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David Gage The Realist Soundclip Cello

Pickup for Cello

  • Easy-to-install clamping cartridge
  • Adjustable weight
  • Volume control

Further information

Active No
Passive Yes
Incl. Preamp No
6 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.2 / 5.0
  • sound
  • quality
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Total
sound
quality

Really great

Jonas145, 18.02.2012
The sound clip already makes a lot of stuff. The cardboard box has an astonishingly high weight, which is immediately connected with the turmoil of quality and stability.

In addition to the clip is also a small pocket in which the clip is well protected and a small hook-and-loop tape to attach the instrument cable to the string holder to avoid unwanted noises.
However, you have to experiment a bit until the cable really does not make any noise, but you have a good position for cable and clip found, then you get a really great sound.

In general I can describe the sound as very natural, whereby the deep strings are somewhat emphasized (as the clip is attached to the Stef under the C-string) I personally feel this as a pleasant. You can also "smooth" this emphasis relatively easily with an EQ.
I also tried the Sounclip over both guitar and bass amplifiers as well as over the PA.
In the amplifiers, of course, the frequency spectrum is never really "clean". The guitar amp lacks depth, the bass amp at highs. (Of course the personal preferences and the musical direction are also decisive here. For one or the other, an amp may be the right choice).
At the PA, however, the pickup goes to full size. The sound is (as already described above) very direct. Really interesting is also the setup with one or more effects (I prefer guitar floorboards). The best sound over the PA was also achieved when playing with effects.
Also against feedbacks I feel the clip as relatively insensitive (whereby acoustic instruments, of course, always more times times feedback than their corresponding E-variants)

I can recommend the clip for all cellists who want to play not only classic music. It is much easier to assemble than most of the alternatives, and it is a bomb festival.
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Total
sound
quality

Good sound amplified, bad acoustic sound

23.06.2014
Perfect to amplify the cello in a return (the sound taken by the cell is correct for a passive cell), unfortunately once in place the felt cell so much the acoustic sound of the cello (acting as a mute), that this one projects Nothing more in acoustics. Me who wanted to take back the acoustic sound with the DPA (for the facade) and have the sound of the cell in the return, is compromised (the DPA now picks up a very timid sound). So I prefer to use a Shadow NFX cell, which has 4x less expensive, has a better sound and almost does not attenuate the acoustic sound of the cello which can therefore always be captured simultaneously to its full potential by a DPA.

In addition, in just 3 use tests, the aim of the cell has already begun to attack the wood of the easel (I have nevertheless not tightened strong). I dare not imagine the state of the wood after thirty concerts.
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387 €
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