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the t.bone SC 140 Stereoset B-Stock

B-Stock with full warranty

May show slight traces of use

Microphone Stereo Set

  • Matched pair condenser microphones the t.bone SC140
  • With 18 mm capsules
  • Cardioid
  • Ideal for recording of drum set (overhead, hihat), acoustic guitar or piano
  • Frequency range: 20 - 20,000 Hz
  • 48V Phantom power required
  • With low cut (-3 dB @ 75 Hz o. 150Hz) and pad switch (-10 dB o. -20dB)
  • Sensitivity: -38 dB (12.6mV/ Pa)
  • Max. SPL: 130 dB
  • Incl. shock mount, wind shields and stereo bar
  • Delivered in a aluminium case

Further information

Battery Powered No
Directional Microphone No
Stereo Pair Yes
switchable lowcut Yes
switchable pad Yes
characteristic kidney
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features
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A microset for all cases

Udo aus E., 19.06.2011
There are micros that sound bad with any recorded sound source. Then there are good micros, which are only suitable for special sound sources. Not so the t.bone SC140. This micro is suitable for the mono as well as the stereo operation for all sound sources well to very good. So if you do not want to experiment with several micros, you get a stereoset for little money, which is sufficient for the homerecording operation.

The t.bone SC140 I have in my test with AKG C1000S and the RODE NT2A with the basic settings.

Vocal: Here, the RODE NT2A best followed closely followed by the SC140. Only in the direct comparison and with exact listening sounded the NT2A somewhat "rounder". The AKG also made a very good figure. It just had not the vintage sound of the other two Micros

Tenorsaxophone: With an extremely realistic reproduction the AKG and the t.bone equaled. The AKG had only slightly more heights to record. The NT2A disappointed with the basic setting in this test. With the setting 8 one could also this recording still represented.

Accordion: Also in this test the SC140 was surprisingly good. The AKG was here only third, because the centers were too strongly emphasized. The RODE made the best impression with the shot ball. However, the t.bone stereoset has the nose in the front again, but recommending a stereo (bass / treble) sound reduction for solo accordion. Here, too, a slightly better sound reproduction of the RODE could only be found in a direct comparison.

Acoustic Guitar: The test ran exclusively in stereo operation. A micro was positioned at the top of the neck and the other near the sound hole. The stereoset occurred here against the other two micros. The sound image of both Micropaare was almost identical. The AKG and the RODE could record a little more warmth and sound.

Conclusion: If you are not pedantic, the t.bone SC140 stereoset is a very good choice. This set has an almost unbeatable price-performance ratio to other micros. The special strengths are sound reproduction of all sound sources, almost no noise, good processing, high sound pressure and extensive equipment.
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91 €
Price includes VAT and free shipping (where applicable)
Only a small number of pieces in stock.
Only a small number of pieces in stock.

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