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Shure SM57 LC

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Shure SM57 LC
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  • Blues Guitar
  • Metal Guitar
  • Snare

Shure SM57 LC, Dynamic Instr. microphone, cardioid, frequency response 40-15000 Hz, Max SPL: 94 dB SPL, Sensitivity -56.0 dBV / Pa * (1.6 mV), for percussion, drums, snare or electric guitar, dimensions: 157 x 32 mm, weight: 284 g, including microphone bag, microphone clamp, 3/8 "Thread Adapter, optional accessories: windscreen item number 264694, replacement grille item number 149561

Shure SM57LC Bundle II

Bundle Offer: Shure SM57LC Bundle II

Shure SM57 LC + the sssnake SM10 BK + Millenium MS-2003 You will save €11 (%8.73) compared to the individual prices
To the bundle €115
Shure SM57LC Bundle III

Bundle Offer: Shure SM57LC Bundle III

Shure SM57 LC + Cordial CAM 9 BK You will save €8.90 (%7.42) compared to the individual prices
To the bundle €111

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to %8 additionally!
the t.bone BD 300 + Shure SM57 LC + the t.bone CD 55 4x + Audio-Technica Pro45 2x + +5 more
starting from €565 Configure bundle now
Shure SM57 LC + Millenium MS-2004 + the sssnake SM6BK + Millenium 6-Microphone Bag
starting from €125 Configure bundle now
Shure SM57 LC + the sssnake SM6BK + Millenium DS-30 + Beyerdynamic EA19/25 + +1 more
starting from €159 Configure bundle now

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2359 customer ratings:

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5 of 960 feedback texts

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Versatile Mic

Nick L, 02.03.2015

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First things first. I'm not an audio engineer nor am I a recording technician. I record human speech both in an office/studio and on location for podcasts and broadcast. Therefore, I always aim for the very best quality recording whilst restricting my mic cupboard (small box!) to dynamic types due to their robustness and simplicity. I don't record vocalists/singers.
Utilising an RE20 as my main studio mic with an EV635A omnidirectional as my tough, go anywhere outdoor location mic - something was missing. I found myself in need of a general use directional microphone for use at indoor locations whilst on the road, which could also be used as a secondary mic in my studio for guest use.
After reading reviews and relying on gut reaction, (which hasn't yet let me down) I plumped for the SM57. What has surprised me is the sheer vocal quality and depth of this latest acquisition. On it's first outing, recording a subject on location in her lounge at 20-30cm produced a rich, realistic recording with just enough room ambience to stop things sounding sterile and one dimensional. Perfect! Place the mic closer and you get even deeper tones with no downside. So far, I reckon on 50cm as a maximum to maintain directional quality.
For my type of use, I also appreciate that I can just point and record with a minimum of faffing about such as setting up angles and distances etc. Keep the distance within 50cm (closer outdoors) and you won't be disappointed. The body is reassuringly weighty and robust which gives the perception of longevity. The carrying bag is a nice extra and I use the Shure A55M anti-shock clamp which isolates any vibration really well.
And the plastic voice coil guard that freely swivels 360º? I still haven't a clue!

Shure SM57 LC

John T, 21.06.2016

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One of the most commonly used microphones when it comes to recording electric guitars.

Very well built and has never let me down. Can take the punishment of an amp at high volume.

The price is superb as most other professionally used microphones are very expensive.

There aren't many features to talk about. This is a very simple piece of equipment. It does come with a nice little bag to protect it.

It captures a good range of frequencies and sounds great when properly placed. I mention the placement because this mic is quite narrow at the business end and this means it can take a little while to get the correct position of the mic on the face of the speaker cone, especially if you are aiming it through the fabric of a speaker cabinet.

This is not a con as most microphones require experimentation with position to capture the desired sound you are chasing.

I have found that this mic can be surprisingly versatile for other instruments that play at high volume, I have used it to record the quite loud drones on a set of Uilleann pipes (similar to bagpipes). It performed this job very well too.

A monster in Live situations

Rade V., 11.09.2015

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By all means, this has got to be one of if not the best microphone I have ever used for live purposes. Do bear in mind that this mic was only used in front of celestion V30s which already have a great sound, so it was more a question of documenting the dynamics of the sound and distortion of my amplifier correctly rather than loudness or openness of sound. I play without reverb, with a very drivey, punchy sound that feels very dry at the same time because I use absolutely no pedals. With an orange amp and a V30, cranked to about half capacity, this mic would pick the tone up perfectly, and it would make me consistently happy with how the sound would turn out in the mixing desk when it would come out of the general PA. Power and clarity.

However, I do not have any experience with this mic in a studio, but I have heard amazing things. Frankly, if it could perform so well in such loud settings on a stage where a lot of things are unpredictable in terms of sound distribution through the venue, I am sure it can be tweaked to utter perfection within the confines of a studio.

Most heartily recommended!!!

All you need If you don't know what you need

22.05.2015

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If you had only these mics at disposal and made a bad recording with them, and I mean any recording. Then maybe you should find a new job.
Best overall mic for music there is in my experience. Sure you could get much more expensive mics, and record ants feet, but if you want to do a r'n'r record and don't know where to start, start by buying one of these (at least one)
Great rounded up, familiar classic sound, no harshness, no dullness, no hype, no lies, just honest meat and potato sound.
No super details also, but experienced professionals know that all the relevant information is here.
Classic for snare, and guitar cabinets, but also great for r'n'r vocals, bit more open then SM58, little less rejection of outside noise. Very often used for toms too.
Built like tank, feels like cold weapon in hand, no switches, no fuss, that cap at the tip is sturdier than it looks.
This mic for me in every aspect captures essence of r'n'r, from its build to its sound, from its history to its value. It is in the long run THE best value there is as you will probably never have to get rid of it.
If you don't know what to buy, buy this, you won't miss.

Industry standard

27.06.2016

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Now i understand why this mic is the industry standard for instrument recording.
Im no pro when it comes to recording,yet i managed to achieve quite easily a good sound for my guitar and amp.
For reference im using the scarlett 2i2 as my interface,les Paul studio 2011 and a Hot rod deluxe III.
Didn't try to record acoustic guitar or vocals with it.
But for amp recording i am quite pleased.
And at the price this is sold i would highly recommend it.
€105 £87.84
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£ price - guideline price only
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Product comparison
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Shure SM57 LC
(2359)
Shure SM57 LC

Shure SM57 LC, Dynamic Instr. microphone, cardioid, frequency response 40-15000 Hz, Max SPL: 94 dB SPL, Sensitivity -56.0 dBV / Pa * (1.6 mV), for percussion, drums, snare or electric guitar,...

  • Clip-On Microphone: No
  • Incl. Clip On Mount: No
  • Condenser Microphone: No
  • Polar Pattern: Cardioid
  • Microphone Clamp: Yes
  • Dynamic Microphone: Yes
  • Complete Set: No
  • Gooseneck: No
€105
Shure SM57LC Bundle
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Shure SM57LC Bundle

containing: Shure SM57 LC, the sssnake SM10 BK

  • Clip-On Microphone: No
  • Incl. Clip On Mount: No
  • Condenser Microphone: No
  • Polar Pattern: Cardioid
  • Microphone Clamp: Yes
  • Dynamic Microphone: Yes
  • Complete Set: No
  • Gooseneck: No
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AKG C1000s MKIV Bundle
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AKG C1000s MKIV Bundle

containing: AKG C1000s MKIV, K&M 27105

  • Battery Powered: Yes
  • Condenser Microphone: Yes
  • Clip-On Microphone: No
  • Directional Microphone: No
  • Stereo Pair: No
  • Incl. Clamp: Yes
  • Polar Pattern: -
  • inkl. Clamp: Yes
  • switchable lowcut: No
  • switchable pad: No
  • characteristic: hyper-cardioid, cardioid
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Sennheiser E845

Dynamic Microphone Supercardioid, Incl. clamp and bag, Ideal e.g. for vocals and brass instruments

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AKG C1000s MKIV

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  • Battery Powered: Yes
  • Condenser Microphone: Yes
  • Clip-On Microphone: No
  • Directional Microphone: No
  • Stereo Pair: No
  • Incl. Clamp: Yes
  • Polar Pattern: -
  • inkl. Clamp: Yes
  • switchable lowcut: No
  • switchable pad: No
  • characteristic: hyper-cardioid, cardioid
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Sennheiser E604

Sennheiser E604 dynamic instrument mcrophone,cardioid, frequency response 40-18000 Hz, Sensitivity 1.8 mV / Pa @ 1 kHz, for toms, snare, percussion, Dimensions Ø 33 x 59 mm, weight 60 g,...

  • Incl. Clip On Mount: Yes
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Capacitor Instrument Microphone Ideal for tom and snare recordings, Cardioid, Frequency range: 20 - 20,000 Hz, Impedance: 200 Ohm, 140 dB max SPL, Special mount MKV 87 included, XLR output, Clamp...

  • Incl. Clip On Mount: Yes
  • Condenser Microphone: Yes
  • Clip-On Microphone: Yes
  • Dynamic Microphone: No
  • Gooseneck: Yes
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