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the t.bone Ovid System Cello Bundle

3.5 out of 5 stars from 6 customer ratings

Bundle offer comprising

the t.bone Ovid System CC 100

Condenser Clip Microphone for Ovid System

  • Directional characteristic: Cardioid
  • Frequency response: 20 - 20,000 Hz
  • Flexible gooseneck for an easy instrument setup
  • 3-Pin Mini XLR connector for operation with t.bone wireless systems (also suitable for AKG wireless systems)
  • Gooseneck length: 130 mm
  • Cable length: 2 m
  • Easy to install and can be used with different instrument clips (not included, must be ordered separately)
  • Includes an XLR phantom power adapter (phantom power required) and a foam windshield

the t.bone Ovid System Cello Clip

Modular cello microphone holder for Ovid System

  • Easy installation without tools
  • Black rubber end caps protect the instrument from damaging
  • Set screw
  • Width: 59 mm

the t.bone Ovid System Case

Plastic Case

  • With recess for all Ovid system microphone clamps and the CC 100 microphone
  • Outer Dimensions: 30 x 23 x 7.5 cm
Available since May 2012
Item number 282629
Sales Unit 1 piece(s)
Microphone Set For Guitars No
Microphone Set For Drums No
Microphone Set For Vocals & Speech No
Microphone Set For Cameras No
Microphone Set For Wind Instruments No
Pickup System Microphone
Clip-On Microphone Yes
Output XLR
Condenser Microphone Yes
Passive Yes
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82
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A clip mic that won't get in the way

The Ovid System CC 100 from the t.bone is a condenser clip microphone for recording musical instruments. Its cardioid polar pattern ensures that the sound of the respective instrument is picked up directly, and as it is designed for the t.bone's Ovid system and features a three-pole mini-XLR connection as its signal output, it is suitable for use with wireless systems from both the t.bone and AKG. As a condenser microphone, the CC 100 of course requires phantom power, so the scope of delivery includes an XLR phantom adapter that can also be used to connect the mic to a mixing desk, and the integrated 2m cable additionally allows a high degree of freedom. Altogether, this range of features makes the t.bone Ovid System CC 100 an affordable microphone for recording instruments with a direct, high-quality sound. In this bundle, the microphone is supplied with a suitable clip for attaching it to the cello and a robust case.

the t.bone Ovid System CC 100 clip microphone

Optimum signal transmission

The t.bone Ovid System CC 100 covers a frequency response from 20Hz to 20kHz with a maximum sound pressure level (SPL) of 110dB. The mic's sensitivity is 8.7mV/Pa, which means that slightly more amplification is required for an optimum signal transmission than in the case of a microphone with a high sensitivity level. Thanks to its signal-to-noise ratio of just 73.7dB, the proportion of noise in the signal is also minimised. It should be noted, however, that this microphone must be handled with the utmost case, as even dropping it can result in severe damage. For this reason, the microphone should always be stored in the supplied microphone case when not in use, and it should only be cleaned using a moist cloth.

the t.bone Ovid System Cello Clip

Direct recording for instruments

This extremely compact clip microphone, which weighs just 88 grams, is ideal for miking up instruments during live performances, where users will certainly appreciate both its small design envelope and wide frequency response, while its cardioid polar pattern will keep the signal virtually free from unwanted sound from sources in the background. It can be attached directly to the instrument with the clip included in the bundle. By adding a wireless transmitter to the setup, musicians can then move around freely on stage without having to pay attention to how far their instrument is from the microphone. What is more, the scope of delivery additionally includes a foam windshield to prevent the occurrence of unwanted noise when the microphone is moved around.

the t.bone Ovid System CC 100 with accessories

About the t.bone

Since 1994, the t.bone has been one of Thomann’s in-house brands, and its name can be found on devices such as headphones, wireless systems, in-ear equipment, and various microphones and matching accessories. “the t.bone” products are made exclusively by renowned companies who also manufacture products for other well-known brands. This provides a clear advantage: Brand-quality products at very reasonable prices. And word gets around: One in seven Thomann customers has already bought at least one product from the t.bone.

Flexible connectivity

The bottom of the t.bone Ovid System CC 100's gooseneck tapers off into a removable 2m cable, which features a three-pin mini-XLR plug that can be connected to the t.bone CC 100 EW phantom adapter and is lightweight enough to be pleasantly inconspicuous. The adapter in turn allows the microphone to be connected to a mixing desk, a multi-track recorder, or an audio interface, while the t.bone's optionally available Ovid System HD Cable EW lets the user connect it to Sennheiser's EW-series wireless systems. Last but not least, the gooseneck itself, which is 13cm in length, makes it possible to precisely align the t.bone Ovid System CC 100 microphone to its sound source.

6 Customer ratings

3.5 / 5

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6 Reviews

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C
Nicht schlecht
Carsten806 08.08.2012
Auf der suche nach einem Mikrofon für mein Cello hab ich lange viele dinge ausprobiert und gesucht. Immer ein Mikro mit nem Stativ am Cello zu haben sieht irgendwie nicht immer toll aus und geht mit der Zeit auf die Nerven.
Ich wollte aber keinen Tonabnehmer, da mir der Klang des Cellos doch recht wichtig war. Eine Alternative von der ich lange geträumt habe war das DPA 4099 C, was jedoch für knapp 450 Euro leicht zu teuer war (für mich zumindest, bei regelmäßigem gebrauch auf größeren bühnen eventuell doch eine Überlegung wert).
Ich habe das Mikro gestern das erste mal ein wenig getestet und war positiv überrascht. Es ist nicht schlecht und in der Handhabung relativ leicht anzubauen. ABER: Ohne EQ Eingriff klingt es schnell merkwürdig. Es ist also kein Mikro, wo man grad anbaut, einstöpseln und los. Man sollte sich schon ein wenig Zeit nehmen für einen anständigen Soundcheck.
Was mir noch aufgefallen ist, es ist stark Anfällig für Rückkuplung. Hab ich bei anderen Mikros nicht so stark empfunden, wird also mit Monitoring eventuell schwer, wenn man auf lauten Bühnen spielt.

TROTZDEM: für das Geld ist es ein gutes Mikro, vor allem wenn man für 4-6 mal wo man sowas im Jahr braucht keine 450 Euro ausgeben will.
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J
Très bon rapport qualité /prix
Jean-Marc546 03.11.2013
agréablement surpris par le son de ce micro (que je ne comparerai pas au DPA "équivalent" plus cher et d'excellente qualité ) qui retransmet fidèlement le timbre de mon Guembri .Le système de fixation est également bien etudié .En bref un micro de qualité sans se ruiner .
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Angemessen
pipensmok 05.08.2012
Die Montage vom Klettband ist zwar etwas fummelig, macht aber das Teil unheimlich flexibel im Gegensatz zu Klemmen. (paßt auch an einen F-Bass). Das hauchzarte Kabel reicht bis auf den Boden, wo das Phantomspeiseteilchen steht. Für live und das Geld unschlagbar!
Ergänzung nach einigen Auftritten: Das Kabel ist Schrott! Dem entsprechend Verarbeitungspunkt-Abzug.
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E
super déçu
Emmanuel2541 05.06.2015
je l'ai utilisé à 2 répétitions, en étant satisfait , et il ne marche plus : super déçu!!!
ça fait cher de la répétition, et pourtant j'en ai pris soin
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