Shure KSM 9 HS B-Stock

B-Stock, Shure KSM9 HS - high-end condenser vocal microphone for live applications, hyper cardioid/ wide cardioid (switchable), 50Hz-20kHz, 94dB SPL, 152dB max, metal housing, minimal handling noise, almost no feedback, includes zipper case. Colour: Black, B-Stock with full warranty, may have slight traces of use

Further information

On/Off Switch No
Polar Pattern Sub-cardioid, Hyper-Cardioid
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Extensive microtest!

WernerR, 12.01.2014
As a vocal acoustic trio (2 guitars, Cajon) we have looked after forever again after 2 new mics. The tests were extensive: SENNHEISER E 945, SHURE SM 58, SHURE BETA 58 A, NEUMANN KMS 105 BK, SENNHEISER E 965, SHURE KSM 9 HS. It was important to test us as unaffected as possible, that is, we did not know which micro we were recording, all the equalizer settings were neutral, so central! For the sake of the hurry, one of us chose the SENNHEISER E 965, the other for the NEUMANN KMS 105 BK.

Which micro one is of course synonymous taste and bad is not one of the mics, nevertheless, there is already in terms of transparency, resolution or feedback clearly audible differences. The first three following microphones are dynamic, the other condenser microphones. Here our experiences, from cheaply to more expensive sorted:

SHURE SM 58: The cheapest model and that is also to be heard. Overall, the least clear, low feedback. Clear close-up effect, so you have to get close to the micro, the closer, the more bass.

SHURE BETA 58 A: Already much better than the SM 58, but still a little bit occupied. Also much more dynamic. From the sound, the additional price to the SM 58 is absolutely worth, but most clearly for feedback. Clear close-up effect, so you have to get close to the micro, the closer, the more bass.

SENNHEISER E 945: The price / performance winner. Like the two 58s shure mics a dynamic. In my opinion, a whole class better than the BETA 58 A! Clearer, clearer and more comfortable in sound. It is powerful, but it does not cause any feedback. An absolute buying tip and a real alternative to the following, much more expensive condensate mixers. Less close-up effect, you have to get close to the micro, but the bass effect is much lower.

SENNHEISER E 965: Same attributes as the E 945, just a little clearer and even more transparent. Very powerful. Ultimately, one of us chose this micro. Feedback reduced. Hardly a close-up effect, you can calmly synonymous times piece away from the micro, the sound remains almost the same. It is also suitable for harp or other acoustic instruments, which are often interspersed.

NEUMANN KMS 105 BK: A great, the most transparent and natural sounding micro. Perhaps a small less powerful than the E 965th I have after several hearing tests on different days for this micro decided. Little susceptible to feedback. Virtually no close-up effect, you can also peacefully consume pieces away from the micro, the sound remains practically the same. Also suitable for harp or other acoustic instruments, which are often interspersed.

SHURE KSM 9 HS: Frankly something disappointing. From both of us testanger already at the beginning screened, which has us in hindsight itself very surprised. After all, we have often sung with the SM 58 and thought beforehand rather that we would because of this listening habit again at Shure landed. Clearly less transparent than the other two the Neumann or the E 965, is probably only for Shure fans. Together with the BETA 58 A, it is the most vulnerable to feedback.
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