To the page content

Vocal Processor Pedal

  • Doubling and De-Tune with 8 presets
  • Fader for a perfect mixing ratio of the dry and wet signal
  • Sound quality of the algorithms taken from the VoiceLive 2
  • XLR microphone input with 24 V phantom power (always on)
  • Recessed gain control prevents accidental changes
  • Connections: Symmetrical XLR output, USB port (for connection to VoiceSupport application for tips, tricks and updates), Mic Control connection (Effect on/off via TC-Helicon MP-75 microphone)
  • All pedals from the VoiceTone series can be connected together (daisychain), first pedal controls master volume
  • Includes power cable
  • Available since November 2010
  • Item number 257038
  • Sales Unit 1 piece(s)
99 €
-16% 30-days best price: 118 €
info
All prices incl. VAT
In stock
1

Eight doubling effects in one pedal

The TC-Helicon Voice Tone D1 is a compact yet powerful pedal that delivers lush doubling and detuning effects through eight versatile presets, allowing performers to instantly enrich their vocals with added depth, warmth, and dimension at the touch of a button. Beyond classic doubling, the pedal offers octave and detune options that bring subtle shimmer or bold creative flair, faithfully reproducing what would normally require complex studio processing and making it effortlessly accessible on any stage. Every microphone connected via the XLR input automatically receives 48V phantom power, enabling singers to focus purely on their performance, while the conveniently placed side gain control provides precise level adjustment without cluttering the user interface. Rugged, reliable, and easy to use, the Voice Tone D1 enhances every voice with a smooth, studio-grade finish.

TC-Helicon VoiceTone D1, Vocal Processor Pedal

Easy tone control

The Voice Tone D1 keeps operation refreshingly simple with just two dials and a footswitch, giving performers quick access to powerful vocal effects. The first dial selects one of the eight distinctive presets – Tight, Loose, Group, Detune, Thick, Octave Up, Octave Down and Shout – each offering its own unique character and texture. The second dial, labelled Dry/Wet, smoothly blends between the unprocessed and effected signals, so singers can find the perfect balance for every performance. A recessed gain control on the left side ensures precise microphone level adjustment without the risk of accidental changes, while Mic Control mode enables the effect to be toggled directly from the optional MP-75 microphone using a button on the right side of the unit. Firmware updates can be conveniently installed via the built-in USB port, keeping the Voice Tone D1 up to date.

TC-Helicon VoiceTone D1, Vocal Processor Pedal, sockets

Vocal effect in a foot pedal

Compact and durable, the Voice Tone D1 comes in a rugged metal housing the size of a standard foot pedal, making it perfectly suited for any stage setup. Its intuitive design makes using it virtually effortless, while a bright red LED provides clear visual feedback when the effect is active. Multiple Voice Tone pedals can be linked in series to create a personalised vocal chain using the optional Singles Connect Kit, which supports up to four TC-Helicon units, with the first pedal managing the overall volume. This setup allows for creative combinations – for instance, adding a Ditto Mic Looper after the D1 to capture and layer vocal phrases in real time. Complete with a power supply and USB cable, the Voice Tone D1 arrives fully equipped for both live performance and studio use.

TC-Helicon VoiceTone D1, Vocal Processor Pedal, controls

About TC-Helicon

TC-Helicon was founded in 2000 as a subsidiary of TC Electronic in cooperation with IVL Technologies Ltd. and has since specialised in voice recording technology. TC-Helicon focuses primarily on portable audio interfaces. The product range also includes various signal processors designed for the voice, in the form of effect pedals or compact devices with microphone stand mounts. Since 2015, TC Helicon has belonged to Music Tribe, the holding company of Behringer, which has brought brands such as Midas and Klark Teknik under one roof.

A link in the signal chain

The XLR input and output are conveniently located on the front of the Voice Tone D1, allowing the processed signal to be sent directly to a mixing console, where the overall performance level can be finely controlled. The pedal integrates seamlessly with other TC-Helicon units – for instance, a Voice Tone T1 can be placed before the D1 to smooth out hissing or sibilant frequencies, while a Voice Tone X1 can follow to add rich distortion effects, creating dramatic variations within a performance. This modular setup makes it easy to craft dynamic, expressive vocal chains tailored to any style. Like all TC-Helicon vocal pedals, the D1 features a sleek black metal housing with a distinctive coloured finish, giving a uniform, professional appearance when several units are connected in series on stage.

216 Customer ratings

4.3 / 5

handling

features

sound

quality

105 Reviews

M
Very easy to use and no gimicky sounds
Michael8641 17.07.2019
I have used other more complicated TC Helicon products in the past but found they offered too much choice and very odd gimicky effects that I wouldnt use in a million years. I am a drummer and have expanded my role in my band to do backing vocals. This unit asisits greatly by adding extra depth and tone to my own vocals The doubling features are useful in making the backing sound like more than one person.. And depending oon the amount of effect I dial in, I can add a 'female' sounding backing which can be useful in some numbers to add an extra high note dimension. To use i during performances I have a clip-on accessories tray attached to the mic stand and I put this on the tray. It's then within easy reach for me to change setting and switch it off and on between numbers. The tempation is to turn the effect knob up high, and then it can sound artificial for the music we do. So Ive found just adding a small amount of effect works best for me. One big word of warning...because there is a volume gain control on the side - if you turn this too high it can give a really hot signal to the PA desk and feedback . It's caught out quite a few sound engineers - where the backing vocals are twice as loud as the lead vocals (who doesnt use one) . ..so now I always warn them in advance.
handling
features
sound
quality
4
0
Report

Report

A
Amazing vocal pedal
Anonymous 19.01.2016
This pedal is something spectacular. What you can get from this little box at this price range it like it's free. I got it as a present for a band mate, he absolutely fell in love with it instantaneously. The results you can get from this little thing are unbelievable.

The vocals can easily sound like a professionally produced vocals and the crazy thing is that you do it on the fly and can do it LIVE. The vocalist will do it on the fly not the sound guy operating the front of house. You won't be relying on anyone else to make you sound amazing.

This pedal is very versatile, you will achieve amazing results both live and in the studio.

Live, you will be able to make you're choruses sound massive with the thick option or even the group option. Or your verses nice and cute with the octave up mode. You're live sound will start to stand out of all the other bands (if it already does stand out, you will be even a step further away from the competition :)).

In the studio this pedal also performs like a beast. If you split your signal before you hit the pedal you could save a long time by recording a dry clean vocal track and a full produced vocal track at the same time.

Could go all day long about how cool this pedal is. It's built like a tank and if you are a guitarist or bassist that use pedals, you won't struggle to incorporate this bad boy in your pedal board next to your other beauties.
handling
features
sound
quality
2
0
Report

Report

E
My favorite tool as a singer!
Egutchi 29.11.2020
TC-HELICON VoiceTone D1 is one of my favorite tool to use as a singer. The functionalities are very interesting and for a lot of musical genres.
For example, in pop music to have simple but effective octave backs - or in more experimental styles to create layers of vocals with industrial and enveloping colors.

I use VoiceTone D1 to directly record my voice with its effects, which brings a more industrial tone (that I really enjoy) than putting some audio effects from a sound software.
But what I prefer is using it live, to create my backs directly while singing, or use it like a vocoder (with the octaver down option).

As you can guess, I highly recommend this pedal! :)
handling
features
sound
quality
0
0
Report

Report

J
A nice addition to backing vocals
JosephH 28.04.2015
I use this pedal in my band which I sing backing vocals for. The "group" setting on it does add a good full sound to my vocal lines. Three of the other backing vocalists use it too and it does sound like around 8 people singing, however if you have the "wet" up past 60%, the latency can sometimes affect the timing. Other features on it like tha octave down and octave up are great too, however like the other settings once you pass a certain amount of "wet" your voice can become a bit delayed and sometimes even out of tune. However, it really has added to our sound. If you are a main vocalist and you want to have constant effects on your vocals, Id suggest paying a bit more for a better vocal pedal. For the price, it's good! But I only use it for slight effects rather than an up front explicit effect like bands such as The Knife or other techno bands. In conclusion, it's versatile and reliable, but can defect your vocal lines if you have the effect too strong.
handling
features
sound
quality
2
0
Report

Report