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Humbucker

  • Cream
  • Authentically reproduces old vintage sound as well as the sound of modern playing styles
  • More transparent than a normal PAF
  • More output and a slight mid-boost
  • Splittable
  • Ideal lead pickup for the bridge position
  • Available since December 2004
  • Item number 170584
  • Sales Unit 1 piece(s)
  • Active No
  • Wiring 4-Conductor
  • Output Medium
  • Cap No
  • Colour Cream
  • Position Bridge, Neck
99 €
All prices incl. VAT
In stock within 3-4 weeks
1

16 Customer ratings

4.9 / 5

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quality

12 Reviews

A
Great pickup
Anonymous 14.09.2015
I have this pickup installed in my Gibson Les Paul in the neck position and it sounds great. I have it paired with a Dimarzio Super Distortion in the bridge as I wanted to obtain vintage high gain sounds with the guitar. In the neck position this pickup has gave me a really thick and creamy lead tone when played with high gain in my les paul. With a slightly overdriven tone this pickup delivers a very nice and smokey blues lead tone. With a clean tone in this position this clean tone sounds really big and warm but not muddy.

With the right setting this pickup is perfect high speed guitar playing as it manages to translate the tone well whilst also remaining a great deal of note clarity
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l
best paf
lupus90 15.06.2026
Simply the best paf humbucker ever made
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G
Passt perfekt!
GregorW 02.01.2016
... wenn man nicht den ultimativen Downtuning-Brachial-Humbucker sucht.

Ich habe ihn als einzigen Humbucker in einer Italia Maranello Speedster - und dort deckt er (mit Push-Push-Poti
splittbar) wirklich Alles ab von clean -crunch-Pop-Rock-Country!

Für den Preis echt eine Empfehlung!
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R
Suono stupendo e gran sustain
RoccoSuperunknown 24.05.2020
Uso questo humbucker sulla mia Jaguar. lo adoro perchè carica molto le medie frequenze creando un giusto compromesso con quelle alte. in questo modo i distorti risultano più caldi e meno confusi anche quando si suonano i cantini. l'unico neo è che pecca un po sui bassi ma si compensa agendo sull'equalizzazione.
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