YF
Did not disappoint
This mic is amazing. Those who can not say the same, clearly dont know how to use a mic. There is no cons with this, AT ALL! It sound great straight out of the box. Have tried it with both female voice and my own male voice.
My use primarily is acoustic, with both guitar and vocal. Both sound amazing. I was actually blown away by what i got in a stereo setup, where i got this set at the bridge/bottom of the guitar, and ohh boy what a result.
I had always bought the mics (i have plenty i think), for those of us that are on a budget. So this was bought from a lot of research, and ONE thing in particular. And that´s the inherent noise, which is on ridiculous low 7DB (which is fucking awsome guys!). YOU NEED THAT if you want to make a descent pro sounding recording. Not to burst anyone´s bubble, but it´s the truth sadly. Im awake now, and i learned the hard way, thats the most important thing with a mic, and if you want to create a great result. In my beginning, learning from my buys i had no way to rescue my recordings with noise remover plug-ins or anything. And i bought only the best of the best low budget mic´s, but sadly and for some strange reason nobody speaks of this, which is just strange, fucked up, and ludacris!
The other mic i have used most lately in the stereo setup is the Rode NT5, which have 16DB inherent noise. That worked fine, and i could release singles with those two. But i need the KM 184 also from Neumann, which have 13 DB, and then i´ll be set.
Result = Go for a stereo setup with a small condenser mic at 12 fret, and large at the bridge (a large mic capture even more bass)
Go for as low inherent self noise as you can afford.
Worth every penny!
My use primarily is acoustic, with both guitar and vocal. Both sound amazing. I was actually blown away by what i got in a stereo setup, where i got this set at the bridge/bottom of the guitar, and ohh boy what a result.
I had always bought the mics (i have plenty i think), for those of us that are on a budget. So this was bought from a lot of research, and ONE thing in particular. And that´s the inherent noise, which is on ridiculous low 7DB (which is fucking awsome guys!). YOU NEED THAT if you want to make a descent pro sounding recording. Not to burst anyone´s bubble, but it´s the truth sadly. Im awake now, and i learned the hard way, thats the most important thing with a mic, and if you want to create a great result. In my beginning, learning from my buys i had no way to rescue my recordings with noise remover plug-ins or anything. And i bought only the best of the best low budget mic´s, but sadly and for some strange reason nobody speaks of this, which is just strange, fucked up, and ludacris!
The other mic i have used most lately in the stereo setup is the Rode NT5, which have 16DB inherent noise. That worked fine, and i could release singles with those two. But i need the KM 184 also from Neumann, which have 13 DB, and then i´ll be set.
Result = Go for a stereo setup with a small condenser mic at 12 fret, and large at the bridge (a large mic capture even more bass)
Go for as low inherent self noise as you can afford.
Worth every penny!
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