Orange Fur Coat

Fuzz pedal

  • For electric guitar
  • Inspired by Foxx Tone Machine
  • Controls: Volume, Fuzz, EQ, and Octave (adds a higher octave)
  • Operation via 9V battery or optional 9 or 12 V DC power supply, 12 V increases the headroom and the output volume (not included in the scope of delivery, e.g. Art 233089)
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Sound samples

 
0:00
  • Fuzzline1 Off/On
  • Fuzzline 2 Off/On
  • Fuzzline 3 Off/On
  • Fuzzline 4 Off/On
  • Metal Off/On
  • Rock Off/On
  • Stoner Off/On

Further information

Overdrive No
Distortion No
Fuzz Yes
Metal No
3 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.7 / 5.0
  • handling
  • features
  • sound
  • quality
2 written ratings
Total
features
sound
quality
handling

Noise machine, in the good sense...

Jimifeed2, 23.01.2018
I never had a fuzz (except for digital simulations in multifx). I was attracted by the reviews online, and the possibility to mix the octave (and also by the killer artwork!), and I wanted to add a different character to my pedal board (I have a Keeley Tone Workstation with two overdrives).
Pros: tone is great, with tons of available gain. The tone control allows to shift from Big Muff to more modern territory. The octave is handy, although it works better on high notes with the neck pick-up: sounds a' la Jack White...while without octave you can easily get into Sabbath land!
Cons: quite noisy, and the volume/level control is not really effective. Gain is high even at minimum fuzz level, so dont expect to use it for delicate distortions. I have not tried it with 12V, the reviews mention it would increase volume and headroom.
Note of caution: be careful where you put it in the signal chain. A compressor afterwards would kill it, while a low gain overdrive changes its tone pleasantly.
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Total
features
sound
quality
handling

Brachial and independent

Funkyfanman, 31.05.2018
Orange's Fuzz pedal is built for the gig. Heavy, solid, with kick protection in front of the potentiometers.

I tested the pedal with a Hagstrom Tremar Viking Deluxe on a Mesa DC-5 and an Ampeg Vl502.

The effect behaves in the bypass absolutely sound-neutral and even when switched on, the noise keeps in pleasing limits.

The ground sound in normal mode, which is set with the fuzz, volume and tone controls, is a fairly modern, full and bass-heavy fuzz sound. The Zerre starts at lower settings of the knob at quite extreme values, but can be wonderfully tamed by the volume potion of the passive guitar. The basic sound is suitable for hard stony riffs as well as single-song tunes with endless sustain. Solo sounds of the darker sort are no problem for the still differentiated sounding pedal despite the brutality.

When Octave is switched on, the pedal can be used, at least with humbuckers, more for solo sounds; especially at higher octave settings, chords become undifferentiated. For solos, this mode is predestined; the sound is extremely assertive and freaky, but does not sound like a simple copy of the old classics.

Overall, this is a relatively expensive, but versatile and in all situations good sounding pedal with switchable solosound. The only criticism on my part: The LED indicates the change of mode by a minimal change of color. This is often difficult to perceive. A clear difference would be desirable here.
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In stock within 5-6 weeks
In stock within 5-6 weeks

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Free test review
MusicRadar.com Orange Fur Coat
Orange Fur Coat
MusicRadar.com (3/2018)
Test Report
 
 
 
 
 
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