Meinl 19" Byzance Polyphonic Crash

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Polyphonic Crash Cymbal

Size: 19"
Byzance Series
Traditional surface
Material: B-20 Bronze
Distinctly dark crash with thin edges and thicker, non-turned bell
Explosive response with short sustain

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Available since January 2022
Item number 533354
Sales Unit 1 piece(s)
Hand Hammered Cymbal Yes
Finish Regular, Traditional
Alloy B20 Bronze

Show variations of this product

Meinl 19" Byzance Polyphonic Crash

Meinl 19" Byzance Polyphonic Crash Polyphonic Crash Cymbal * Size: 19" * Byzance Series * Traditional surface * Material...

484 €

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Meinl 19" Byzance Medium Thin Crash

Meinl 19" Byzance Medium Thin Crash Thin Crash Cymbal * Byzance Series, Medium * Traditional finish * Size: 19" * Byzanc...

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Meinl 19" Byzance Dual Crash

Meinl 19" Byzance Dual Crash Dual crash cymbal * Size: 19" * Extra Dry (natural) and Brilliant finish * Exciting contras...

494 €

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Meinl 19" Byzance Med. Thin Crash B.

Meinl 19" Byzance Med. Thin Crash B. Medium Thin Crash * Byzance series * Size: 19" * Brilliant finish * Very balanced m...

484 €

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Meinl 19" Byzance Extra Thin Crash

Meinl 19" Byzance Extra Thin Crash Crash Cymbal * Size: 19" * Byzance Series * Thickness: Extra Thin Hammered * Traditio...

474 €

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Meinl 19" Byzance Extra Dry T. Crash

Meinl 19" Byzance Extra Dry T. Crash Crash Cymbal * Byzance series * Size: 19" * Extra dry (natural) finish * Very thin,...

494 €

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484 €

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1 Customer ratings

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5 / 5

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1 Review

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Goran K 04.01.2024

If you're here to reassure yourself to buy this crash, you're at the right place.

Byzance series has very versatile and complex cymbals, especially rides, and even though this is a crash cymbals, it still wears that label.
I use it as my main crash in studio for psychedelic stoner doom project Sunguine. It has that sizzling quality, it doesn't subsides too fast, and it's not too piercing either. I decided to go with 19" because smaller and bigger Polyphonic crashes didn't sound right to my liking.

I use it mainly for heavier stuff, but it sounds so deliciously good when you barely crash it during some interlude or calmer parts of the lenghty songs. Bell is also characteristically Byzance sounding, not to bright nor too mellow, just about right.

In studio settings you can control it really well, depending on the mic placement of course. I haven't played it in live setting but I'm sure it would sit well in the mix.

If you're looking for some not-too-dark-nor-too-bright full sounding crash, look no more.

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