that have to be built up according to the same principle. There are many exercises you can do constantly, in the morning, throughout the day, at work, at school, (without making any noise). Check out this video for some ideas:

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5. Mouthpieces

Of course you can also practice with only your mouthpiece, just like that, no instrument. The advantage of this variant is that you can adjust the lips to the specific dimensions of the mouthpiece at the same time. You also have a real feeling. Only by trying different mouthpieces will you know which one suits your physiology and your needs. The 3C mouthpiece from Arnolds & Sons, for example, is popular for the trumpet. Trombonists like to use the 6-1/2 AL-S mouthpiece from the same manufacturer.

6. Developing your range

Be careful when playing with others, especially when it comes to the pitch. If you constantly have to compensate for the incorrect pitch by, for example, pulling the mouthpiece closer to your lips, this simply makes your lips sore (pain), and won’t make them stronger. If you push the mouthpiece slightly away from your lips you will eventually develop your embouchure and be able to hit those high notes. Once you have mastered these high notes the facial muscles around your mouth should feel tired after a session, and this is a good sign. They need rest and the next day they will be stronger. It’s the same principle as getting punched in the arm (pain) and having a good workout in the gym (tired muscles which get stronger the next day). James Morrison explains it really well in this video:

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7. Persistence, not overexertion

These different utensils for the preparation training are helpful. Please consider at least three aspects: First, success does not come overnight, of course. In addition, these are training devices that you have to use constantly. After all, during sports training in the gym, you don’t give up once your muscles have been inflated, they simply regress if untrained. Finally, an important tip: be careful and don’t overdo it. If your muscles tense up while playing, you’ve missed the target, try again and again until you are able to play in a relaxed way.

Don’t overdo it


If you still have questions or would like to be advised, then we are gladly there to help! Come by our brass section in Treppendorf or contact us by e-mail or by telephone: (09546) 9223 26!

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From 24 to 30 April 2019 #KissMyBrass is all about brass instruments. On Facebook and Instagram and here on the t.blog you will find exclusive deals, helpful articles and all kinds of entertaining content.

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Joe has been singing since he can remember and started playing guitar when he was 10. He's been using it as a songwriting tool ever since. He is passionate about melody and harmony and admires musicians who create these in unique ways. Check out his alternative / indie projects Best of Feelings and Zef Raček.


    Thanks for this helpful article. Is there a daily embouchure practice duration that is ideal, or a minimum duration below which it of useless?

    I’m an older adult (55) amateur trombonist with lots of other life commitments, who finds it hard to practice every day. I often only play at the weekly rehearsals, and our occasional gigs. I know that’s not enough to really get back the endurance and higher register I had when I played in my school days, but I also have to be realistic about my time or I won’t be able to maintain the discipline. Thanks!


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