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Haun MBC660 L

Condenser Microphone

Universal application (such as for acoustic instruments, voice or as a drum overhead)

  • Cardioid characteristics
  • Exclusively made for Thomann
  • German production
  • Matching microphone clip: Article Nr 181608 (not included)

Amplifier test values:

  • Spare capacity held capsule at the output: 1 kOhm
  • Noise voltage according to DIN 45405: 2 V
  • THD (for 40-20000Hz): ≤ 0,5%
  • Supply voltage: 22-48 V
  • Supply current: 1.8 mA
  • Electrical impedance at 1 kHz: 200 Ohm

Capsule test values:

  • Open circuit voltage at 1 kHz at 1 m distance: 8 mV/Pa
  • Max. SPL: 126 dB
  • Noise ratio in accordance with DIN 45590: 72 dB
  • Equiv. SPL according to IEC 179: < 15 dB A
  • All test values ​​at: 48 V
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Sound samples

 
0:00
  • Bossa Dry
  • Bossa Wet
  • Strumming Dry
  • Strumming Wet
  • Blocks Dry
  • Blocks Wet
  • Ride

Further information

Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad No
characteristic kidney

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
Haun MBC660 L 2x + Millenium MS-2001 2x + the sssnake SM10 BK 2x + K&M 21421 +
2 more
Configure bundle now
starting from 449 €
20 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.8 / 5.0
  • features
  • sound
  • quality
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15 written ratings Read all reviews
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Top quality for special applications

Norbert E., 11.12.2010
My opinion in advance: The Haun MBC660 is a top microphone at an incredibly low price. However, it is anything but an all-rounder. This makes the view of the frequency curve clear. It shows a steady bass reduction, which starts at 600 Hz, and vice versa a treble lift, which starts between 2.5 and 8 kHz depending on the angle of incidence. The matt black housing with the carefully engraved serial number makes a really expensive impression. Savings were made for the storage box and the (photocopied?) Data sheet. OK then! It is also important to know that it is a very quiet microphone. So you need a good preamplifier.

Now to my practical experiences. I used the microphone for acoustic guitar and (in stereo) for choral recordings. In the case of the guitar, the mentioned bass reduction acts as a compensation for the proximity effect. Without the use of an EQ, the sound image is almost perfect, with a clear tendency to brilliance and a beguiling silvery shimmer. Whoever is looking for this is well served here. Different with the choral recording. As the main microphone pair, I think it is inappropriate. There is simply too much the lower frequency components. As support it is conditionally. That is when you are looking for something to increase your presence.

In the case of close-miking the women's voices (in conjunction with a remote microphone pair with spherical characteristics for amplifying the volume of the room), the voices were slightly flat and partly shrill. I could correct this only with massive EQ use, with an increase of the lower frequencies and a strong lowering by 3 kHz.
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de Automatically translated (Show original)
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A dream

Till aus B., 13.01.2014
What a microphone. For my ears a very very good sound in this price class. Compared to the Rode NT5 silky in the sound, warmer height and middle.

I use the microphone for the acceptance of my HiHat. Already without much EQ settings there is a good sound.

One thing should be considered.
The microphone is pretty "hot". I use the microphone in conjunction with a Focusrite Saffire Pro 40. The gain settings of the interface are set to 0 nevertheless it tends to overshoot with snare fittings. It is therefore quite sensitive in close proximity to the snare. But this can be managed.

I do not regret the purchase.
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194 €
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