Mackie 1402 VLZ4

14-Channel MixerThe 14-channel 1402VLZ4 mixer features Mackies renowned Onyx preamps and flexible possibilities of application in a compact design. For a clean and distortion free signal the 1402VLZ4 provides a maximum of headroom and signal-to-noise ratio in every input and output. Moreover the 1402VLZ4 impresses with its solid design as well as with a high contrast coloring of the ergonomic surface, enabling simple and intuitive handling. Additional features like the dedicated control room section and accurate fader control everyone must take the 1402VLZ4 into consideration when looking for a flexible mixer for professional applications.

  • VLZ 4 Onyx mic preamps
  • 6 Mono microphone/ line inputs (XLR/ jack)
  • 4 Stereo line inputs (jack)
  • 2 Stereo Aux returns
  • 2 Aux sends
  • 6 Inserts
  • 3-Band EQ
  • Low cut filter 18 dB
  • PFL
  • 48V phantom power
  • Integrated power adaptor
  • Symmetrical XLR/ jack output
  • Dimensions (WxHxD): 356 x 81 x 329 mm
  • Weight: 4.5 kg
  • Fitting case: Article Nr 250479 (not included)
  • Fitting 19'' rack mount: Article Nr 106445 (not included)

Further information

Incl. Effects Unit No
19" Rack Compatible Yes
Mic Preamps 6
Stereo Inputs 4
Aux 2
Phantom power Yes
Integrated Power Supply Yes
Parametric No
Digital Interface No

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
RCF EVOX 8 V2 2x + Mackie 1402 VLZ4 + Cordial CTM 10 FM-BK 2x +
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18 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.5 / 5.0
  • handling
  • features
  • sound
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13 written ratings Read all reviews
Total
handling
features
sound
quality

Great for our band practice room

Manolis K., 16.09.2016
And not only, I guess! We use it with a Behringer A500 power amplifier and older passive Peavy 15" monitors (2x) in a 20-22m2 practice room. Microphone input seems great, bass guitar direct seems great, electro-acoustic guitar great with some feedback issues, solved with a DI box I am told. Connected iPad mini- great. The low/mid/high controls work very well, boosting/cutting nicely. Seems sturdily built.
An included dust cover would have been nice. As would a dedicated mp3 or usb/ipad input. The solo feature allows to monitor clipping on each channel- great. Very pleased!
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Total
handling
features
sound
quality

Mackies Evolution

Atomicosix, 07.09.2014
A Mackie mixer 1202VLZ I had already since 1998 in the live application. Later followed a Mackie 1402VLZ PRO, with which I was not at all satisfied, too many processing deficiencies (Made in China). The Mackie 1402VLZ3 was better by class than its predecessor. A new design and much better processing. This mixer served me reliably as a sub-mixer for keyboards & drumsounds for many years. However, his sound was not at all neutral, so I have now tried the 4th incarnation of the VLZ.

The processing is still very good. This time not only the Mic-Preamps but also the OP-ICs were implicitly re-embedded. A comparison with a Yamaha mixer and the original converter confirm this. The broadcasting sound is promised this time not only in the advertising.

The design of Mackie is again new, but the layout of the mixer has remained the same. In "reality" the mixer looks better than on the photos. Black does not seem to be fashionable at the moment. However, the new fader caps are a real "design sin" - they are totally impractical, the old ones were a class better, it is best to swap them out. Then you notice especially the now new fader in the mixer were installed, you go beautifully easy to push, much better than the old one. The equalizers do not seem to be "British" this time, but they are again packed, but the heights are quite "digital".

For the next version of the Mackie mixers, I wish the following:

- Master inserts (for live operation)
- Control LEDs for all channels
- a separate headphone control (for studio use)

Otherwise am full of this mixer excited.
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In this guide we’ll concentrate on the functionality of hardware mixers. They are an essential part of any live sound systems and studio setups.
 
 
 
 
 
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