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Condenser Clip Microphone

  • PG Alta Series
  • With XLR connector
  • Suitable for all types of instrument recordings
  • Polar pattern: Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Impedance: 850 Ohm
  • Sensitivity at 1 kHz: -52 dBV/Pa (2.51 mV)
  • Max SPL: 130 dB
  • 11 - 52 V phantom power required
  • Colour: Black
  • Weight: 210 g
  • Available since April 2015
  • Item number 360118
  • Sales Unit 1 piece(s)
  • Clip-On Microphone Yes
  • Dynamic Microphone No
  • Condenser Microphone Yes
  • Gooseneck Yes
  • Incl. Clip On Mount Yes
149 €
All prices incl. VAT
In stock
1

A mighty flexible drum mic

The Shure PGA98D is a cardioid electret condenser microphone designed for drums and percussion, combining a flexible gooseneck with a moulded one-piece drum mount for fast, low-profile attachment directly to the rim of a drum. The tailored cartridge handles the high SPL of close-miked drums with a 130dB ceiling and a frequency response extending from 60Hz to 20kHz, while the cardioid polar pattern focuses pickup on the drum head, rejecting bleed from adjacent kit elements. The integrated preamplifier connects via standard 3-pin XLR, requiring phantom like any condenser. The black metal housing and compact profile keep visual presence to a minimum and reduce the risk of the microphone interfering with the player's stroke. A 4.5m XLR cable, zipper pouch, and foam windscreen are included as standard.

Shure PGA98D, clip-on microphone for drums

Construction and mounting

The Shure PGA98D's moulded one-piece drum mount clips directly onto the rim of a tom, snare, or other rimmed drum – the groove seats over the top of the rim, the base wraps underneath, and the microphone inserts into the clip without tools. The mount is flexible enough to accommodate a wide range of rim profiles. Once fitted, the gooseneck allows the capsule to be aimed precisely at the drum head without the mount shifting position. The integrated preamplifier requires 11–52V phantom power from the connected mixer or interface: 48V is recommended. Sensitivity is rated at -52 dBV/Pa (2.51 mV) and self-noise at 27dB SPL-A – figures well suited to the high ambient SPL of a live drum kit, where self-noise is rarely a practical concern.

Shure PGA98D, clip-on microphone for drums

Versatile, focused, discreet

The Shure PGA98D is aimed at drummers and engineers who need a compact, unobtrusive close-mic solution for toms and snare in live or studio contexts. The rim-mount design keeps the capsule and cable clear of the playing surface, reducing the risk of strike interference that often affects stand-mounted microphones in tight kit configurations. The cardioid pattern provides useful rejection of hi-hats, cymbals, and adjacent drums, though bleed management will still depend on overall kit spacing and gain structure. The sensitivity and self-noise figures are ideal in live and moderately loud studio contexts; engineers working in quieter studio environments may prefer one of Shure's higher-specification condenser microphones. The PGA98H covers the equivalent role for wind instruments within the same PG Alta series.

Shure PGA98D, clip-on microphone for drums

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

Drum kit specialist – and more

Mounted directly to the drum rather than a separate stand, the Shure PGA98D maintains a consistent position as the kit is moved or adjusted. On toms, the gooseneck positions the capsule above the head, angled toward the centre for greater attack and stick definition, or toward the edge for a fuller, more open tone. On snare, the compact mount leaves valuable clearance between the drum, hi-hat, and rack tom – exactly where a stand-mounted microphone can become awkward. The PGA98D's close-miking design naturally captures attack and body while limiting unwanted room ambience, leaving any further refinements to the console. Beyond the drum kit, the mic can also be used on congas, cajón, and other hand percussion with a conventional microphone clip and stand. The zipper pouch keeps the assembly protected between rehearsals, recording sessions, and live performances.

14 Customer ratings

4.1 / 5

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8 Reviews

N
Good Enough
NanaIGWT 21.11.2020
As a church drummer this mic is good enough. The sound is not the best out there but does the jobb for me. Use it on 08", 10" and 12" toms. My only complaint about it i wish shure made the mic clamp in such a way that you could flip/move the part of the clamp where the mic goes in, to either left or right like the shure A75M . Apart from that i will recommend it especially if you are on a budget and cant afford its big brother Beta98A Mpc mini nor the Audix micro or those from Earthwork audio.
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A
super investissement
Anonymous 25.05.2015
La motivation première était de limiter les perches à micro dans mon tout petit home studio. j'ai donc remplacé mon SM 57 de caisse claire par ce SHURE PGA 98D, et quel changement: mon studio n'étant pas complètement traité acoustiquement, j'ai pu obtenir des enregistrements de caisse claire très fidèle au timbre et à l'attaque de celle-ci, avec beaucoup plus de directivité, donc moins d'entente de charley et de kick par rapport à au matériel précédent, ce qui réduit considérablement le temps de traitement post échantillonnage. Le col de cygne a l'air solide, la fixation semble l'être tout autant, je suis pleinement satisfait, je pense même m'en procurer pour les toms.
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K
Hintaan nähden hyvä
Kolistaja 07.02.2020
Mikki kuulostaa hyvältä, niin virpassa kuin tomeissa. Kiinnitysmekanismi hankala jos pitää kiinnittää kelluvaan tomiin ja saatat tarvita luovuutta jotta tämän saa tukevasti kiinni. Mikin asetteleminen hyvään asentoon, sen sijaan on erittäin kätevää taipuisan kaulan ansiosta. Mukana tuleva piuha on hieman halpis, mutta menettelee kaupanpäälisenä. Itse mikki toisaalta kuulostaa hintaansa kalliimmalta joten hyvä hankinta. Laadussa seuraava etappi kurittaa lompakkoa sitten jo ihan eri tavalla.
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SC
Un batería experimentado
Sixto C. 27.05.2015
No los aconsejo para nada para baterías experimentados ni profesionales, ni por supuesto a simples amateurs. Además captan por la parte superior sobre todo los agudos y el sonido de los platos y charles. Su frecuencia real es de 60 a 20.000 (nunca lo fue ni 20 a 20.000 Hz ni de 50 - 20.000 Hz como hasta ahora ha aparecido, me imagino que fue un error de quien lo escribió en la web de Thomann) Necesitan bastante volumen para trabajar pero tienen el problema de la "retro alimentación". Yo los cambié al primer día por los SM 57 y los PG 46, por supuesto con otro micro "top" para el bombo el Shure BETA 52A. Todo ello junto a una mesa mezcladora Yamaha MG 16 XU, os puedo decir que ahora si suena brutal la batería. Hacedme caso amigos bateristas por mis 47 años que llevo en esta profesión. El PGA98D, no es una buena compra.
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