Harley Benton HB-80R B-Stock

B-Stock with Full Warranty

Slight traces of use

Electric Guitar Combo

  • Power: 65 W
  • Equipped with: 12" Celestion speaker
  • TEC tube-emulating circuit
  • 2 Channels with status LED
  • Channel 1 with controls for gain, voice, bass, treble and volume
  • Channel 2 with controls for gain, bass, middle, treble, volume
  • Reverb (Spring type)
  • Headphone output
  • Aux input
  • Line output
  • Effects loop
  • Footswitch connector for channel switching (footswitch not included)
  • Output for external speaker
  • Dimensions (H x W x D): 45.5 x 51.5 x 26.5 cm
  • Weight: 14.5 kg
  • Suitable cover: Article Nr 260991 (not included)

Further information

Power 65 W
Speaker 1x 12"
Channels 2
Reverb Yes
Effects Prozessor No
External FX Loop No
Line Input No
Recording Output No
MIDI Interface No
Connection for External Speaker Yes
Headphone Output No
Footswitch Connector Yes
Incl. Footswitch No
Weight 16,0 kg
59 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.2 / 5.0
  • handling
  • features
  • sound
  • quality
57 written ratings Read all reviews
Total
handling
features
sound
quality

Capable, controlled and loud.

Gain_Badger, 16.11.2014
Clean sounds are clean with a little break up when played hard. The gain is usable up to some extreme levels and the tone controls actually have a meaningful effect.
The tank reverb is very, well, reverb-y indeed.
Sound wise, positioning plays a part. Being open backed means it is a little more sensitive to its surroundings. A beer crate or amp stand to get it off the floor tightens the overall sound. Being close to a wall or rear reflective surface brings the bass in and makes the sound more 'middy'.
The effects loop is quiet in operation. A footswitch is highly recommended to go between the two, very different, clean sounds and to switch channel 2 gain in and out.
I use it with a g112 extension cab to widen and reinforce the sound, both on stands, and the volume levels it can attain without tizzy breakup are more than loud enough. Need to go louder?, mic through the PA and get a monitor. Using a monitor is made easy with the line-out.
The mp3 player input makes practising along to your tunes easy.
Construction wise, all is not well cosmetically. I could play a game of 'find the screw that is actually seated in its cup' for a long time before finding one. The strap doesn't inspire confidence, the covering is thin but well applied. It is built well enough, that is all that matters construction wise.
Sound wise it is loud and clear, takes pedals well and doesn't fizz. Good small gig amp for the poor of pocket with a cab added. Gets very loud for home.
In terms of reliability, I haven't had it long enough yet. I do know that after an hours set, running into the cab at 2/3 - 3/4 volume (Using perhaps 20 watts, more than loud enough! ), the top surface and metalwork warm up but there has been no deterioration in sound. Quite the opposite as the speaker cones have loosened up over time.
May be too loud for home use without headphones but for rehearsal and first tentative gigs in too many years ( Ye Olde Krusten Headbanger ) it has proven itself highly capable and gets comments like 'Cracking good sound you've got there'
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Total
handling
features
sound
quality

F r 129.- a genuinely genial part

ntzs, 26.04.2012
I am a studied guitarist and own a music school. Due to supply bottlenecks in our distribution, of which we usually refer to our instruments and acute needs on our part, I was forced to "get stuck" at Thomann and order this amplifier. I do not regret it.

The amp has two channels, a clean channel with additional gain control and a drive channel that can be adjusted by a mid-range circuit. From Metallica, Green Day, AC / DC, Deep Purple to Carlos Santana and Joe Satriani - Sounds, everything is possible, and also sounds very authentic in bandcontext. For modern high-maintenance storms a la Suicide Silence is missing a bit of torn, but you can always help with a ballast. Of course, the amp is unable to produce the dynamics and feel of a tube; He does not make chords, even with a lot of distortion, clean and differentiated.
A special treat in my opinion is the Gain Poti in the Cleankanal, which makes the amp also interesting for trips in Stevie Ray Vaughans and Rory Gallagher's field. Its 40 watts of built - in Celestion Seventy / 80 (at a price a little sensation) is enough to use for small to medium - sized gigs, except perhaps you play Death Metal or something like that Amp because of its convincing versatility really very empehlen. I am seriously considering ordering a second to take it next to my Recto and my F-Series amplifiers as a maintenance-free backup, because it is also super easy compared to Röhrenamps.

Really a hammer part and absolutely unrestricted to recommend. Thumbs up to Thomann!
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