the t.bone Ovid System CC 100


Condenser ?lip Microphone for Ovid System

  • Directional characteristic: Cardioid
  • Frequency response: 20 - 20,000 Hz
  • Flexible gooseneck for an easy instrument setup
  • 3-Pin Mini XLR connector for operation with t.bone wireless systems (also suitable for AKG wireless systems)
  • Gooseneck length: 130 mm
  • Cable length: 2 m
  • Easy to install and can be used with different instrument clips (not included, must be ordered separately)
  • Includes an XLR phantom power adapter (phantom power required) and a foam windshield
disponibil din Aprilie 2012
numărul articolului 270447
unitate de vânzare 1 bucată(ăţi)
Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad No
characteristic cardoid
Clip-On Microphone 1
Condenser Microphone 1
Polar Pattern Cardioid
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238 lei
Include TVA la care se adaugă 89 lei costul de transport
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238 lei 1
225 lei 5,5% 3
209 lei 12,2% 5
în stoc
în stoc

Acest produs e disponibil în stoc și poate fi expediat imediat.

Informații despre livrare
Livrare aprox. între Joi, 2.02. și Vineri, 3.02.
se uita la acest produs
Nivel de vânzări
în Microfoane cu Diafragmă Mică

1313 Evaluările clienților

744 Recenzii

Decent produt
Filip Suciu 05.12.2018
If you want an instrument mic and not a lot of money to spend, you can do worse than this mic.
The cable between the goose neck and the XLR adapter is really thin and fragile, so take extra care to secure it.

The sound is average, but after some EQ it comes to life. Overall a decent product.
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Tina Gheorghe 02.10.2021
Minunat! Raport calitate pret excelent! Sunet extraordinar!
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google translate gb
Din păcate a intervenit o eroare. Vă rugăm încercați din nou mai târziu.
Excellent for the price
Mickey Mack 12.06.2018
I purchased the t.bone Ovid CC 100 mic for my nylon string guitar. I play as part of an acoustic duo and I wanted to use the CC 100 mic to supplement the sound from the under-saddle pick-up fitted to my guitar. I use the CC 100 mic with a tube amp DI box for phantom power and a warmer sound.

Overall I am very pleased with the sound from the mic. I can get a more natural tone from my guitar by blending the sound from the CC 100 mic with sound from the under saddle pick-up.

(1) The mic is excellent value and costs 10% of the price of a top-of-the-range, high-end mic for similar purposes.
(2) The 13cm goose-neck fitted to the CC 100 mic makes it relatively easy to adjust the position of the mic, close to my guitar's 'sweet spot' (behind the saddle).
(3) The 2 meter cable is long enough to reach my DI box (on the floor) whilst allowing me plenty of room to play comfortably.
(4) The mini-XLR feels well made.
(5) Surprisingly, the box the item ships with contains a custom cut foam insert, which I found useful. I added the foam insert to a hard-case that I use for transporting my gear which protects the CC 100.

(1) The mic is a little 'boom-ey' unless I add extra support to better secure the mic into the holder.
(2) The cable is very thin and doesn't feel strong. it could be better built; if you take care while handling the mic system, it should be okay.

I think the CC 100 is an excellent (affordable) choice for those who want to blend a mic sound with the sound from a pick-up or for those who wish to mic an acoustic instrument that currently has no pick-up. It's not as good as a top-of-the-range mic, but it's excellent quality for the price. In fact, I liked it on my nylon string so much, I bought a second one for my steel string acoustic!

I'd fully recommend the product to anyone on a tight budget.
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google translate gb
Din păcate a intervenit o eroare. Vă rugăm încercați din nou mai târziu.
Fantastic Mics
Thomas E. 235 06.09.2013
I've been amazed at the versatility of this mic. I've tried it on guitar, violin, viola, cello, accordion (right hand), concertina, hammer dulcimer, and even as drum overheads. I have seen them being used to great effect on highland pipes with Peatbog Faeries at Sidmouth Folk Festival. I believe it to be a fantastic all round mic for close micing live or in the studio. It has good rear rejection and it doesn't feed back unexpectedly.

On violins and violas, so many other pickups and mics overdo the treble response, leaving the violin sounding harsh and cheap. This one has a much warmer tone and reproduces the violin's natural sound very well if the mic is placed directly above the bridge. I have found the best location for the clip is the lower left corner of the body. The best position for guitar was also as close to the bridge as possible.

The violin clip and guitar clip are able to be attached to practically anything they will fit around and, with a good squeeze, don't fall off even when playing vigorously. The rubber holder that supports the mic means that knocks on the bodywork are not picked up directly. This makes it ideal for micing the underside of a dulcimer.

Overall, I am very pleased with these mics, to the extent that I will be purchasing a third one soon!
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