Fender ACOUSTIC 100

Combo for Acoustic Guitars

  • 100 W
  • 1x 8" Full-range whizzer cones speaker
  • 2 Inputs (jack / XLR combined)
  • 2 Channels
  • Channel 1 controls: Volume, Low, Mid, High, FX Level, FX Select, Phase Switch
  • Channel 2: Volume, Low, Mid, High, FX Level, FX Select, Phase Switch
  • Effects: Room Reverb, Hall Reverb, Tape Echo, Delay with Repeats, Chorus, Vibratone, Delay + Chorus, Delay + Hall Reverb
  • Headphone output
  • AUX input
  • XLR output
  • Universal voltage
  • USB jack
  • Connecting footswitch, 4-button: Article Nr 259037 (not included)
  • Dimensions (H x W x D): 35.5 x 47 x 23.5cm
  • Weight: 8 kg
  • Bluetooth for wireless audio streaming
No JavaScript? No Audio Samples! :-(

Sound samples

  • Swing Fiddle
  • Mandolin Folk
  • Bossa
  • Bossa Line
  • Country
  • Country Line
  • Picking
  • Picking Line
  • Ukulele Jazz
  • Ukulele Jazz Line
  • Acoustic Duo
  • Acoustic Duo Line
  • Swing Fiddle Line
  • Mandolin Folk Line
  • Show more

Further information

Power in Watts 100
Speaker size 2x 8"
Channels 2
Reverb Yes
Effects Unit Yes
External FX Loop No
Microphone Input Yes
Line Input Yes
Battery Operation No
Footswitch Connector Yes
Incl. Footswitch No

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9 customer ratings:
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4.8 / 5.0
  • quality
  • features
  • sound
  • handling
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Great acoustics amplifier

BeeJee, 26.06.2017
The appearance - actually unimportant, but just beautiful. Sure for the living room or small performances, not for the hard stage, which of course works. Side walls, back and sides of light plywood. The loudspeaker cover made of brown fabric with? Fender emblem. Integrated carrying handle, optically arranged rotary control.

Easy to use? 2 identical channel strips with volume, treble, center, depth, effect level, effect and a button for phase rotation.
8 predefined effects, separately selectable for both channels. Two of them as a fixed "mixture of two basic effects", something for everyone.

Something else ? AUX input, headphone output, Bluetooth for the mobile phone, USB output for direct recording in the PC, balanced XLR output for each channel, phantom power for both channels.

Cabling? Guitar cable pure, micro cable pure, no matter whether jack or XLR, both is possible and goes? S.
I have an Ovation Balladeer? All controls in the guitar on neutral, in the amplifier the sound control is about 11 o'clock with the three controls, volume at 12 o'clock, till 5 o'clock would be possible.

The sound of the guitar is reproduced very naturally, as it should be. There are no problems with feedback or resonances with my guitar.

Sennheiser MD431 plugged in? Middle and bass at 10 o'clock, treble at 3 o'clock, volume at 12 o'clock, effect pure? Sounds really good. More is not really needed.

Where are the limits? If you want it a bit louder, the sound becomes something? And the guitar does not sound so perfectly balanced. Fitting the deep E-side with the thumb provokes an over-loudspeaker; It ploppt.

Conclusion - At home or for a small concert with quiet listeners, the amplifier is first choice. Beautiful sound of guitar and voice, easy handling, simple and neat effects. If you need more pressure and volume, you should simply look at the model 200, with double power and 2 speakers.

For me and my application just the right thing!
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A remarkable quality / price ratio for an amp that makes you want to play

jjf74, 15.12.2017
I was looking for an amp for my acoustic guitars, my dobro and my charango. To play at home, in small rooms, and record in home studio, in a price range that did not exceed 500 ¤. And I chose, for 359 ¤, the Fender Acoustic 100.
An aesthetic amp, beautiful canvas and embroidered logo, but visibly solid, with a handle very well thought. Clear settings on both channels, and a connector that meets my needs: headphone, stereo XLR outputs, usb. Surprise, the amp also detects my phone via Bluetooth. A range of embedded effects: reverb, delay, echo, chorus, vibratone.
Rosette pickups (Dean Markley, Seymour Duncan, an old Shadow of the 70s) on my folks, Prodipe gl21lanen, AKG c451b at the level of the twelfth fret, or for my charango, Schaller on my dobro. Jack or XLR, the Fender accepts both, and has a phantom power.
The sound ? Quite simply, and very quickly, thanks to a remarkable calibration of the EQ, the sound of the instrument: a Martin remains a Martin, a Taylor a Taylor. And my old Epiphone has never sounded so good. It is clear, precise, faithful, ample.
I am not, personally, a fan of effects, but those proposed are well chosen and, above all, it is easy to adjust the level and presence.
The power is amply sufficient for small or medium rooms, and the headphone output is acoustically equipped with a power limiter: well seen!
A negative point? With this amp that does not hide anything, a bad instrument will remain bad ...
In the end, for a very affordable price, an amp that meets (and well beyond) what I expected, and especially that makes you want to play.
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