Meris Ottobit Jr. Pedal

41

Effects pedal

  • Bit Crusher / Sample Reduction / Step Sequencer
  • Pedal version of the Meris 500 series Ottobit
  • 2 Sequencer types: Pitch Seq / Filter Seq
  • Sample reduction from 48 kHz to 48 Hz
  • Bit Depth Reduction from 24 to 1 bit
  • Up to 16 presets via MIDI
  • 24 Bit AD / DA with 32 bit floating point DSP
  • Selector Bypass (True / Relay Bypass or Buffered Bypass)
  • Switchable headroom for guitars / line level input levels
  • Tap Tempo function
  • Analog signal path
  • MIDI In / Out / Preset selection / external Tap Tempo available via EXP jack
  • Analog wet / dry mix
  • Presets selectable via external 4-preset switch or MIDI
  • Controls for sample rate, filter, bits, stutter, sequencer, sequencer mult
  • Alt (hold) button for activating alternative controller functions
  • Sequencer Type button to select between Pitch Seq / Filter Seq
  • Bypass foot switch
  • Tap foot switch
  • Status LEDs
  • Metal housing
  • 6.3 mm TRS input - stereo / mono switchable
  • 2x 6.3 mm mono jack (L / R) outputs
  • 6.3 mm TRS Exp / Tap Tempo / external foot switch / MIDI jack
  • Power supply with 9 V DC power supply (2.1 mm x 5.5 mm coaxial connection, polarity (-) inside, not included)
  • Current consumption <150 mA
  • Dimensions (L x W x H): 115 x 107 x 67 mm
  • Weight: 410 g
  • Made in USA

Note: Battery operation is not supported.

Note: Register your product on www.w-distribution.de/Warranty and extend your warranty to four years.

Bemærk Registrer dit køb på www.w-distribution.de/en/Warranty for en udvidet garanti på 4 år.
Fås siden Maj 2017
Artikelnummer 414201
salgsenhed 1 stk
2.650 kr
Alle priser inkl. moms
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Produktet er på lager og klar til afsendelse.

Information om forsendelse
Gratis levering. Forventet mellem tirsdag, 7.05. og onsdag, 8.05.
1

41 Kundebedømmelser

4.7 / 5

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31 Anmeldelser

E
Ecxeptional
Eustacius 28.01.2018
This is a wonderful pedal that sound absolutely fantastic. With the sample rate, filter at bits knobs you can dial in everything from subtle breakup to pure arcade machine noise. The pedal can be used for many different things. The filter is so smooth that I sometimes forget it's on. Read the manual, but as it turns out, the pedal is extremely easy to use.
I have no complains. Built quality is top notch. It's fun to play with. Would have loved a "blend-with-original-tone" option and a resonance for the filter, but there's plenty of sound opportunities as it is.
I use it in a home studio and it works beautifully anywhere in the signal chain. I have used it on electric guitar and synthesizer.
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R
Fantastic sounding pedal
RNK76 06.01.2021
Sonic pleasures, many sweetspots.
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EH
Great sound manipulation
Emil H 03.10.2022
Great pedal i you love glitchy crunchy sound design love it on every thing from My drum synths to My bass guitar. It can give som subtile tecstures with the right use of the filter and the bit reduction and get som murderes vidio game fuzz tones cranke it

It's a great Fyn wild pedal so if you love to play with sound then swing the cart and get to crushing some bits
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google translate gb
Der opstod en fejl. Prøv igen senere.
d
Not really stereo
doktormandrake 18.06.2022
I wanted to love this pedal (it seems that everyone else does) but there were too many small issues and one big one, so I'll be getting a refund unfortunately.

The biggest problem was that the stereo input sums to mono as soon as you try to use the stutter or sequencer effects. So playing with the sample rate, filter and bit rate knobs with stereo audio works as expected, with nice crushed stereo audio coming out of the pedal as long as the stutter and sequencer are turned off. But as soon as you enable one of them then everything switches to mono. I contacted Meris and they said that was expected behaviour, but to me it seems like a massive shortcoming.

Other more minor gripes:

- I couldn't get the bit crush effect to work nicely with the sample I was using, with lots of space between notes. The same sample in Ableton Redux or Tritik Krush would preserve the silence between notes as I reduce the bit rate, but the Ottobit would emit an annoying hum until I turned the bit rate back up, as if there was some artifact from the algorithm or something (I've no idea).

- The input is stereo TRS and the output is 2x mono, which seemed a bit weird - maybe not a big deal though.

- It might get easier with practice, but the dual ALT controls for setting up the sequencer meant that I kept deafening myself by trying to adjust the bit rate after using that same knob to set up the sequencer. Also personally I found the dual controls quite confusing, like you have to try and remember whether the current state of a knob actually corresponds to what you're hearing, or if it's just left like that from adjusting the sequencer.
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