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Great River 32EQ

Great River 32EQ, Low, Low-Mid, Hi-Mid, and High EQ bands with Gain and Frequency controls, Low and High Band "peaking" switches, EQ in/out switch, Harrison's renowned High- and Low-pass filters with sweepable frequency, Filter in/out switch, An Internal jumper provides selection of the "vintage" feedback design, or a non-feedback option, Format: API Series 500, Mounts in 1 space in a "500" rack

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Sound samples

 
0:00
  • Bass On/Off
  • Bongo On/Off
  • Drumset On/Off
  • Guitar On/Off

Further information

Channels 1
Frequency Bands 4
Tube(s) No
Height units Module
Connectors System 500

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6 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
5 / 5.0
  • handling
  • features
  • sound
  • quality
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2 written ratings
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Total
handling
features
sound
quality

EQ Classics in the 500 format

50_1_50_Original, 08.07.2016
Processing:
Can not detect any deficiencies.
The case is robust and very solid. The potis are all screwed tightly and there is no game in the control path as for example with some Neve Potis.
Despite their size, the switches have a pleasant firm feel.

Features:
This 500-slot plug-in combines all the features of an EQ that is required in the studio day. Switchable HP / TP, switchable bass and treble bands on peak / shelving as well as 4 semi-parametric tapes. More can not be accommodated on a 500 front. Also a jumper configurable sound setting (feedback mode). However, the housing must be opened.
There is, however, a missing Gainpotis for the 0dB position. This would make the reset easier, since you now always have to look, when one is in the 0dB position.
An LED that indicates the operation or the presence of a signal, would also have been an advantage.
Therefore point deduction.

Service:
Because of the 10 potentiometers and the four switches one needs slim fingers, as it is very tightly pressed on the front. You have to be careful not to accidentally move the neighboring potis.
Therefore also point deduction.

Sound:
If you get along with these small smears, you get a very good sounding EQ cassette. Very warm sound, soft heights and rich mids.

Conclusion:
This EQ improves all kinds of signals, whether it is kick, snare, guitar, bass, wind, vox etc. In fact, an all-rounder and I do not want to miss it any more. The feature set is more than adequate, if one can live with the small smears. After a short familiarization period my favorite EQ for kick, snare and git.
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de Automatically translated (Show original)
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Total
handling
features
sound
quality

Sound painter

SoundKlang, 04.03.2017
This EQ is shown in many places very positively - rightly I mean. It immediately became the impression to work with a basic device, which gives a stable sound picture.
The LoCut filter does something at the cut-off frequency, so you can get more bass or mid-color through the LoCut. The LoCut can also be combined very well with an increase in the lowest band as a shelving filter. The deepest band can also be used as a sound alternative to the LoCut.
The HiCut remains very inconspicuous, until one has turned so far that it must obviously become dull.
The heights are bright but not sharp. The centers are stable and clean.
It is not a surgical EQ. The strength lies in the never destructive sound coloration. The original signal always appears.

The fact that I finally returned this EQ is due solely to the fact that I have found another EQ, which transports the sound character I'm looking for something more. However, this eludes any objective justification, but rather has something to do with listening habits and musical socialization.

Apart from this (and of the somewhat close-knit buttons), the Harrison32 is one of the most transparent (in the sense of multitrack mixes) EQs I've met so far.
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990 €
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