Beyerdynamic TG D57

Capacitor Instrument Microphone

  • Ideal for tom and snare recordings
  • Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Impedance: 200 Ohm
  • 140 dB max SPL
  • Special mount MKV 87 included
  • XLR output
  • Clamp dimensions: 85 x 118 mm
  • Gooseneck length: 72 mm
  • Weight: 145 g
  • Neoprene bag included
  • Successor to the Opus 87
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Sound samples

 
0:00
  • Bongo
  • Snare
  • Tom

Further information

Clip-On Microphone Yes
Dynamic Microphone No
Condenser Microphone Yes
Gooseneck Yes

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
EV RE20 RE-Series + Beyerdynamic TG D57 + Sennheiser E 906 4x + Beyerdynamic MCE 530 2x +
5 more
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starting from 1.559 €

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Our most popular Microphones for Snare Drum
53 customer ratings:
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4.6 / 5.0
  • features
  • sound
  • quality
26 written ratings Read all reviews
Total
features
sound
quality

Great mics

AudiuM, 31.10.2017
Really great mic's for toms! They sound out of this world and make toms sound huge! I'm very happy with them!
Good clip, very sturdy and will clip on most drum kits.
Could also use them on an acoustic banjo with rim.

Downsides (minor issue's)
-not to be placed by inexperienced crew -> fragile necks
-Bleeds a fair bit though you don't need as much overheads in your mix
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Total
features
sound
quality

Honest mic

Jeddr, 26.10.2014
This mic makes outstanding sounding drums sound? outstanding. This is a very honest mic in need of a decent tuned kit. But if that conditions is met, it will sound bigger than any dynamic mic (SM57, MD-421,?) you put in front of the drums.

Be carefull of bleed, though. This is a condensor after all.
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Online Guide
Drum Mics
Drum Mics
Miking up and recording a drum kit is a fairly complicated procedure, and this can apply equally to choosing the right mics for the job.
Online guides
Drum Mics
Drum Mics
Miking up and recording a drum kit is a fairly complicated procedure, and this can apply equally to choosing the right mics for the job.
 
 
 
 
 
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