Vermona Mono Lancet´15

Monophonic Analog Desktop Synthesizer

  • 2 VCOs
  • VCO 1: square, sawtooth, triangle
  • VCO 2: square, sawtooth, noise
  • 24 dB / octave low pass filter
  • VCA Mode: EC, fixed GATE envelope, ON
  • LFO waveforms: rising and falling sawtooth, square, triangle, sine, Sample
  • Envelope Generator (Attack, Decay, Sustain, Release)
  • MIDI in / thru
  • Dimensions (W x D x H): 210 x 145 x 55 mm
  • Weight: 0.75 kg
  • Incl. power supply
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Audio Examples

 
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  • Sequence 4
  • Sequence 4-FX
  • Sequence 5
  • Sequence 5-FX
  • Sequence 1
  • Sequence 1-FX
  • Sequence 2
  • Sequence 2-FX
  • Sequence 3
  • Sequence 3-FX
  • Show more

Further Information

Design Desktop
Polyphony 1
Sound Generation Analogue
MIDI interface 1x In, 1x Thru
Storage Medium None
USB-port No
Effects No
Arpeggiator No
Number of Analog Outputs 1
Digital Output No
Display No
8 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • handling
  • features
  • sound
  • quality
Text ratings for this product are available in another language only so far
de Original review (Show translation)
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handling
features
sound
quality
Vermona's Analogsound
SoundKlang, 30.10.2017
Es gibt ja viele Klangbeispiele im Netz. Bei GreatsynthesizersDotCom kann man z.B. auch vergleichen. Da bin ich wiederholt bei den Beispielen "Troubadour 1" des Vermona '14 und "Lead" des Vermona Mono Lancet hängen geblieben. Ja, der '14 ist noch etwas cremiger und bietet mehr Möglichkeiten (und sieht echt toll aus), aber der Mono Lancet musste ersteinmal reichen. Im Mix mit akkustischen Instrumenten wird die Synth-Spur ja ohnehin eher weit nach hinten gemischt.

Und was ich nun besonders finde, ist eben gerade dieser "weiche" analoge Klang der Vermona Geräte. Für härtere oder kühlere Sounds werden Manche wohl Andere bevorzugen. Wer aber Synthspuren angenehm in Arrangements integrieren will und dabei z.B. an den 70ies Vibe von Jean Michel Jarre erinnern möchte - das geht mit dem Mono Lancet und zwar sehr gut.

Und warum nicht als Software-Instrument? Ich hatte die angesagten Moog-Clones vergleichsgehört und die Demoversion des Favoriten ausprobiert. Für mich ist das ein Unterschied wie die Bilder aktueller Kinofilme im Vergleich mit denen sehr guter Farbfilme aus der analogen Zeit. Eine Frage des Cooking-Style: die Zutaten bestimmen das Gesamtergebnis.

Wer experimentierfreudig ist: Die Netzteilspannung scheint irgendetwas in dem Mono Lancet zu kalibrieren, abweichende Versorgungsspannungen werden mit schrägem Sound quittiert. Ein leistungsfähigeres Trafonetzteil mit stabilen 12V am Ausgang hat aber zumindest bei meinem Gerät den Klang subjektiv verbessert. Insofern ist dann der Minuspunkt wegen externem Netzteil schon wieder abgeschwächt und der Klang noch etwas mehr '14.

Und bei Bedarf soll man mit der Modular Dock Erweiterung den Möglichkeiten des '14 noch ein Stück näher kommen können. Wie macht man eigentlich aus einem Smart einen /8 (oder aus einem Corsa einen Manta A)?
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de Original review (Show translation)
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Alles bestens !
Pictureclown, 30.03.2020
Toller Synth, speziell mit dem Modular-Dock.
Schnelle, gut verpackte Lieferung von Thomann !
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fr Original review (Show translation)
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Très bien
Pazu, 22.05.2020
Superbe petit synthé monophonique très simple d'utilisation et avec un bon son assez rétro, qui se rapproche bien de la trempe Moog, roland SH-101... Les basses sont très chaudes et rondes grâce à un filtre très crémeux.

Ce que j'apprécie le moins sur cette machines sont en revanche les enveloppes, je n'arrive pas à les faire claquer comme j'y arrive sur d'autres synthétiseurs plus rapides comme le fabuleux retroxwave R1. Attention, ce n'est pas le meilleur module pour créer des effets spéciaux, notamment en raison de la simplicité des modulations possibles.

Ce synthé restera toutefois toujours dans mon studio en raison de sa petite taille et de sa grande capacité à sortir des basses simples, rondes et qui s'adaptent à n'importe quel style de musique électronique !
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it Original review (Show translation)
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Suono autentico e ricco. Uno dei miei sintetizzatori preferiti!
Pncmbs, 20.03.2019
È ormai da più di due anni che possiedo questo piccolo sintetizzatore ed è da quando l'ho acceso la prima volta che mi ha fatto capire che sarebbe diventato subito uno dei miei preferiti.
Se siete alla ricerca di quel suono classico dei sintetizzatori analogici dei primi anni 80, questa è la soluzione contemporanea che sicuramente va tenuta d'occhio più di tutte, anche per l'eccellente rapporto qualità prezzo.
Gli oscillatori sono stabili fin dai primi minuti di accensione, hanno un suono ricco, bilanciato, e il filtro è pulito e senza zone "distorte", con la risonanza mai esagerata come spesso accade con altri analogici moderni. Sicuramente un aggettivo per descriverne le caratteristiche è "cremoso".
Da non dimenticare è la possibilità di modulare filtro e amplificatore con il MIDI velocity, oltre all'ottima funzione glide, regolabile nella durata. Queste due peculiarità, messe assieme, vi permetteranno di ottenere linee di basso potenti, dinamiche ed estremamente bilanciate, senza dover impazzire con equalizzazioni posteriori.
La qualità costruttiva di Vermona è eccellente: le manopole sono stabili così come il resto delle componenti e le dimensioni sono molto ridotte.
Acquisto ultra consigliato, secondo me imbattibile per suono e qualità sulla sua fascia di prezzo (e anche oltre).
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468 €
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Available shortly (2-5 days)

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