Slate Digital Virtual Buss Compressors

Slate Digital Virtual Buss Compressors (ESD); compressor plugin; three meticulously emulated analog mastering compressors; FG-Grey simulates a well known bus compressor from a famous british console, enhanced with a modeled transformer stage for subtle sound improvement; tightens and glues the mix; FG-Red simulates a british manufactured legendary red faced compressor, its secret of the sound is the discreet clipping of the output transformers; FG-MU is a modelled Vari-MU compressor like Fairchild 670 or Manley VariMu with tube circuit, that lets the midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle; supported formats: VST2/VST3/AU/AAXnative; system requirements: Win7 (64-Bit) min., Mac OSX 10.7 min., Quad Core i5 CPU, 4 GB RAM, internet connection, Pace iLok (item 401447)

Further information

Los artikel / bundelartikel	Los artikel
Amp simulation, guitar effects	No
Delay	No
Dynamics	Yes
Effect Filter	No
Encoder, Decoder	No
Equalizer	No
Metering, Audio Analysis	No
Modulation Effects	No
Preamp Simulation	No
Restauration	No
Reverb	No
Tape Simulation	No
Intonation correction, Harmonizers	No
Transient Processing	No
Mastering Tools	Yes
DSP-based	No
Hardware Controller	No
Stand Alone operation	No
VST2	Yes
VST3	Yes
Audio Units	Yes
AAX native	Yes
AAX DSP	No
SoundGrid	No
RTAS	No

10 customer ratings:

5

8 Customers

8 customers have given this product a 5-star rating.

Of these, 8 customers have written no texts or given their feedback in another language.
4

1 Customer

One customer has given this product a 4-star rating.

No customer has written a text about this; or they have written a text in a different language.
3

1 Customer

One customer has given this product a 3-star rating.
2
1

4.7 / 5.0

handling
features
sound/quality
computer utilisation

4 written ratings Read all reviews

Is ok for ITB compression

Markus5172, 17.05.2014

I believe I have too high hopes for in the box compression. Will work more with this one before final verdict though, and have not given it a fair workaround yet to get to know it. But it does not really wow me yet. And perhaps because I can get the wow from hardware, and compared to that, software just usually does not do it to me.. I find almost all software adding something that gives a (something of a)modern sound(high pitched sound that is not as organic and round to me as the original track) when processed. Most producers are ok with this, and most listeners don't know what I am talking about.. I am one of those who usually prefer the original track before software processing. But in a mix you lack glue, level, and all the other aspects that is needed for a song to stick.. And this of course you can get done pretty well with lets say VBC.. If you are ok with what software usually does, and/or don't know what I am talking about, you might be thrilled with this product :)

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