RC Strings JG Titanium and Carbon - TTC30

String set for classical guitar

  • Complete set with 6 strings
  • Anticorrosion coating
  • Medium / high tension
  • The first and second strings are made of titanium, the third string is carbon
  • Made in collaboration with soloists, who find more playful expression in the combination of titanium and carbon

Further Information

Gauge medium/high tension

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5 written ratings Read all reviews
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sound
quality
Good quality strings
YeloSno, 05.11.2018
Good sound, they feel good, they're a few bucks more expensive than some other options. I guess it's the "Titanium and Carbon" bit that raises the price.
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Total
sound
quality
Titanium-blended languages are not an effective solution
Kapteeni, 31.03.2018
A string set for nylon guitar that leaves contradictory feelings. In the following, I will explain my feelings about how I experienced this set as a classical guitarist.

I tried a string of guitars with two different nylon guitars: a few hundred six-spoke Yamaha and a four-six-euro six-string guitar. On both of my guitars, too high a voltage (high tension) pulls the lid to the block, so this set (medium / high tension) was an exciting choice to try. I also went to a few gigs with this set.


Laying The Groundwork:

-1. and the second languages are Titanium.
-3. language carbon fiber.
-Bass languages (4th, 5th and 6th) are basic silver-plated braids with plastic fiber.


Considerations:

-The first set I received was defective. In the first language, there was a small envelope. Obviously some sort of casting error at the factory. The non-nylon sets (especially Savarez) have had casting errors in the back years, and even every third set of languages has been defective in their first language. This means that the surface has had microscopic irregularities that prevent accurate intonation. For example, when pressed between 12 and 12, the tongue has been somewhat different than it should be, although the neck is otherwise perfect and the other tongues remain in tension along the neck. I don't know if these Titanium blends have the same risk of uneven quality. Thomann kindly offered me another tongue for compensation, and all the languages were fine.

- Both Yamaha and the concert guitar I made the same comments about Titanium blends: the top tune is bright but goes out quickly. Sound is a kind of bright spike. Carbon Fiber Mixed Language 3 sounds stronger, stronger, longer but darker. I think the contrast is too big, and the clear but sustainably short sound of the 1st and 2nd languages is not proportional to the long, but noticeable, sound of the 3rd language. In the middle of a song, when I change from one language to another, I think it changes too much. This is not a good thing. All treble languages (1st, 2nd, and 3rd) on the same road should either be carbon fiber or that Titanium blended material.

-The feeling of languages is nice. The Titanium blend is purple in color and has a smooth and slick surface. Keeping and feeling on the nail ramp is easy and doesn't really stand out from the keystrokes.

-Lovely, Titanium is designed to bring that brightness more. But because the sustainability of its bright-looking moment is so short, I don't think this will succeed. Both of my guitars sound the same type, so I could say that the six-stroke guitars react to the others.

-Bass lifespan is pretty long. It seems that the sound stays from one gig to another. I was really surprised about this. Sustaini is quite long and feels that the bass tongues distinguish the upper band quite widely. On the other hand, there is no difference here in any of the basic D'Addario lyrics. For the bass, there was no special minus or Plussa except that the ringing of the languages lasts for many weeks at best.

-Tension of this set is close to the medium. The guitar cover was not blocked like in high tension languages.

Concluding remarks:

-The price does not match the end result. Ringing in treble languages is too uneven: the completely different sound of language 3 compared to 1st and 2nd languages is a strange solution. I don't know who or what it serves. In general, guitarists appreciate that the sound of languages is about the same quality. The same melody must be able to play from different stations around the neck without having to watch out for the total change of sound / Klang. The "more playful expression in the combination of titanium and carbon" in the sales description is a bit funny, because the unevenness of sound quality on any "playful" film on the stage, on the contrary.

-I wouldn't buy anymore. If you want a steady glow of sound evenly in every language, the darker but still nylon brighter Carbon Fiber is the best solution. If you want a darker and softer sound, buy the usual nylon tongues.
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11 €
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