Neumann TLM 102 Studio Set

205

Large Diaphragm Condenser Microphone

  • Acoustic mode of operation: pressure gradient receiver
  • Pickup pattern: Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Signal-to-noise ratio, A-weighted (rel. 94 dB SPL): 82 dB
  • Max. sound pressure level for k < 0.5% : 144 dB
  • Nominal Impedance: 50 ohms
  • Rated Load Impedance: 1K ohms
  • Equivalent noise level, A-weighted: 12 dB-A
  • Requires +48 V phantom power
  • Dimensions (diameter x length): 52 x 116 mm
  • Weight: about 260g
  • Colour: Nickel
  • Includes elastic holder
  • Suitable case: Art.494135 (not included)
Tillgänglig sedan December 2010
Artikelnummer 257211
försäljningsenhet 1 Styck
Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut No
Pad No
shockmount included Yes
USB Microphone No
7 999 kr
Gratis frakt inklusive moms
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i lager

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Beräknat utskeppningsdatum till Måndag, 29.04.
1

205 Kundbetyg

4.9 / 5

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121 Recensioner

B
Stor mikrofon i litet format!
Björn7386 12.08.2014
Den här micken är en trevlig allround-mick. Den passar utmärkt till både akustiskt och sång. Man kan även ha stor användning av den till percussion och slagverk.
Även om mikrofonen är i så litet format så får man känslan av hög kvalitet i såväl konstruktion som i ljudbild. Köp gärna med shockmount!
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R2
Very Good
Robby 2690 08.10.2022
I use it to record acoustic guitar and it's really great, I needed a clean sound, and I found it.
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A
Excellent for acoustic instruments....
Anonym 15.03.2017
Having previously owned the TLM103 and knowing how good that mic was I was not sure whether the TLM102 would work for me. Having used them on several recording sessions I can now say that I am more than happy with the sound from these microphones. I'm sure there are many applications for them however my particular interest is in recording acoustic (folk) instruments in as clear a manner possible. I had tried several of the AKG large diaphragm microphones (AKG C3000 and AKG P220) and was not completely happy with the colouring of the sound and decided to try the TLM102's as a half way between the AKG's and the more expensive TLM103. As I needed 2 mics, cost was important which is why I opted for the TLM102's. I can't be happier with the decision and I hope this helps someone else who may have a similar application/requirement.

One of the drawbacks of these microphones is that they are incredibly sensitive which is great but this means that the recording environment needs to be very quiet and it also took a few attempts to get the best mic positioning to avoid unwanted room noise and also unwanted bleed from other instruments. I don't have the facility to completely isolate sounds within the studio so this took some testing to find out what could work and what was simply not possible without a recording booth. It also presents a nice problem when mixing as you can really hear the difference in the clean sound which subsequently makes mixing much more straightforward. I'd strongly recommend these microphones.
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k
Great Entry into Neumann Microphones
kamsan 01.09.2021
A very noticeable upgrade in sound compared to my previous condenser mic, and the raw sound blends easily into the mix due to its ‘flatter’ sound. It has a slight Neumann coloration to the sound despite being the most affordable TLM model as of this review. It is quite warm in the low mids, and you definitely want a low cut filter if you want to be close to the mic. The lack of high boost compared to the TLM 103 means you can further saturate the sound, which still creates a smooth and musical sound that is not harsh and still tickles my ears in a nice way.
I do not recommend modding the mic by taking out the foam filter from the head, as the sound characteristics do not noticeably change and the 2-layers mesh isn’t that fine either, which may introduce dust on the capsule overtime.
The cardioid pattern does change the sound characteristic of the source noticeably when slightly off axis, so care is needed to ensure singer or instrument do not sway too much.
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