Sontronics STC-3X Pack black

Microphone Set

  • Sontronics STC-3X
  • Elastic suspension
  • Pop filter
  • 5m XLR cable
  • Microphone bag
  • Toontrack EZdrummer Lite available as a downloadable code

Data for the STC-3X:

  • Multi-pattern large diaphragm condenser microphone (omnidirectional, cardioid, figure eight)
  • 1" Gold-sputtered dual-diaphragm
  • Ideal for speech and vocals, acoustic guitar, piano, drums, percussion
  • High transparency
  • Open, silky sound
  • 3-Stage high-pass filter (linear, 75 Hz - 150 Hz)
  • 3-Stage pad (0dB, -10dB, -20dB)
  • Frequency range: 20 Hz - 20 kHz
  • Max. SPL (sound pressure level): 125 dB
  • Impedance: 200 Ohm
  • Dimensions (H x W x D): 194 x 53 x 53 mm
  • Weight: 640 g
  • Colour: Black
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Sound samples

 
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  • Ballad Fem Dry
  • Ballad Fem Processed
  • Soul Fem Dry
  • Soul Fem Processed
  • Ballad Male Dry
  • Ballad Male Processed
  • Soul Male Dry
  • Soul Male Processed
  • Show more

Further information

Tube No
Switchable Polar Pattern Yes
Omnidirectional Yes
Cardioid Yes
Figure-8 Yes
Low Cut Yes
Pad Yes
shockmount included Yes
USB Microphone No

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29% bought this exact product
Sontronics STC-3X Pack black
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4.7 / 5.0
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4 written ratings Read all reviews
Total
features
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Good Sound and versatility

Mike.it, 04.05.2018
I bought two Sontronics STC 3X and I'm really satisfied. A very good quality in the meaning of construction and presentation. Regarding the sound, they can capture a good quality sound even with a low gain level. Sound nice and clear, with a good frequency range and a warm sound. Recommend for classic/acoustic guitar, vocals and overhead (especially for Jazz-indie-soft music).
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Total
features
sound
quality

Sontronics made the race

Christoph aus O., 21.01.2016
In the search for a good large diaphragm solution, I ordered the Rode NT2-A, the t.bone SCT 2000 and the Sontronics STC-3X for testing.
I had always borrowed a Neumann U87 from a friend for my recordings. But that was too annoying for me and I just wanted to have my own micro without much back and forth and without spending a lot of money, after all, I've been an amateur for 20 years.
I have so far my recordings with the U87 then taken for comparison and under the same conditions played and sung. For each singing and guitar pickup, the 3 newcomers came into play.
I think in principle, that none of the microphones "far" behind the U87 need to hide? At most perhaps in the "non-home recording"? On the highest quality. The first time, because I was very surprised. My friend, too. I've tested with it and heard sample. And the decision for Sontronics was of the same opinion.
If that with the SCT 2000 would not have been so much ghosts, as this 7-pin (somewhat fragile-looking) extra cable and the own phantom power box (which I do not need, because I can switch on my audio interface phantom power) Race. It is quite hard and comes in a compact case? Beautifully packaged. But just too much hardware gimmicks for my taste and I have little space in the apartment. A really horny micro for little money. It sounds very velvety and has a very pleasing light color. There is also the impression of a light sound. Wow. Clear purchase recommendation!
The NT2A was also solid, but as the SCT 2000 is much quieter in the entrance. This has already bothered me, which one had to improve with the level significantly.
Nevertheless, the NT2A is good craftsmanship, its money well worth and also guarantees no fault.
The Sontronics with 5 years warranty and a really good uncolored recording, horny design and really a lot of power then made the race. The Sontronics was quite close to the U87. Clear purchase recommendation for singing as well as instrument acceptance.
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