Harley Benton R-458BK MultiScale

This should be either considered a project guitar or just a toy to mess around with, but not a final product for studio sessions or live performances as is.

However, the fretboard is near perfect, the D profile neck is very comfortable and the body is pretty decent, and those are the most important parts as swapping either would not seem reasonable.

The passive humbuckers are trash (at least for playing on the low strings), pure mud, but the shape is fortunately exactly the same as an EMG 808 or a Fishman Fluence 8 soapbox and there is enough space for a 9V battery under the hood to go active without too much hassle.

The bundled string set was clearly not meant for a multiscale guitar (the tensions are all over the place) and the thickest 0.065 gauge is laughably light for F#1 (even more so for E1) considering the 27" scale. Best set I found to swap to is the .strandberg* Boden Optimized Strings 8, very uniform tension - around 14 lbs for the thin end and 17 lbs for the thick end when tuning to drop E1 (EBEADGBE) according to the string tension calculators - and the total tension is pretty much same as the original, so the neck doesn't have to be adjusted too much in theory.

The tuners are not great, but I'll give them a chance and maybe stick with them if they seem manageable in the long term. Worst case scenario, they can be swapped for something better.

The bridge saddles have a lot of overhead so tuning the octaves shouldn't be an issue and the strings go through the body, which is nice but also a potential issue for thicker string clearance.

The nut needs some fine-tuning (especially when swapping to a heavier string set), but doesn't need to be replaced necessarily.

There are some minor factory dents and scratches, so maybe not the best guitar to put behind glass...

I'm also missing the double dot for the 12th frets from the top of the fretboard (the side has it), but that's beyond nitpicking.

Unfortunately the initial setup was appalling (the bridge pickup laying at an angle, the bridge saddles were not tuned, the strings were hitting the pickups etc.), but it shouldn't matter that much when swapping pickups and strings anyway...

tl;dr:
- swap passive pickups to active ones like EMG 808(X) or Fishman Fluence Modern/Tosin Abasi 8-string (a set of these cost more than the guitar itself, which is a bit silly)
- swap strings to .strandberg* Boden Optimized Strings 8 or similar
- maybe swap the tuners for locking ones?

The end product should be a very usable mid-range 8 string multiscale axe for nearly half price compared to the cheapest alternatives!

A pár negatív értékelés ellenére megrendeltem a gitárt, és azt kell hogy mondjam, ennyiért jobbat nem találsz. Ha csak szeretnéd kipróbálni, hogy megtetszik-e a 8 húros darálás, viszont nem szeretnél ennek az árnak a NÉGYszereséért tenni egy próbát, akkor teljes mértékben ajánlom.

A gitár kifogástalan állapotban érkezett meg hozzám, és ahogy belefogtam már éreztem az erőt. A hangzása valóban nem elég éles az alsóbb húrokon, de a pick up cserével együtt sem lesz annyi, mint egy hasonló gitár. Én nem vagyok gitár-felvevős alkat, csak jammelek rajta előszeretettel, szóval engem nem zavar. A gitárnak 27-25.5 nyaka van, szóval a kezemnek még kellemesebb is mint a 7 húros jacksonom.

Végszóként örülök hogy rátaláltam az oldalra, és a gitárra. Füstöljön az a gitárhúr! :)

For less than the price of a basic 6-string Squire, this guitar is amazing. If you're looking for an 8-string fanned-fret metal machine, this is seriously worth considering.

Electronics: This is the weak point, but for the price, this shouldn't be a surprise. It has dime pots and the tone control works like a switch. The neck pickup is extremely muddy with the low notes, but has a really nice round tone in the upper octave. The bridge pickup, however, is nice and bright across the whole sonic range. The switch and jack are noiseless and the soldering seems solid.

Neck: This has a shallow D neck similar to my Warwick corvette 6 string bass, which is a profile I really like. The fretwork is surprisingly nice, but not perfect. The ends are rounded and there are no sharp edges, similar to the work you find on a low-end Schecter. The frets could, however, have been polished up a little more, and I found a few that could be re-crowned. The rosewood on the fingerboard was BONE DRY when I got it and it took two applications of lemon oil to get it looking healthy and happy. The back of the neck is sealed, but not coated in lacquer--again, a choice I'm pleased with. The action was pretty good out of the box and it was 1/2 step out of tune. I like my action as low as possible, and a quick truss rod and saddle adjustment made it really easy to play. This is my first fanned-fret guitar, and I'm hooked. If it were in charge of design, I'd have left the neck free from fret markers, or done something more interesting, but the jumbo dots all on one side are fine. The strings it comes with are WAY too light for an 8 string. I put on some 11-80 NYXLs and they feel great. The nut is really sharp on the edges, but a fine file fixed that for me. Weirdly, the cuts in the nut for the low strings are not parallel to the fretboard - they are higher on the headstock side and lower on the fretboard side.

Body: It currently only comes in black and white, which is...boring. I have a white Schecter 7 string, so I opted for the all-black. The electronics cavity cover is, surprisingly, just as shiny as the body once you take the plastic off, which is a nice touch. The finish had some fine swirly scratches behind the bridge, but I plan to refinish it with color-shift paint, so I'm not worried about them. The body is quite small, thin, and light compared to my Schecter. The contours are really nice and it's no work at all to hit the 24th fret.

Final thoughts: This guitar is amazing for the money. The quality is incredible and it's nice to see that corners weren't cut with the neck, fretwork, and playability. Cheap electronics are to be expected, but they do the job and swapping them out is a relatively easy task. If you're considering an 8 string, this is a great choice.

I bought this guitar mostly for fun, but also to experiment with extended range tunings, during the Covid-19 lockdown for £138 inc shipping. It took a while to get here, but I wasn't disappointed!

Having read the other reviews here and from watching demos on You-Tube, I was expecting to have issues with pickups, frets and tuners, but it I may have got lucky with 2 out of 3.
Mine was almost playable, right out of the box (nearly in tune!) with only an adjustment to the intonation on 1 string and tightening the tuners required to get up and running.

Starting at the top:

Headstock
The pearlescent Harley Benton logo has been moved in-between the 4-a-side tuners; an improvement from previous models, where it was stuck at the very end.
The tuners are unbranded and non-locking but once tightened up should function well enough. Considering it's a fixed bridge guitar, you wouldn't expect tuning stability issues, but all the strings are angled at the nut and this caused my D string to stick slightly, so mine will need re-filed. (While I'm at it I may just replace it for a black graphite type nut, as the white one looks a bit out of place)
The strings that came on the guitar are pretty decent, although they are lighter than the 10s mentioned in the specification

Neck
The C-profile is comfortable with a fast non-stick, satin finish and a tidy scarf joint between the 1st and 3rd frets. Slight neck-relief helps with bends and stops the F# string from rattling off the frets. The fingerboard is excellent, but a little dry and will need oiled, with offset dot-markers (3 at the 24th fret but only 1 at the 12th). On my example, the fret-ends had been well filed, with no sharp edges and the frets were well levelled for a low, buzz-free action, without any dead spots.
On the down side however, after levelling, the frets have not been crowned or polished, leaving them feeling pretty rough and scratchy on the strings.

Body
The neck/body joint is tight and well constructed with 5 bolts and a rounded heel. Access to the top frets is unrestricted and comfortable.
The black gloss finish was pretty good, although I had a couple of tiny dents and scratches and you can make out a bit of orange peel if you hold it to the light.

Pick-ups/Electronics
A lot of people complained of muddy sounding pick-ups with this guitar. Looks like it has been addressed by ditching the pre-amp and going passive, because my example sounds great, on both clean and hi-gain settings.
The huge shielded control cavity seems empty considering it now only houses 1 500K volume, 1 tone control and 1 three-way selector, but I suppose it keeps the weight down and maybe adds some resonance.
I've yet to remove the pups, so I don't know if there's a connection available for a coil-tap, but if so, I'd change out the 3-way switch for a 5-way.

Bridge
On this guitar there are 8 individual bridges, each with their own intonation and string height adjustment. They are well rounded and comfortable for palm muting. Strings are routed through body and the ferrules are all standard guitar-string size, so if you want to use bass strings for the F# and B, you'll need to get do some modification.

All-in-all for the price, this a suprisingly playable guitar which could easily be made gig-able by tweaking the frets, nut and tuners. I know a lot of people are buying this as a cheap alternative to Ibanez/Jackson/Schecter and adding in custom pick-ups, which often cost more than the guitar itself. This might not be necessary any more to get a decent sound. Without the active electronics muddying everything up, with a bit of tweaking of your amp's EQ settings, this beast is capable of suprising tonal variety, from djent to djazz!