Bass Amps

Everything could be so easy, since all you want is to amp up your bass, right? This guide will provide you with an overview of what's available in the bass amp world!

Bass Amps
Bass Amps

What use is even the best base if you have no way of making people hear it? The solution is clear: get yourself an amp! But the market is very confusing, especially for those who have just taken up playing. It all used to be much simpler when things got started: Ampeg's first bass amp model, their Super 800 from 1949, was marketed at double bass players and featured a single 12-inch speaker and an "impressive" output of just about 18 Watts. 1951's successor model had grown to 20 Watts and a 15-inch speaker. Fender's Bassman, launched in 1952, is regarded as the first resounding success with e-bass players. A tube amp with respecteable 50 Watts powered a single 15-inch speaker before 1954 saw a redesign with four 10-inch speakers.

But so much has happened since those early days! There's not only a bewildering range of manufacturers covering every imaginable price range. There's also the fact that the various manufacturers work from completely different concepts, and single manufacturers often themselves offer a lot of different models. It should be much easier - after all, the only thing you want to achieve is to get some sound out of your bass, right? This guide will clear path through the amp jungle for you.

So, let's start by looking at the various ways in which a bass signal can be rendered audible. Your first choice is that between a combo amp which combines the amp with speaker(s) in a single casing on the one hand and a set made up of separate components (the amp, also called "head" or "headpiece", and the speaker) on the other. These two choices come with their specific pros and cons, so that the first thing you need to be clear on is the environment in which you will be playing your instrument.

We will introduce you to the various components in this guide, we'll explain their advantages and disadvantages, and we will point out what you should keep in mind when making your choice.

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Rode Wireless GO

Rode Wireless GO; Digital Wireless Microphone System; ultra-compact and lightweight set of transmitter and receiver; series III 2.4 GHz digital transmission; clip-on transmitter TX with built-in microphone (omni capsule); maximum SPL: 100 dB; Frequency Range: 50 Hz – 20 kHz...

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Arturia MicroFreak

Hybrid Synthesizer Touch keyboard with 25 keys, Velocity dynamic with polyphonic aftertouch, Digital oscillator with synthesis methods like Karplus Strong, Harmonic OSC, Superwave and Texturer, Analog state variable filter (-12 dB/oct.) with selectable lowpass, bandpass and highpass characteristics, LFO...

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Mooer GE 300

Multi-Effects Processor Integrated ToneCapture function with 4 modes (Amp / Stomp / Guitar / Cab) to capture the sound of your favourite gear, 108 High quality amp simulations, 43 IR (Impulse Response) speaker cab simulations, Support for additional Impulse...

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TC Electronic Polytune 3 Noir

TC Electronic Polytune 3 Noir; Effects Pedal for Electric Guitar; compact polyphonic tuner/buffer, tuner in effectpedal size, Bonafide buffer circuitry preserves your tone through long cable runs and multiple effects, polyphonic tuning - tune all strings simultaneously, fast chromatic tuner...

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Native Instruments Komplete Audio 6 MK2

6-Channel Audio Interface 24-Bit / 192 kHz, 2 Mic/Line/Instrument Combo Inputs: XLR/jack 6.3 mm, 2 Line inputs: 6.3 mm Jack, 4 Line outputs: 6.3 mm Jack DC-coupled, S/PDIF input coaxial, MIDI input and output, 2 Stereo headphone outputs: 6.3...

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K&M 21427

K&M 21427, professional carrying case for 6 microphone stands, includes castors for easy and comfortable transport, case made of extremely durable 1680D nylon fabric, all seams hand-stitched in high quality, padded carrying handles and a durable zipper, castors included, dimensions:...

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RCF Art 312 MK III

RCF Art 312 MK III - full range passive speaker, 12"/1", 300W, 90x70° 12" woofer and 1" driver with 1.5" Mylar diaphragm, 8ohm, 127dB max, Speaker Twist in/out, plastic housing, pole mount adapter, 4 x M10-Flying points and 3 handles,...

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ADJ Contour

ADJ Contour; LED mirror ball effect; multi-colored beams crisscross back and forth at different speeds similar to a classic "fan style" effect; 36 lenses that project multi-colored beams of light from 27x 1.5W RGB LEDs; 15 built-in lightshows; controlled by...

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Jazzlab saXholder PRO

Saxophone holder For Baritone, Tenor, Alto, and Soprano saxophones, Transfers the weight evenly across both shoulders, No load on the cervical vertebrae, Can be adjusted quickly with one hand, Space-saving: Smaller than a sheet of paper when folded, Comfortable...

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Harley Benton Custom Line Thunder 99

Guitar Power Amplifier in Pedal Format Compact power amp pedal for electric guitar, For direct connection to any preamp, pedal or effects unit, Power: 2 x 50W to 4 ohms, For 4 - 16 ohm speakers, Master volume controller,...

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IK Multimedia UNO Drum

IK Multimedia UNO Drum; analog/PCM drum machine; 6 true analog voices for kick, snares, claps, and hi-hats; 12 PCM voices with 54 samples; freely layer analog & PCM sounds with 11-voice polyphony; editable drum sound parameters like level, tune, decay...

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Fender CLSC SRS Mustang/Duo Case

Guitar Case Hardshell case for Fender Mustang/Duo Sonic models, Lining on the inside: Red plush, Vinyl wrapped steel core carry handle, Large storage compartment with lid, Steel draw latches, 1 Locking latch with key set, Internal dimensions: 100.33 cm...

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