Goldon 11070 Chromatic Metalophone

Chromatic metallophone

  • Model 111070
  • 20 Black and white sound plates
  • 20 x 2 mm Tuned bars
  • With half tones
  • Tone range: c3 - g4
  • Installed on a wooden board
  • Comes in a gift box

Further Information

Pitch Range c3 - g4
Additional Bars No
Keys For Chromatical Order Optional Available Yes

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49 Customer Ratings
  • 5
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  • 3
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  • 1
4.3 /5
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quality
Chromatic Metalophone
César José dos, 02.04.2014
I bought this metalophone as a gift to my little kid and end up using it for some home recordings too. It has a good and clear sound, even without a resonance box. I mounted it on top of a wood box for extra sustain and loudness, and miked it with an SM-57 and the results were nice.

Positive - Great for the money! Ranging from C3 to G4, it is great to use as an introduction to this kind of instruments. It has a decent sound, with no "dead" keys, as sometimes it is the case with some entery level instruments. It comes in a cardboard box with just the right size (so it can be stored without the risk of the chimes pop out of place) and with a pair of beaters.

Negative - The "coloured box" announced is just a cardboard box... That can be misleanding.
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fr Original review (Show translation)
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Pour l'initiation
Jehan Luc, 06.06.2011
Voici, donc, un petit métalophone qui sonne pas mal. Il est juste (ce qui est normal mais ce n'est pas toujours le cas).
Les enfants trouvent, assez, aisément leurs marques malgré des lames un peu étroites.
Un petit instrument pour débuter la percussion harmonique
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de Original review (Show translation)
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You get what you pay for
T. Shirt, 27.02.2019
... und trotzdem wäre Raum für minimale Verbesserungen da. Zunächst fällt das einfache Holz auf: Fichte, nicht resonant, ist dafür aber auch nicht gedacht. Dann die Klangstäbe, die nur von der Oberseite lackiert sind, was aber auch nicht entscheidend ist. Entscheidend ist der Klang, und bei diesem Glockenspiel ist das ein zweisitziges Pferd.

- Alle Klangstäbe bis auf zwei musste ich nachstimmen, weil sie entweder zu hoch oder zu tief waren.
- Den Klang beeinflusst außerdem eine Entscheidung seitens Goldon, die das Ausklingen der Töne verkürzt. Die Stäbe liegen auf zwei (weißen) Filzstreifen auf, die die Schwingungen dämfpen, weil sie näher zur Mitte des Klangstabes, seinem "Schwingungs-Zentrum" liegen. Manche finden dies wünschenswert, manche nicht, jedoch ist die Auführung nicht gut gelungen, weil viele Klangstäbe auch an den härteren schwarzen Kunststoffnupsis scheppern und ungewollte Nebengeräusche erzeugen.
- Möchte man außerdem jenseits von C-Dur darauf spielen, fällt auf, dass der Abstand zwischen den beiden Bänken für schwarze und weiße Klangstäbe auseinander gehen, anstatt gleichbleibend möglichst nah. Dies erschwert das Spielen unnötig.

Dies alles stört mich gerade nicht, da ich ausschließlich die Klangstäbe für den versuchsweisen Eigenbau eines Glockenspiel-Klaviers verwenden möchte, und die Klangstäbe selbst haben einen schönen Klang mit nicht zu ausgeprägten Schärfen (oder ich bin schon taub für die hohen Frequenzen...).

Fazit: Das Goldon-Glockenspiel ist potenziell ein Konkurrent für Sonors NG30. Sonor bringt jedoch ab werk ein handgestimmtes Musikinstrument, das klanglich und verarbeitungsmäßig Profi-Ansprüchen genügt und damit den dreifachen Preis rechtfertigt. Dies bietet das Goldon-Glockenspiel nicht, will es auch gar nicht, meiner Meinung nach könnte es jedoch mit nur minimalen Anpassungen ein viel besseres Instrument sein, als es so ist.
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es Original review (Show translation)
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Un pequeño juguete con buen sonido
CondeBoris, 31.07.2012
AFINACIÓN Y TIMBRE
La afinación del Goldon 11070 es correcta, sin excesivos armónicos extraños. El timbre es muy limpio y a pesar de ser agudo, no resulta molesto a no ser que se golpee muy fuerte. La ausencia de una caja de resonancia reduce la cantidad de graves, algo que se puede compensar al grabar o sonorizar con micrófono.

CONSTRUCCIÓN Y MATERIALES
La madera y el acabado son aceptables, aunque claramente de menor calidad que la de su primo mayor el 11157. La forma cuadrada de la tabla inferior puede dar la sensación de que el instrumento está sin terminar. Hubiera sido interesante que el soporte tuviera forma de caja para transportarlo aunque habría que ver si el incremento de precio valía la pena. Las sujeciones de plástico para las láminas pueden parecer frágiles a primera vista, sin embargo, son muy flexibles y pueden deformarse mucho sin llegar a partirse.

Para un pianista como yo, la colocación de las láminas negras resulta desconcertante, cada vez más alejadas de las blancas hacia los agudos. ¿No podrían haber mantenido constante la distancia entre las láminas blancas y negras aunque hubiera un escalonamiento más inclinado en el otro extremo?

Las láminas llevan grabado el nombre de la nota en notación latina (DO RE MI) y en anglosajona (C, D, E). Me sigue desconcertando que se nombre la nota SI con la letra H en lugar de la B (supongo que dependerá de cada país).

Para los amantes del bricolaje, el Goldon 11157 utiliza las mismas láminas que éste y está afinado una octava más baja. Lo que yo hice fue comprar el 11157 (notas naturales), el 11158 (sostenidos) y el 11070 (octava alta) y montar todas las láminas en una caja obteniendo un único instrumento de dos octavas y media con las láminas negras alineadas y ligeramente solapadas con las blancas.
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23,40 €
Including VAT; Excluding 20 € shipping
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Dispatch expected by Friday, 5.03.

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